What we think of our bodies and what we wear says something about who we are and how we belong. This was the same in the ancient world. Rosemary Canavan explores the imagery of clothing and body in the first century CE Christian writing. An examination of statuary, funerary monuments and coins in this geographical location contemporaneous with the letter's writing reveals how clothing and body images were understood. This is then placed in dialogue with the metaphorical use of clothing and body in other texts, especially the Letter to the Colossians. Social identity and rhetorical studies draw on archaeological, epigraphical, iconographical and literary sources to formulate a new approach to biblical interpretation aptly named "visual exegesis."

A critical study for those interested in the intersection of art and biblical interpretation With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation. Features Resources for understanding the relation of texts to artistic paintings and images Tools for integrating multiple approaches both to biblical and artistic interpretation Sixty images and fifteen illustrations

How did Paul depict Satan as an apocalyptic opponent? Derek R. Brown demonstrates the significance of Paul's references to Satan and demonstrates the history of Satan in the Bible and nature of Satan's inimical work.

How did Paul's term ekklesia formulate the Christian self-understanding? Young-Ho Park finds the answer in its strong civic connotation in the politico-cultural world of the Greek East under the Roman Empire. By addressing his local Gentile congregation as ekklesia in his letters, Paul effectively created a symbolic universe in which the Christ-worshippers saw themselves as the honorable citizens who represented the city before God. (Publisher).

Although recent discussions on Matthew have emphasized the document's setting within Judaism, these studies have not analyzed how the Jewish figure of John the Baptist functions within this setting. Brian Dennert steps into this gap, arguing that Matthew presents Jesus to be the continuation and culmination of John's ministry in order to strengthen the claims of Matthew's group and to vilify the opponents of his group. By doing this he encourages Jews yet to align with Matthew's group (particularly those who esteem the Baptist) and to gravitate away from its opponents. The author examines texts roughly contemporaneous with Matthew which reveal respect given to John the Baptist at the time of Matthew's composition. The examination of Matthew shows that the first Evangelist more closely connects the Baptist to Jesus while highlighting his rejection by Jewish authorities.

"Parable research has to a large degree ignored the Sermon on the Mount (SM) and for its part, research into the SM has likewise left the parables by the wayside. However, the use of parabolic language in more than one third of the SM influences its interpretation and indeed opens up a new approach to it. In the current volume, Ernst Baasland focuses on this important factor, whilst also taking the rhetoric of Jesus' teaching into consideration. The author maintains that rhetorical features have a great bearing on the interpretation of the text with the overall structure illuminating the entire composition of the sermon. Fresh insights into its oration therefore serve to challenge the source problem in a new way. The religious and philosophical settings of this most well-known of Christ's preachings are clarified by its parables and rhetoric; and the sermon's Jewish background has often been investigated. While the author continues with that particular task, he simultaneously affords more emphasis to the parallels in (Greek) Hellenistic literature. The combining of all these factors leads to a clearer comprehension of the Sermon on the Mount's philosophy of life and provides a better understanding of this classical text"--

"Ethnic values changed as Imperial Rome expanded, challenging ethnocentric values in Rome itself, as well as in Greece and Judea. Rhetorically, Roman, Greek, and Judean writers who eulogized their cities all claimed they would receive foreigners. Further, Greco-Roman narratives of urban tensions between rich and poor, proud and humble, promoted reconciliation and fellowship between social classes. Luke wrote Acts in this ethnic, economic, political context, narrating Jesus as a founder who changed laws to encourage receiving foreigners, which promoted civic, missionary growth and legitimated interests of the poor and humble. David L. Balch relates Roman art to early Christianity and introduces famous, pre-Roman Corinthian artists. He shows women visually represented as priests, compares Dionysian and Corinthian charismatic speech and argues that larger assemblies of the earliest, Pauline believers “sat” (1 Cor 14.30) in taverns. Also, the author demonstrates that the image of a pregnant woman in Revelation 12 subverts imperial claims to the divine origin of the emperor, before finally suggesting that visual representations by Roman domestic artists of “a category of women who upset expected forms of conduct” (Bergmann) encouraged early Christian women like Thecla, Perpetua and Felicitas to move beyond gender stereotypes of being victims. Balch concludes with two book reviews, one of Nicolas Wiater's book on the Greek biographer and historian Dionysius, who was a model for both Josephus and Luke-Acts, the second of a book by Frederick Brenk on Hellenistic philosophy and mystery religion in relation to earliest Christianity."--