There has been much discussion of narrative aspects of the Bible in recent years, but the ends of biblical narratives – how the ends contribute to closure for their stories and how the ending strategies affect the whole narrative – have not been studied comprehensively. This study shows how the writers and editors of short narratives in Genesis gave their stories a sense of closure (or in a few cases, the sense of non-closure). Multiple and sometimes unexpected, forms of closure are identified; together these form a set of closural conventions. This contribution to narrative poetics of the Hebrew Bible in the light of source criticism will also be valuable to those who are interested in narrative and in concepts of closure.

Inherent in every story is a view of death that reflects the human struggle of ending well, a Freudian thanatos inscribed within narrative. As a story draws to a close, the view of death found within the structure of the story's narrative will influence the ending that is produced. To examine the view of death and the closing strategies employed within a narrative, this study proposes a literary category called «narrative mortality.» Narrative mortality compares the degree of finality given to death with the amount of closure the reader experiences within the narrative. The narrative mortality of three differing biblical stories are studied within this work: The Gospel of John, the Book of Job, and the Book of Jonah. Each story employs a differing rhetorical strategy that reflects its own unique view of death and narrative closure.

Multiple and sometimes unexpected forms of closure in biblical narratives bring their stories to satisfactory close. Knowledge of these conventions and how they affect their stories is valuable to students of Bible and of narrative.

From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter's The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible's many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.

Meir Sternberg’s classic study is “an important book for those who seek to take the Bible seriously as a literary work.” (Adele Berlin, Prooftexts) In “a book to read and then reread” (Modern Language Review), Meir Sternberg “has accomplished an enormous task, enriching our understanding of the theoretical basis of Biblical narrative and giving us insight into a remarkable number of particular texts.” (Journal of the American Academy of Religion). The result is a “a brilliant work” (Choice) distinguished “both for his comprehensiveness and for the clearly-avowed faith stance from which he understands and interprets the strategies of the biblical narratives.” (Theological Studies). The Poetics of Biblical Narrative shows, in Adele Berlin’s words, “more clearly and emphatically than any book I know, that the Bible is a serious literary work―a text manifesting a highly sophisticated and successful narrative poetics.”

The third volume of an extended and systematic exploration of the relation between Christian theology and the natural sciences, focussing on the origins and place of theory in Christian theology