From the moment his first novel was published, Larry Heinemann joined the ranks of the great chroniclers of the Vietnam conflict--Philip Caputo, Tim O’Brien, and Gustav Hasford. In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells the story of his war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier. In the tradition of Naked and the Dead and The Thin Red Line, Close Quarters is the harrowing story of how a decent kid from Chicago endures an extraordinary trial-- and returns profoundly altered to a world on the threshold of change.

Below Deck meets Billionaire Romance in this fresh and captivating romance set on a megayacht in the Mediterranean...My boyfriend's billionaire boss always gets what he wants.Menacingly handsome and unquestionably powerful, Theo Whitman need only snap his fingers to have a flock of supermodels fall at his feet. So when his steel gray eyes first meet mine, I expect him to pass right over me, to not give so much as a second thought to my presence.Instead, he sees me.Truly sees me.And for a girl who prefers to hide behind her camera lens, it's the most unnerving experience of my life.Until he asks me to stay on his yacht for the summer.All I have to do to earn my keep is be Theo's on-call photographer when he has guests, and I'll get a free ride through the Mediterranean with my boyfriend. Easy peasy.Still, my skin prickles in warning when I say yes. As the humid days fade into balmy nights, I can't seem to avoid Theo. And when he finds me, it's like a rabbit running into a wolf.His intense gaze immobilizes me.The way he speaks strips me bare.Every brush of his skin sears me like a violent flame.My boyfriend's billionaire boss always gets what he wants.And this time, I think he wants me.

This shocking manual takes you through the army's close-quarter combat system as taught by its master instructor. Find out how to break a man's arm after disarming him, do a bad guy with a bayonet or entrenching tool and many more battlefield techniques. For academic study only.

Lose yourself in an epic naval journey in the second novel in the Booker Prize-winning historical fiction Sea Trilogy by the author of Lord of the Flies. This tropical nowhere was the whole world - the whole imaginable world. A decrepit warship is becalmed halfway to Australia, stilled in an ocean wilderness of heat and sea mists. In this surreal, fête-like atmosphere, a ball is held with a passing ship: the passengers dance and flirt, while beneath them seaweed like green hair spreads omniously over the hull. Half-mad with fear, drink, love and opium, both vessel and passengers feel themselves going to pieces: and the very planks seem to twist themselves alive as the ship comes apart at the seams . . . 'Fantastic ... Gems tumble off the pages ... A strong sense of drama ... Much of the pleasure of reading his work is his original imagery.' Annie Proulx 'No living writer has represented the fragility of man's experience so marvellously as Golding.' AS Byatt 'It is in Golding's magnificent, therapeutic, terrifying descriptions of seascapes that the deepest meanings can be found.' Kate Mosse 'Stunning . . . As exciting as any thriller.' Sunday Times 'A feat of imaginative reconstruction, as vivid as a dream.' Daily Mail 'Tells an utterly absorbing tale, in language of immense force and subtlety.' Financial Times To The Ends of the Earth: A Sea Trilogy - Book Two

Even by SAS standards Mike Curtis has had a remarkable career. A former coal miner and likely Welsh international, he served with 2 Para in the Falklands before going on to join the SAS. In C.Q.B. he describes his gruelling experience in the Falklands and also focus on two more of his major SAS operations; the first in Iraq where he spent several weeks behind enemy lines; the second in Bosnia where he worked closely with all factions and latterly led a close protection team guarding visiting heads of State. Goose Green, the first land battle of the Falklands conflict, was the longest, hardest-fought, and most controversial. The outcome there was to set the tone for the remainder of the war, affect international opinion and the morale and determination of both armies. The SAS infiltrated Iraq in two guises - as road-watch patrols and mobile fighting columns. Constituting the biggest SAS overland fighting force since the Second World War, Mike Curtis's troop constituted a coherent, mobile weapon able to operate round the clock and defend itself against surprise attack. C.Q.B. is also the first published account of the SAS's activities in former Yugoslavia by a Close Quarter Battle Specialist and John Major's personal bodyguard.

On a transatlantic cruise to New York, sculptor Rhys Matherton struggles to piece his life back together after losing his mother, inheriting a fortune, and finding out his father isn't his father after all. He spills a tray of drinks on a handsome stranger, then he finds himself up against a wall getting the best hand-job he's ever had. And for the first time in his life, he feels whole. Rhys enjoys the company of Silas Quint, but for the eerie way no one pays attention to them even while they kiss in a crowded bar. Silas explains he's a forest fae able to glamour the room around them--and more importantly, that he's on the cruise to hunt vampires. Rhys thinks Silas is full of it, until he discovers vampires are real, and he's part of their main course. Silas Quint can't be distracted by a human lover, even one as lovely as Rhys. Stuck in the middle of the ocean, he has barely enough energy to hunt the vampires he's been sent to destroy. Rhys is full of the one thing Silas needs most--the element of living plants. Only sucking energy from Rhys would make Silas as soulless as the creatures he hunts. How can he keep Rhys safe, without becoming like the very monsters he hunts?

To the Ends of the Earth, William Golding's great sea trilogy, presents the extraordinary story of a warship's troubled journey to Australia in the early 1800s. Told through the pages of Edmund Talbolt's journall--with equal measure of wit and disdain--it records the mounting tensions and growing misfortunes aboard the ancient ship. An instant maritime classic, and one of Golding's finest achievements, the trilogy was adapted into a major three-part Mastpiece Theatre drama in 2006.