A striking portrait of one of the most fascinating women in Roman history Noble and notorious, the flamboyant Clodia Metelli was the object of passion in poetry and prose in ancient Rome and appears in more written sources than any other woman of her day. Cicero, in a famous oration, branded her a whore yet in private correspondence mentions seeking her help. Her stormy affair with the poet Catullus—the Western world’s first recorded romance with a real and richly characterized woman—had a profound influence on erotic literature. Bringing together works by Cicero, Catullus, and others in which Clodia plays a part, Julia Dyson Hejduk has produced a striking portrait of one of the most fascinating women in Roman history. Her accurate and accessible English translations include not only all the classical texts that mention Clodia, but also a substantial selection of Roman erotic poetry by Propertius, Tibullus, and Ovid. While many sourcebooks offer only small illustrative excerpts, Clodia provides most sources in their entirety, such as the Pro Caelio of Cicero, nineteen complete letters, all of Catullus’s poems on “Lesbia” (his pseudonym for Clodia), and many subsequent love elegies. Hejduk’s translations please the ear while remaining faithful to the original meaning. Her introduction reviews topics in classical culture and themes in Roman love poetry, placing the texts in their literary, social, and historical context and making them accessible to high school students and undergraduates. Notes, glossary, and bibliography make the book a well-rounded teaching tool.

Volume 33 in the Oklahoma Series in Classical Culture, this title provides primary sources on Clodia Metelli, the Roman woman who influenced Cicero, Catullus, and countless others. Hejduk (classics, Baylor U.) provides accessible translations in entirety of the majority of the primary sources, including all classical texts that mention Clodia. The book is presented in three sections; the first gives the context of the woman and the time in which she lived; the second presents sources from Cicero, Catullus, Sallust, Quintilian, and Plutarch; the final offers the legacy of Clodia through Propertius, Tibullus, Ovid, and Martial. This publication contains a helpful glossary of persons and places from the classical world though does not include the original Latin of the primary sources. It is intended for advanced high school or undergraduate students.

Clodia Metelli: The Tribune's Sister is the first full-length biography of a Roman aristocrat whose colorful life, as described by her contemporaries, has inspired numerous modern works of popular fiction, art, and poetry. Clodia, widow of the consul Metellus Celer, was one of several prominent females who made a mark on history during the last decades of the Roman Republic. As the eldest sister of the populist demagogue P. Clodius Pulcher, she used her wealth and position to advance her brother's political goals. For that she was brutally reviled by Clodius' enemy, the orator M. Tullius Cicero, in a speech painting her as a scheming, debauched whore. Clodia may also have been the alluring mistress celebrated in the love poetry of Catullus, whom he calls "Lesbia" in homage to Sappho and depicts as beautiful, witty, but also false and corrupt. From Cicero's letters, finally, we receive glimpses of a very different woman, a great lady at her leisure. This study examines Clodia in the contexts of her family background, the societal expectations for a woman of her rank, and the turbulent political climate in which she operated. It weighs the value of the several kinds of testimony about her and attempts to extract a picture as faithful to historical truth as possible. The manner in which Clodia was represented in writings of the period, and the motives of their authors in portraying her as they did, together shed considerable light on the role played by female figures in Roman fiction and historiography.

"Peter Green is an outstanding translator. The reader’s excited anticipation of pleasure and instruction on receiving a new translation of a Latin poet by Green is not disappointed. This is a labor of love which makes Catullus accessible to the Latinless reader and more familiar to those who can read Latin."—Susan Treggiari, Stanford University "For almost half a century Peter Green has been one of the finest of all modern translators of classical verse. His Catullus is well up to his usual form—recapturing for a contemporary audience the wit, malice, erudition and erotic charm of the Latin original."—Mary Beard, author of The Parthenon

Rome, 80 AD Torn between a forced marriage and the threat of assassination, Clodia is desperate to escape the cruel, dangerous world of the Imperial city. But the greatest challenge the young widow faces is her forbidden desire for the one man who can save her—her fearless bodyguard slave. A proud warrior brought to Rome in chains, Artair’s hunger for freedom is almost as strong as his hunger for his beautiful domina. Artair’s fierce loyalty to Clodia soon leads him into the brutal gladiatorial arena, where he is prepared to sacrifice his life to defend her honor…

Ann Vasaly introduces representation theory into the study of Ciceronian persuasion and contends that an understanding of milieu—social, political, topographical—is crucial to understanding Ciceronian oratory. As a genre uniquely dependent on an immediate interaction between author and audience, ancient oratory becomes performance art. Vasaly investigates the way Cicero represented the contemporary physical world—places, topography, and monuments, both those seen and those merely mentioned—to his listeners and demonstrates how he used these representations to persuade. Her exceptionally well-written study deftly recaptures the immediacy of Cicero's oratory and makes a trenchant contribution to an important new area of inquiry in Classical Studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993. Ann Vasaly introduces representation theory into the study of Ciceronian persuasion and contends that an understanding of milieu—social, political, topographical—is crucial to understanding Ciceronian oratory. As a genre uniquely dependent on an immediate

"I, Clodia" is the story of Clodia Metelli—poet and lover—and her relations with her far-away paramour Catullus, her husband Metellus Celer, her brother Publius Clodius, and her accuser Cicero. By giving Clodia—the "Lesbia" of Catullus's famous love poetry—her own first-person narration, Anna Jackson upends and reinvigorates the beloved classical sequence with biting wit and tender attention. Who was Clodia and what did she think about the affair, the gossip, the scandal, the poems? Jackson honors and subverts her source material in lines that are a marvel of ventriloquism. The book's second section, "The Photographer's Secret," furthers this superb exploration of voice and portrayal. The photographer in this sequence reads, writes, gives presents, and considers the art of portraiture. But who is examining, and who is being examined? Above all else, Anna Jackson takes us within and without a range of characters in her characteristically witty style—sometimes mock breathless, sometimes dryly pointed, and always clever, stylish, and emotionally engaging.