Creatures of all kinds go to the Barista to find love, including the devilishly sexy incubus known as Dante. Dante wants to find his soul mate- someone that won't scream when they see his horns, his tail, and his...other thing. Thousands of years of seduction and power, and he still can't fill the hole in his heart. When the Barista sets Dante up with a human named Peter, he realizes that he's never wanted anyone else more. Peter is resistant though, especially when it comes to the L word. Dante has his work cut out for him if he's going to finally get his own little slice of hell. This novella has the following: Hot MONSTER Scenes Special package.... Fated Mates Love BDSM Sword Crossing And more;) The Creature Cafe Series follows the Barista and who he matchmakes. Each book will have a different monster finding their true love, tons of spicy scenes, and special *ahem* appendages. Follow Clio Evans on Instagram, Facebook, or Tiktok to stay up to date on monster related shenanigans.

Hoffer traces history's complicated partnership with its coordinate disciplines of religion, philosophy, the social sciences, literature, biography, policy studies, and law. As in ancient days, when Clio was preeminent among the other eight muses, so today, the author argues that history can and should claim pride of place in the study of past human action and thought.

In 1983, Livvie Bliss leaves western North Carolina for New York City, armed with a degree in English and a small cushion of cash from a favorite aunt. Her goal is to launch a career in publishing, but more important, to live openly as a lesbian. A rough start makes Livvie think she should give up and head home, but then a new friend helps her land a job at a literary agency run by the formidable Bea Winston. Bea hopes Livvie’s Southern charm and “boyish” good looks will help her bond with one of the agency’s most illustrious clients—the cranky Modernist writer Clio Hartt, a closeted octogenarian lesbian of the Paris Lost Generation who has rarely left her Greenwich Village apartment in four decades. When Livvie becomes Clio’s gofer and companion, the plan looks like it’s working: The two connect around their shared Carolina heritage, and their rapport gives Clio support and inspiration to think about publishing again. But something isn’t quite right with Clio’s writing. And as Livvie learns more about Clio’s relationship with playwright Flora Haynes, uncomfortable parallels emerge between Livvie’s own circle of friends and the drama-filled world of expatriate artists in the 1920s. In Clio’s final days, the writer shares a secret that could upend Livvie’s life—and the literary establishment.

Over the last four decades, women's history has developed from a new and marginal approach to history to an established and flourishing area of the discipline taught in all history departments. Clio in the Classroom makes accessible the content, key themes and concepts, and pedagogical techniques of U.S. women's history for all secondary school and college teachers. Editors Carol Berkin, Margaret S. Crocco, and Barbara Winslow have brought together a diverse group of educators to provide information and tools for those who are constructing a new syllabus or revitalizing an existing one. The essays in this volume provide concise, up-to-date overviews of American women's history from colonial times to the present that include its ethnic, racial, and regional changes. They look at conceptual frameworks key to understanding women's history and American history, such as sexuality, citizenship, consumerism, and religion. And they offer concrete approaches for the classroom, including the use of oral history, visual resources, material culture, and group learning. The volume also features a guide to print and digital resources for further information. This is an invaluable guide for women and men preparing to incorporate the study of women into their classes, as well as for those seeking fresh perspectives for their teaching.

Monarchs throughout the ages have commissioned official histories that cast their reigns in a favorable light for future generations. These accounts, sanctioned and supported by the ruling government, often gloss over the more controversial aspects of a king's or queen’s time on the throne. Instead, they present highly selective and positive readings of a monarch’s contribution to national identity and global affairs. In Clio and the Crown, Richard L. Kagan examines the official histories of Spanish monarchs from medieval times to the middle of the 18th century. He expertly guides readers through the different kinds of official histories commissioned: those whose primary focus was the monarch; those that centered on the Spanish kingdom as a whole; and those that celebrated Spain’s conquest of the New World. In doing so, Kagan also documents the life and work of individual court chroniclers, examines changes in the practice of official history, and highlights the political machinations that influenced the redaction of such histories. Just as world leaders today rely on fast-talking press officers to explain their sometimes questionable actions to the public, so too did the kings and queens of medieval and early modern Spain. Monarchs often went to great lengths to exert complete control over the official history of their reign, physically intimidating historians, destroying and seizing manuscripts and books, rewriting past histories, and restricting history writing to authorized persons. Still, the larger practice of history writing—as conducted by nonroyalist historians, various scholars and writers, and even church historians—provided a corrective to official histories. Kagan concludes that despite its blemishes, the writing of official histories contributed, however imperfectly, to the practice of historiography itself.

Now students, general readers, advocates, rehabilitation professionals, and others seeking to learn more about the history and progress of the disability rights movement can turn to a valuable new reference book, The ABC-CLIO Companion to the Disability Rights Movement. The book is designed as a general introduction to the many varied influences on the growth of this movement, including notable individuals, some of whom will be familiar to general readers, while others remain virtually unknown outside of the communities they have affected. Here, through fascinating biographical narratives, their contributions are highlighted. Nearly 500 alphabetically arranged entries explore landmark laws and court cases, prominent figures, historic events, issues, notable programs, key concepts, and centers of disability culture and education. With a detailed chronology, extensive cross-referencing, illustrations, and a subject index, this volume is an exceptionally useful reference for anyone seeking to better understand the people and events shaping the American disability rights movement.

In these visionary essays, Roy Rosenzweig charts the impact of new media on teaching, researching, preserving, presenting, and understanding history. Negotiating between the "cyberenthusiasts" who champion technological breakthroughs and the "digitalskeptics" who fear the end of traditional humanistic scholarship, Rosenzweig re-envisions academic historians' practices and professional rites while analyzing and advocating for amateur historians' achievements. While he addresses the perils of "doing history" online, Rosenzweig eloquently identifies the promises of digital work, detailing innovative strategies for powerful searches in primary and secondary sources, the increased opportunities for dialogue and debate, and, most of all, the unprecedented access afforded by the Internet. Rosenzweig draws attention to the opening up of the historical record to new voices, the availability of documents and narratives to new audiences, and the attractions of digital technologies for new and diverse practitioners. Though he celebrates digital history's democratizing influences, Rosenzweig also argues that we can only ensure the future of the past in this digital age by actively resisting the efforts of corporations to put up gates and profit from the Web.