In the restless heart of Austin, Texas, where suffocating heat darkly complements the stifling societal pressures of 2034, Rose Rulapaugh—besieged by life's harsh realities—struggles to find her place. Shattered dreams line her path: a high school pregnancy ending in tragedy and a promising education never pursued. Jobless, languishing, and living in the family's rented duplex the last five years, the burdens are multiplying. Her mom's medical condition is deteriorating, and her younger brother Jack is tripping down the father's path of irresponsibility. A hurricane sets off local tornados, destroying the duplex and swamping Austin with millions of coastal immigrants. Rose is forced to quickly find shelter for her and her dog. By a stroke of luck, she encounters Tyren, a genetic engineering postdoc student working a secret project. Tyren provides lodging in his converted garage while promising to help Rose achieve her dream of genetically resurrecting an ancient Shasta Ground Sloth. Rose's native skepticism is on high alert. Nothing could be that easy. She wonders if Tyren's generosity is from the heart, or if he's expecting 'recompense' that she's unable to provide given her difficult past and restrictive reproductive laws. As she expects, every silver lining has its clouds. Dr. Amy Lee, Tyren's boss, offers her a no-questions-asked job at a genetics company. She then chastises Rose for exposing critical projects and potentially releasing virulent pathogens. And, despite Rose's best efforts to avoid it, she and Tyren might be getting closer. Too close. Can Rose find meaning and purpose as she navigates her existential future in a city bursting at the seams from global warming? Will she be forced to choose between succumbing to life's relentless grind or embarking on a transformative quest for personal identity, agency, and even redemption?

Once confined to the research laboratory, the genetic engineering of plants is now a big business that is changing the face of modern agriculture. Giant corporations are creating designer crops with strange powers-from cholesterol-reducing soybeans to plants that act as miniature drug factories, churning out everything from vaccines to insulin. They promise great benefits: better health for consumers, more productive agriculture-even an end to world hunger. But the vision has a dark side, one of profit-driven tampering with life and the possible destruction of entire ecosystems. In Lords of the Harvest, Daniel Charles takes us deep inside research labs, farm sheds, and corporate boardrooms to reveal the hidden story behind this agricultural revolution. He tells how a handful of scientists at Monsanto drove biotechnology from the lab into the field, and how the company's opponents are fighting back with every tool available to them, including the cynical manipulation of public fears. A dramatic account of boundless ambition, political intrigue, and the quest for knowledge, Lords of the Harvest is ultimately a story of idealism and of conflicting dreams about the shape of a better world.

Twenty-third century Earth, ravaged by climate change, looks backwards to the holy ideal of a pre-industrial Eden. Political power has been grabbed by a few powerful families and their green saints. Millions of people are imprisoned in teeming cities; millions more labour on Pharaonic projects to rebuild ruined ecosystems. On the moons of Jupiter and Saturn, the Outers, descendants of refugees from Earth's repressive regimes, have constructed a wild variety of self-sufficient cities and settlements: scientific utopias crammed with exuberant creations of the genetic arts; the last outposts of every kind of democratic tradition. The fragile detente between the Outer cities and the dynasties of Earth is threatened by the ambitions of the rising generation of Outers, who want to break free of their cosy, inward-looking pocket paradises, colonise the rest of the Solar System, and drive human evolution in a hundred new directions. On Earth, many demand pre-emptive action against the Outers before it's too late; others want to exploit the talents of their scientists and gene wizards. Amid campaigns for peace and reconciliation, political machinations, crude displays of military might, and espionage by cunningly wrought agents, the two branches of humanity edge towards war...

Our brave new world is here. With modern genetic technologies, science fiction's "what if?" has become the scientist's "why not?" Bioengineering has the potential to remake animals in almost any way we can imagine, and it's being used to solve a range of urgent global problems, including climate change, species extinctions, the destruction of natural habitats, and human health issues. But just because we can do all these things, does that mean we should? In the pages of Glowing Bunnies!? you will encounter some of the strange and wonderful genetically modified animals of tomorrow. Learn why scientists are going to such lengths to mess with genes and what the ethical and health-related consequences might be. By understanding both the science and the stakes, you too can judge the potential of this budding science to save—or ruin—the world. Presented as a compendium of existing and proposed creatures, this book describes the animals being created, the scientific techniques involved, and each animal's purpose. Additionally, it addresses bioethics, unintended consequences, and animal welfare.

Lev Grossman’s new novel THE BRIGHT SWORD will be on sale July 2024 The stunning #1 New York Times bestselling conclusion to the Magicians trilogy A NEW YORK TIMES NOTABLE BOOK OF THE YEAR ONE OF THE YEAR’S BEST BOOKS • The San Francisco Chronicle • Salon • The Christian Science Monitor • AV Club • Buzzfeed • Kirkus • NY 1 • Bustle • The Globe and Mail Quentin Coldwater has been cast out of Fillory, the secret magical land of his childhood dreams. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can’t hide from his past, and it’s not long before it comes looking for him. Along with Plum, a brilliant young undergraduate with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of gray magic and desperate characters. But all roads lead back to Fillory, and his new life takes him to old haunts, like Antarctica, and to buried secrets and old friends he thought were lost forever. He uncovers the key to a sorcery masterwork, a spell that could create magical utopia, a new Fillory—but casting it will set in motion a chain of events that will bring Earth and Fillory crashing together. To save them he will have to risk sacrificing everything. The Magician’s Land is an intricate thriller, a fantastical epic, and an epic of love and redemption that brings the Magicians trilogy to a magnificent conclusion, confirming it as one of the great achievements in modern fantasy. It’s the story of a boy becoming a man, an apprentice becoming a master, and a broken land finally becoming whole.

In astonishing and unflinching detail, a noted science journalist explains how Earth's climate will be impacted with every degree of increase in global warming--and what can be done about it now.

Leading scholars examine the history of climate and literature. Essays analyse this history in terms of the contrasts between literary and climatological time, and between literal and literary atmosphere, before addressing textual representations of climate in seasons poetry, classical Greek literature, medieval Icelandic and Greenlandic sagas, and Shakespearean theatre. Beyond this, the effect of Enlightenment understandings of climate on literature are explored in Romantic poetry, North American settler literature, the novels of empire, Victorian and modernist fiction, science fiction, and Nordic noir or crime fiction. Finally, the volume addresses recent literary framings of climate in the Anthropocene, charting the rise of the climate change novel, the spectre of extinction in the contemporary cultural imagination, and the relationship between climate criticism and nuclear criticism. Together, the essays in this volume outline the discursive dimensions of climate. Climate is as old as human civilisation, as old as all attempts to apprehend and describe patterns in the weather. Because climate is weather documented, it necessarily possesses an intimate relationship with language, and through language, to literature. This volume challenges the idea that climate belongs to the realm of science and is separate from literature and the realm of the imagination.