Leading scholars examine the history of climate and literature. Essays analyse this history in terms of the contrasts between literary and climatological time, and between literal and literary atmosphere, before addressing textual representations of climate in seasons poetry, classical Greek literature, medieval Icelandic and Greenlandic sagas, and Shakespearean theatre. Beyond this, the effect of Enlightenment understandings of climate on literature are explored in Romantic poetry, North American settler literature, the novels of empire, Victorian and modernist fiction, science fiction, and Nordic noir or crime fiction. Finally, the volume addresses recent literary framings of climate in the Anthropocene, charting the rise of the climate change novel, the spectre of extinction in the contemporary cultural imagination, and the relationship between climate criticism and nuclear criticism. Together, the essays in this volume outline the discursive dimensions of climate. Climate is as old as human civilisation, as old as all attempts to apprehend and describe patterns in the weather. Because climate is weather documented, it necessarily possesses an intimate relationship with language, and through language, to literature. This volume challenges the idea that climate belongs to the realm of science and is separate from literature and the realm of the imagination.

Investigating the relationship between literature and climate, this Companion offers a genealogy of climate representations in literature while showing how literature can help us make sense of climate change. It argues that any discussion of literature and climate cannot help but be shaped by our current - and inescapable - vantage point from an era of climate change, and uncovers a longer literary history of climate that might inform our contemporary climate crisis. Essays explore the conceptualisation of climate in a range of literary and creative modes; they represent a diversity of cultural and historical perspectives, and a wide spectrum of voices and views across the categories of race, gender, and class. Key issues in climate criticism and literary studies are introduced and explained, while new and emerging concepts are discussed and debated in a final section that puts expert analyses in conversation with each other.

Introduction -- "Fear of a black planet" : ecotopia and eugenics in climate narratives -- Ghosts and reparations -- Mapping and memory -- "Bodies tell stories" : mourning and hospitality after Katrina -- Round dance and resistance -- "Slow insurrection" : dissent, collective voice, and social care -- Cannibal spirits and sacred seeds -- Epilogue: "Everyday micro-utopias".

Climate has infused the literary history of the United States, from the writings of explorers and conquerors, over early national celebrations of the American climate, to the flowering of romantic nature writing. This volume traces this complex semantic history in American thought and literature to examine rhetorical and philosophical discourses that continue to propel and constrain American climate perceptions today. It explores how American literature from its inception up until the present engages with the climate, both real and perceived. Climate and American Literature attends to the central place that the climate has historically occupied in virtually all aspects of American life, from public health and medicine, over the organization of the political system and the public sphere, to the culture of sensibility, aesthetics and literary culture. It details American inflections of climate perceptions over time to offer revealing new perspectives on one of the most pressing issues of our time.

Each chapter in this collection offers a practical approach for using literature to engage and empower students to confront aspects of climate crises. Educators from different backgrounds and parts of the world share their experience using novels, short stories, drama, poetry, and nonfiction to help students understand the causes and consequences of climate change as well as how they can contribute to potential solutions.

The more the global north has learned about the existential threat of climate change, the faster it has emitted greenhouse gases into the atmosphere. In Trauma and the Discourse of Climate Change, Lee Zimmerman thinks about why this is by examining how "climate change" has been discursively constructed, tracing how the ways we talk and write about climate change have worked to normalize a generalized, bipartisan denialism more profound than that of the overt "denialists." Suggesting that we understand that normalized denial as a form of cultural trauma, the book explores how the dominant ways of figuring knowledge about global warming disarticulate that knowledge from the trauma those figurations both represent and reproduce, and by which they remain inhabited and haunted. Its early chapters consider that process in representations of climate change across a range of disciplines and throughout the public sphere, including Al Gore’s An Inconvenient Truth, Barack Obama’s speeches and climate plans, and the 2015 Paris Agreement. Later chapters focus on how literary representations especially, for the most part, participate in such disarticulations, and on how, in grappling with the representational difficulties at the climate crisis’s heart, some works of fiction—among them Cormac McCarthy’s The Road and Russell Hoban’s Riddley Walker—work against that normalized rhetorical violence. The book closes with a meditation centered on the dream of the burning child Freud sketches in The Interpretation of Dreams. Highlighting the existential stakes of the ways we think and write about the climate, Trauma and the Discourse of Climate Change aims to offer an unfamiliar place from which to engage the astonishing quiescence of our ecocidal present. This book will be essential reading for academics and students of psychoanalysis, environmental humanities, trauma studies, literature, and environmental studies, as well as activists and others drawn to thinking about the climate crisis.

Since the Industrial Revolution, humans have transformed the Earth’s atmosphere, committing our planet to more extreme weather, rising sea levels, melting polar ice caps, and mass extinction. This period of observable human impact on the Earth’s ecosystems has been called the Anthropocene Age. The anthropogenic climate change that has impacted the Earth has also affected our literature, but criticism of the contemporary novel has not adequately recognized the literary response to this level of environmental crisis. Ecocriticism’s theories of place and planet, meanwhile, are troubled by a climate that is neither natural nor under human control. Anthropocene Fictions is the first systematic examination of the hundreds of novels that have been written about anthropogenic climate change. Drawing on climatology, the sociology and philosophy of science, geography, and environmental economics, Adam Trexler argues that the novel has become an essential tool to construct meaning in an age of climate change. The novel expands the reach of climate science beyond the laboratory or model, turning abstract predictions into subjectively tangible experiences of place, identity, and culture. Political and economic organizations are also being transformed by their struggle for sustainability. In turn, the novel has been forced to adapt to new boundaries between truth and fabrication, nature and economies, and individual choice and larger systems of natural phenomena. Anthropocene Fictions argues that new modes of inhabiting climate are of the utmost critical and political importance, when unprecedented scientific consensus has failed to lead to action. Under the Sign of Nature: Explorations in Ecocriticism