Rebuilding Cleveland is a critical study of the role that The Cleveland Foundation, the country's oldest community trust, has played in shaping public affairs in Cleveland, Ohio, over the past quarter-century. Drawing on an examination of the Foundation's private papers and more than a hundred interviews with Foundation personnel and grantees, Diana Tittle demonstrates that The Cleveland Foundation, with assets of more than $600 million, has provided continuing, catalytic leadership in its attempts to solve a wide range of Cleveland's urban problems. The Foundation's influence is more than a matter of money, Tittle shows. The combined efforts of professional philanthropists and a board of trustees traditionally dominated by Cleveland's business elite, but also including members appointed by various elected officials, have produced innovative civic leadership that neither group was able to achieve on its own. Through an examination of the Foundation's ongoing and sometimes painful organizational development, Tittle explains how the Foundation came to be an important catalyst for progressive change in Cleveland. Rebuilding Cleveland takes the reader back to 1914, when Cleveland banker Frederick C. Goff invented the concept of a community foundation and pioneered a national movement of social scientists, business leaders, and government officials that made philanthropy a more effective force for private involvement in public affairs. Tittle follows the Foundation through the 1960s, when it began a major new initiative to establish itself as a civic agenda-setter and problem solver, to the present, as a new generation of Foundation leaders continues to build upon this renewed sense ofpurpose.

Major League Winners: Using Sports and Cultural Centers as Tools for Economic Development chronicles the challenges overcome by civic leaders who are using the development of sports and cultural venues to help create diversified, vibrant, and attractive economic bases within their communities. Drawing on his 30 years of involvement with such projec

Planners face a controversial task because their professional role requires them to be spokespersons for the public interest. In a welter of conflicting pictures and voices, how might the public interest be discovered? Once identified, how might it be expressed so that competing publics attend to it? There are no easy answers, but the experience of planners today suggests ways of working and innovations of promise.The focus on planning practice prompted the editors to analyze images that are now at work in our cities. For Vale and Warner, all city design and constructions offer material that people should include in images of their environment. The built and building city are part of the experience of all city dwellers; it is theirs to incorporate, interpret, or ignore. Essays included in this text trace the interplay between physical objects of planners and architects and the social experience and outlooks of image makers and their audiences.Imaging the City explores urban image making from civic boosterism of medieval cities to iconic imagery of Times Square. Vale and Warner bring together urban historians, geographers, city planners, architects, and cultural commentators to analyze the creation of urban imagery from the signature skyscrapers of Kuala Lumpur to the re-creation of the South Bronx and the use of city images in film, literature, television, and on the Internet. Urban dwellers, urban planners, architects, municipal officials, sociologists, urban historians - all will perceive their worlds with a heightened sense of awareness after reading this book.

In an era of rowdy teams, the Cleveland Spiders (1887-1899) were baseball's rowdiest. Managed by Oliver "Patsy" Tebeau, a quick-tempered infielder, the Spiders seemed to heap abuse of one kind or another on everyone--umpires, opposing teams, even the fans. Their aggression never brought home the pennant, but Cleveland's battles with the league's top clubs, including an 1895 Temple Cup victory over the Baltimore Orioles, are now legendary. Yet the story of the Spiders amounts to more than a 12 year free-for-all. There were top-flight players like Ed McKean, George Davis, Jesse Burkett, and Cy Young. There was the racially progressive signing of Holy Cross star Louis Sockalexis, the first American Indian in the major leagues. And then there was the team's final season, 1899, when a club ravaged by syndicalism set the standard for baseball futility.