African communities still consider works of art along utilitarian lines. The local audience readily minimises the basic aesthetics of works of art to accommodate the propagandist qualities and values of such works. Therefore, we seek to serve both our immediate communities and the wider society. Clementines touches on social, political and philosophical issues discerned from my experience, perception and convictions. For the audience, you are at liberty to also appreciate these poems according to your cosmology, experience and orientation. Clementines (a Collection of Poems) is his first published work and the progenitor of others that will follow. The Brotherhood (a Play), Broken Lives(a Play) and Sentinels (another collection of Poems, Tributes, Feature Articles and Commentaries) will be published soon. Proceed, then: analyse, assess, peel it and savour it -if you must.

Clementine von Radics writes of love, loss, and the uncertainties and beauties of life with a ravishing poetic voice and piercing bravura that speak directly not only to the sensibility of her generation, but to anyone who has ever been young.

This collection bravely explores life at its darkest and most inspiring moments—drawing on central themes of love, loss, mental health, and abuse. An attempt to understand and to be understood, In a Dream You Saw a Way to Survive is an ode to vulnerability that delivers concentrated, thought-provoking, and earnest verse.

Dream Girl is a reflection on girlhood by 24 year-old poet Clementine von Radics. The collection is about the ways idealization leads to dehumanization, perception versus reality, sexism, feminism, mania, love, and Oregon. Dream Girl features poems that have gone viral on tumblr and Button Poetry, as well as 30 new poems, and illustrations by the author. This book is the much-anticipated second collection by Clementine von Radics.

This delightful New York Times bestselling chapter book series, from the award-winning author of Pax, is a modern classic that has been keeping readers engaged and laughing as they follow the hijinks of Clementine, a clever and quirky third grader who’s the most spectacular friend around. Perfect for fans of Amelia Bedelia and Ivy + Bean! Summer is coming, and Clementine is not ready. She is not ready to start speaking to her father again, because she's still mad at him for eating meat. Instead, she gives him drawings of animals she knows would not want to be somebody's dinner. Then there is the new baby on the way. Clementine's mom sure doesn't seem ready. She's suddenly crazy about cleaning (Dad says she is nesting), but she doesn't even have a name picked out yet. Clementine just hopes the baby won't be a dud. What Clementine really isn't ready for is saying good-bye to her third grade teacher. She knows Mr. D'Matz is going to tell her all kinds of things that aren't true. Everything else may be changing around her, but that doesn't mean that Clementine has. But which is worse, saying good-bye, or not saying good-bye? READ MORE! Clementine The Talented Clementine Clementine’s Letter Clementine, Friend of the Week Clementine and the Family Meeting Clementine and the Spring Trip

Keats departs from his traditional style for his one and only wordless picture book, Clementina's Cactus. Clementina and her father are out for a walk in the desert when Clementina discovers a lone cactus, all shriveled and prickly. But Clementina discovers there is something beautiful hiding inside that thick skin.

The new face of big evil is a little . . . small. Dastardly deeds aren’t exactly the first things that come to mind when one hears the name “Clementine,” but as the sole heir of the infamous Dark Lord Elithor, twelve-year-old Clementine Morcerous has been groomed since birth to be the best (worst?) Evil Overlord she can be. But everything changes the day her father is cursed by a mysterious rival. Now, Clementine must not only search for a way to break the curse, but also take on the full responsibilities of the Dark Lord. But when it’s time for her to perform dastardly deeds against the townspeople—including her brand-new friends—she begins to question her father’s code of good and evil. What if the Dark Lord Clementine doesn’t want to be a dark lord after all?