It's summer holidays in Clearwater. A young woman needs to get away from a life that is killing her; her brother asks Joe for help; Billy and Luke become bounty hunters; Mia becomes a cheerleader; a desperate man asks Joe to find his missing daughter; Natalie shows Joe a thing or six; Amber gets a job; Umberto gets his hooks into Joe again; Jimmy has Doc's back; It's another fun romp in paradise!

During the 1980s, popular fear of World War III spurred moviemakers to produce dozens of nuclear threat films. Categories ranged from monster movies to post-apocalyptic adventures to realistic depictions of nuclear war and its immediate aftermath. Coverage of atomic angst films isn't new, but this is the first book to solely analyze 1980s nuclear threat movies as a group. Entries range from classics such as The Day After and WarGames to obscurities such as Desert Warrior and Massive Retaliation. Chronological coverage of the 121 films released between 1980 and 1990 includes production details, chapter notes, and critical commentaries.

This rereading of the history of American westward expansion examines the destruction of Native American cultures as a successful campaign of "counterinsurgency." Paramilitary figures such as Daniel Boone and Davy Crockett "opened the West" and frontiersmen infiltrated the enemy, learning Indian tactics and launching "search and destroy" missions. Conventional military force was a key component but the interchange between militia, regular soldiers, volunteers and frontiersmen underscores the complexity of the conflict and the implementing of a "peace policy." The campaign's outcome rested as much on the civilian population's economic imperatives as any military action. The success of this three-century war of attrition was unparalleled but ultimately saw the victors question the morality of their own actions.