(Banjo). A complete guide for beginning and advanced banjo players! From Ken Perlman, here is a brilliant teaching guide that is destined to become the handbook on how to play the banjo. The style is easy to learn, and covers the instruction itself, basic right and left-hand positions, simple chords, and fundamental clawhammer techniques; the brush, the 'bumm-titty' strum, pull-offs, and slides. For the advanced player, there is instruction on more complicated picking, double thumbing, quick slides, fretted pull-offs, harmonics, improvisation, and more. The book includes more than 40 fun-to-play banjo tunes.

With this volume, the reader is pleasantly surprised with two books in one- Section One by Alec Slater, and Section Two by Lisa Schmitz. Alec's portion is intended as a guide for the clawhammer or frailing banjo player with some previous experience in this style. He stresses the fact that this style of music can be fully learned only from within the oral tradition in which it grew. the instruction included here is meant to provide a review, and not to take the place of qualified teacher. Alec recommends that ...anyone wanting to get this playing right, should find someone in your area who plays and have him/her teach you. Listen to it, watch it, and make it your own. In Section Two, Lisa Schmits presents an extensive collection of 163 jigs, reels, polkas, hornpipes, strathspeys, waltzes, and songs from Ireland, Scotland, the Shetland Islands, Cape Breton, New England and Southern Appalachia for banjo solo. the national origin of each tune is indicated. Lisa offers personal, authoritative settings of a great variety of tunes at an intermediate level. Written in tablature only.

A collection of banjo tablature, chords and lyrics for 50 popular jam session classics. The arrangements will provide interesting challenges for both intermediate and advanced banjo players. Also included are articles on "How do I play along in a jam session when I don't know the tunes," "What is a chord?" and "One more time - with feeling."

(Banjo). 14 Dylan classics arranged specifically for clawhammer banjo, including: All Along the Watchtower * Blowin' in the Wind * Don't Think Twice, It's All Right * Hurricane * It Ain't Me Babe * Knockin' on Heaven's Door * Lay Lady Lay * Like a Rolling Stone * Mr. Tambourine Man * Positively 4th Street * Shelter from the Storm * Tangled up in Blue * The Times They Are A-Changin' * You Ain't Goin' Nowhere.

(Banjo). Ken Perlman, today's foremost player of the style, brings you this comprehensive guide to the melodic clawhammer. Over 50 tunes in clear tablature. Learn to play authentic versions of Appalachian fiddle tunes, string band tunes, New England hornpipes, Irish jigs, Scottish reels, and more. Includes arrangements by many important contemporary players, and chapters on basic and advanced techniques. Also features over 70 musical illustrations, plus historical notes, and period photos.

This manual is intended for the clawhammer-frailing banjo player with some experience in this style already. Although not an actual instruction manual, some of the basics of the style have been included. These are intended as review only and should take the place of a qualified teacher. Some of the tunes here are quite simple and can be easily picked up by the less experienced player.

Here is a book of tunes from the Elizabethan era—the great period of English song—set in tablature for the clawhammer banjo. At first glance, it is true, the songs of Shakespeare's day and the mountain banjo seem to be worlds apart. But the musical traditions are, in fact, related, as Elizabethan songs are the old world cousins of mountain tunes. As a result, Elizabethan tunes are a natural way to extend the mountain banjo repertoire for intermediate and advanced players. Their pedigree, their modal feel, the lilting rhythms, and the ease with which they can be adapted to the banjo argue the case. At the same time, they open the possibility for new sounds—in particular new rhythms—for the old instrument, pushing the banjo beyond unnatural limitations and giving it a new voice. Each section of the book is organized around a traditional mountain tuning, with a mountain song serving as a model of that tuning, illuminating the relationship between the two musical worlds. "The Bard's Banjo" is the first banjo instruction book devoted to the repertoire of Elizabethan song. Free audio downloads are available for use with this title.