Claudia Wieser's artistic practice draws from history, architecture, and design, often playing with time and space. Influenced by artists who embraced spirituality--such as Hilma af Klint, Wassily Kandinsky, and Paul Klee--she considers abstraction and physiological experience in her installations. The Berlin-based artist's practice includes hand-painted ceramics, carved wooden sculptures, tiled mirrored works, drawings, and site-specific wallpaper with images mined from her vast archive. Claudia Wieser: Generations highlights her first solo exhibition in the United States held at the Bemis Center for Contemporary Arts and the Smart Museum of Art. Alongside images of her work, this publication features essays by curators Rachel Adams and Jennifer Carty and three interviews conducted by Maggie Taft, Igor Siddiqui, and Angelik Vizcarrondo-Laboy.

In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.

The Contemporary Museum issues a challenge to those who view the museum as an artefact of history, constrained in its outlook as much by professional, institutional and disciplinary creed, as by the collections it accumulated in the distant past. Denying that the museum can locate its purpose in the pursuit of tradition or in idealistic speculation about the future, the book asserts that this can only be found through an ongoing and proactive negotiation with the present: the contemporary. This volume is not concerned with any present, but with the peculiar circumstances of what it refers to as the ‘global contemporary’ – the sense of living in a globally connected world that is preoccupied with the contemporary. To situate the museum in this world of real and immediate need and action, beyond the reach of history, the book argues, is to empower it to challenge existing dogmas and inequalities and sweep aside old hierarchies. As a result, fundamental questions need to be asked about such things as the museum’s relationship to global time and space, to systems and technologies of knowing, to ‘the life well lived’, to the movement and rights of people, and to the psychology, permanence and organisation of culture. Incorporating diverse viewpoints from around the world, The Contemporary Museum is a follow-up volume to Museum Revolutions and, as such, should be essential reading for students in the fields of museum and heritage studies, cultural studies, communication and media studies, art history and social policy. Academics and museum professionals will also find this book a source of inspiration.

Cullman & Kravis, an AD100 Hall of Fame design firm, creates interiors in a fresh traditional style that celebrates color, unique furnishings and finishes, vibrant modern art, and the best antiques. This is their most comprehensive book in many years and celebrates a renowned firm working at the peak of its forty-year practice. Ceaseless in its pursuit to create “an alchemy of old and new,” the highly esteemed firm of Cullman & Kravis is renowned for its ability to fashion modern, cohesive, richly layered homes rooted in tradition and the respect for function and decoration. Utilizing their decades of experience, they build out rooms from the finest classical foundations, then infuse bold, stylish, and modish elements, mixing exquisite antiques with contemporary art to create truly dynamic spaces conceived to stand the test of time. The homes in this book (the majority exclusive to the volume) include sumptuous Manhattan apartments, a historic house overlooking the Long Island Sound, a contemporary beach house in the Hamptons, and a modern minimalist Palm Beach waterfront estate. Cullman & Kravis explain their approach to each, from the big picture of client preference to the smallest detail. In the process, they deliver a master class in twenty-first-century design that covers such topics as: creative solutions for imparting personality, texture, and shine, with carpets, fabrics, and finishes; when to use custom furniture and artisanal/craft/art pieces; and when to embellish with standout details and when to keep things subtle. With spectacular photography from Eric Piasecki, this volume will be a must-have for every enthusiast of interior design.

What you’ll find here is a fascinating compendium of fundamental problem formulations of analog design centering and sizing. This essential work provides a differentiated knowledge about the tasks of analog design centering and sizing. In particular, worst-case scenarios are formulated and analyzed. This work is right at the crossing point between process and design technology, and is both reference work and textbook for understanding CAD methods in analog sizing.

[The following was announced on the windows of a small blue house at dOCUMENTA (13)] : The "60 wrd/min art critic" is available. Reviews are free of charge, and are written here on Mondays, Wednesdays and Saturdays between the hours of 1 and 6 p.m. Lori Waxman will spend 25 minutes looking at submitted work and writing a 200-word review. Thoughtful responses are guaranteed. Completed reviews will be published in the Hessische/-NiedersächsischeAllgemeine (HNA) weekly, and will remain on view here throughout - dOCUMENTA (13). This book collects together all 241 reviews written during the d13 performance.

This lavishly illustrated monograph is the definitive publication on the internationally renowned Canadian artist Marcel Dzama. Characterized by an immediately recognizable cast of fanciful and frightening characters, Dzama’s work draws from a diverse range of influences, including Dada and Marcel Duchamp. While the artist is best known for his delicate psychosexual drawings, his work also includes sculpture, painting, and film. More than 500 color images from the late 1990s through the present trace the artistic evolution and tremendous talent of this highly acclaimed young artist. Textual contributions include a foreword by the contemporary artist Raymond Pettibon, three original short stories inspired by Dzama’s work by Dave Eggers, an essay by the art historian Bradley Bailey, and an interview with Dzama by the filmmaker Spike Jonze.