As anthropology continues to transform itself, this book affords a broad and balanced account of the remarkable accomplishments of one of the great intellectual innovators of the 20th century. It presents an authoritative and accessible analysis of Claude Levi-Strauss's research in anthropological theory and practice as well as his contributions to debates surrounding linguistics, epistemology, ethics, and aesthetics.

The “structural method,” first set forth in this epoch-making book, changed the very face of social anthropology. This reissue of a classic will reintroduce readers to Lévi-Strauss's understanding of man and society in terms of individuals—kinship, social organization, religion, mythology, and art.

As the most influential anthropologist of his generation, Claude Lévi-Strauss left a profound mark on the development of twentieth-century thought. Through a mixture of insights gleaned from linguistics, sociology, and ethnology, Lévi-Strauss elaborated his theory of structural unity in culture and became the preeminent representative of structural anthropology. La Pensée sauvage, first published in French in 1962, was his crowning achievement. Ranging over philosophies, historical periods, and human societies, it challenged the prevailing assumption of the superiority of modern Western culture and sought to explain the unity of human intellection. Controversially titled The Savage Mind when it was first published in English in 1966, the original translation nevertheless sparked a fascination with Lévi-Strauss’s work among Anglophone readers. Wild Thought rekindles that spark with a fresh and accessible new translation. Including critical annotations for the contemporary reader, it restores the accuracy and integrity of the book that changed the course of intellectual life in the twentieth century, making it an indispensable addition to any philosophical or anthropological library.

In a wide-ranging 2007 study of Claude Lévi-Strauss's aesthetic thought, Boris Wiseman demonstrates not only its centrality within his oeuvre but also the importance of Levi-Strauss for contemporary aesthetic enquiry. Reconstructing the internal logic of Lévi-Strauss's thinking on aesthetics, and showing how anthropological and aesthetic ideas intertwine at the most elemental levels in the elaboration of his system of thought, Wiseman demonstrates that Lévi-Strauss's aesthetic theory forms an integral part of his approach to Amerindian masks, body decoration and mythology. He reveals the significance of Lévi-Strauss's anthropological analysis of an 'untamed' mode of thinking (pensée sauvage) at work in totemism, classification and myth-making for his conception of art and aesthetic experience. In this way, structural anthropology is shown to lead to ethnoaesthetics. Lévi-Strauss, Anthropology and Aesthetics adopts a broad-ranging approach that combines the different perspectives of anthropology, philosophy, aesthetic theory and literary criticism into an unusual and imaginative whole.

When Claude Lévi-Strauss passed away in 2009 at age 100, France celebrated the life and contributions of not only a preeminent anthropologist, but one of the defining intellectuals of the 20th century. Just as Freud had shaken up the antiquarian discipline of psychiatry, so had Lévi-Strauss revolutionized anthropology, transforming it from the colonial-era study of “exotic” tribes to one consumed with fundamental questions about the nature of humanity and civilization itself. Remarkably, there has never been a biography in English of the enigmatic Claude Lévi-Strauss. Drawing on a welter of original research and interviews with the anthropologist, Patrick Wilcken’s Claude Lévi-Strauss fills this void. In rich detail, Wilcken recreates Levi-Strauss’s peripatetic life: his groundbreaking fieldwork in some of the remotest reaches of the Amazon in the 1930s; his years as a Jew in Nazi-occupied France and an emigré in wartime New York; and his return to Paris in the late 1940s, where he clashed with Jean-Paul Sartre and fundamentally influenced fellow postwar thinkers from Jacques Lacan to Michel Foucault and Roland Barthes. It was in France that structuralism, the school of thought he founded, first took hold, creating waves far beyond the field of anthropology. In his heyday, Levi-Strauss was both a hero to contemporary intellectuals, and an international celebrity. In Claude Levi-Strauss, Wilcken gives the reader a fascinating intellectual tour of the anthropologist’s landmark works: Tristes Tropiques, his most famous book, a literary meditation on his travels and fieldwork; The Savage Mind, which showed that “primitive” people are driven by the same intellectual curiosities as their Western counterparts, and finally his monumental four-volume Mythologiques, a study of the universal structures of native mythology in the Americas. In the years that Lévi-Strauss published these pioneering works, Wilcken observes, tribal societies seemed to hold the answers to the most profound questions about the human mind. Following the great anthropologist from São Paulo to the Brazilian interior, and from New York to Paris, Patrick Wilcken’s Claude Lévi-Strauss is both an evocative journey and an intellectual biography of one of the 20th century’s most influential minds.

"The Naked Man is the fourth and final volume [of Mythologiques], written by the most influential and probably the most controversial anthropologist of our time. . . . Myths from North and South America are set side by side to show their transformations: in passing from person to person and place to place, a myth can change its content and yet retain its structural principles. . . . Apart from the complicated transformations discovered and the fascinating constructions placed on these, the stories themselves provide a feast."—Betty Abel, Contemporary Review "Lévi-Strauss uses the structural method he developed to analyze and 'decode' the mythology of native North Americans, focusing on the area west of the Rockies. . . . [The author] takes the opportunity to refute arguments against his method; his chapter 'Finale' is a defense of structural analysis as well as the closing statement of this four-volume opus which started with an 'Ouverture' in The Raw and the Cooked."—Library Journal "The culmination of one of the major intellectual feats of our time."—Paul Stuewe, Quill and Quire