Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.

, Martin M. Winkler, and Maria Wyke--Peter Bondanella, Indiana University "Classical Outlook"

With the advance of science and technology, there have been breakthroughs in the field of classical research and methods of map projection. Among these, computer science and space science have had the greater influence upon the field of research and the formation of a working body of map projection, developing them in breadth and depth. This book reflects several aspects of the development of modern mathematical cartography, especially the theory and methods of map projection transformation. Map projection transformation is an area of research in mathematical cartography newly developed over the last 25 years. It is widely used in surveying and computer-assisted cartography, data processing for information systems, and the transformation of data from space, remote sensing, and other space sciences. The development of map projection transformation not only expands new areas of research on mathematical cartography, but it also further develops the applied area with the creation and application of map projection transformation software and mapping mathematics bases on the computer.

Cartographers have long grappled with the impossibility of portraying the earth in two dimensions. To solve this problem, mapmakers have created map projections. This work discusses and illustrates the known map projections from before 500BC to the present, with facts on their origins and use.

``Every map is a tool, a product of human effort and creativity, that represents some aspects of our world or universe ... [This] course was powered by the belief that by exploring the mathematical ideas involved in creating and analyzing maps, students would see how mathematics could help them to understand and explain their world.'' -from the Preface Portraits of the Earth exemplifies the AMS's mission to bring the power and vitality of mathematical thought to the nonexpert. It isdesigned to teach students to think logically and to analyze the technical information that they so readily encounter every day. Maps are exciting, visual tools that we encounter on a daily basis: from street maps to maps of the world accompanying news stories to geologic maps depicting theunderground structure of the earth. This book explores the mathematical ideas involved in creating and analyzing maps, a topic that is rarely discussed in undergraduate courses. It is the first modern book to present the famous problem of mapping the earth in a style that is highly readable and mathematically accessible to most students. Feeman's writing is inviting to the novice, yet also interesting to readers with more mathematical experience. Through the visual context of maps andmapmaking, students will see how contemporary mathematics can help them to understand and explain the world. Topics explored are the shape and size of the earth, basic spherical geometry, and why one can't make a perfect flat map of the planet. The author discusses different attributes that maps can have anddetermines mathematically how to design maps that have the desired features. The distortions that arise in making world maps are quantitatively analyzed. There is an in-depth discussion on the design of numerous map projections-both historical and contemporary-as well as conformal and equal-area maps. Feeman looks at how basic map designs can be modified to produce maps with any center, and he indicates how to generalize methods to produce maps of arbitrary surfaces of revolution. Also includedare end-of-chapter exercises and laboratory projects. Particularly interesting is a chapter that explains how to use MapleR add-on software to make maps from geographic data points. This book would make an excellent text for a basic undergraduate mathematics or geography course and would beespecially appealing to the teacher who is interested in exciting visual applications in the classroom. It would also serve nicely as supplementary reading for a course in calculus, linear algebra, or differential geometry. Prerequisites include a solid grasp of trigonometry and basic calculus. RWaterloo Maple, Inc., Ontario, Canada.

Forecasting is required in many situations. Stocking an inventory may require forecasts of demand months in advance. Telecommunication routing requires traffic forecasts a few minutes ahead. Whatever the circumstances or time horizons involved, forecasting is an important aid in effective and efficient planning. This textbook provides a comprehensive introduction to forecasting methods and presents enough information about each method for readers to use them sensibly.

B. Alan Wallace introduces a natural theory of human consciousness that has its roots in contemporary physics and Buddhism. Wallace's "special theory of ontological relativity" suggests that mental phenomena are conditioned by the brain, but do not emerge from it. Rather, the entire natural world of mind and matter, subjects and objects, arises from a unitary dimension of reality. Wallace employs the Buddhist meditative practice of samatha to test his hypothesis, creating a kind of telescope to examine the space of the mind. He then proposes a more general theory in which the participatory nature of reality is envisioned as a self-excited circuit.In comparing these ideas to the Buddhist theory known as the Middle Way philosophy, Wallace explores further aspects of his "general theory of ontological relativity," which can be investigated through vipasyana, or insight, meditation. He then focuses on the theme of symmetry in quantum cosmology and the "problem of frozen time," relating these issues to the theory and practices of the Great Perfection school of Tibetan Buddhism. He concludes with a discussion of complementarity as it relates to science and religion.