Elegant and welcoming houses in bucolic settings by Charles Hilton, a leading traditional architect in Greenwich. This book presents nine spectacular houses, each responding to an equally spectacular site. They are the work of Charles Hilton, a leading traditional architect in Greenwich, Connecticut, whose firm has been honored with multiple regional and national awards including Palladio and Stanford White awards. As an architect, Hilton is committed to designing imaginative buildings that inspire and delight and to creating a humanistic architecture that embodies the aspirations of his clients. He works in traditional vocabularies--principally Georgian, Beaux-Arts and shingle style--with exquisite classical detailing, but his houses are also completely contemporary in incorporating state-of-the-art technology and sustainable design. As he observes, "Our clients rely on our creativity and ingenuity to create houses that honor tradition, while seamlessly integrating modern amenities essential for contemporary living." Hilton has practiced in Greenwich for more than thirty years, and he is completely fluent with its rich and diverse architectural heritage. This means that his houses, while meticulously detailed and impressive, are also beautifully integrated into the panoramic waterfronts, rolling lawns and rustic back-country landscapes that are characteristic of Greenwich and the surrounding countryside.

A glimpse into the "quintessentially Greenwich" homes that are stately and elegant yet designed for the comforts of family life. Greenwich is one of the most desirable communities in the United States, with houses that epitomize the suburban tradition. With their handsome facades and elegant interiors, these homes provide inspiration to decorators and homeowners nationwide. More than almost any other community, Greenwich signifies a classic look, a way of living, and a state of mind. Cindy Rinfret’s successful Classic Greenwich Style was the first book to celebrate the style of this classically American town and bring its renowned look to a nationwide audience. Now, the beloved designer returns with an all-new selection of interiors that will appeal to a new generation of homeowners seeking elegant yet comfortable design. Specially commissioned photographs showcase the designer’s signature "young traditional" style: a warm blend of color, contemporary materials with traditional shapes, antiques with transitional pieces, English-style furnishings with family heirlooms, and spaces for entertaining and family life. In her own words, Rinfret offers an intimate look into these stunning interiors—including Rinfret’s own classically styled house, Laurel Hill—and shows how people who covet the look and style of Greenwich can create it for themselves.

Forming part of its Classical Architecture Collection, this latest compilation volume by IMAGES, The Classical American House, reveals an enticing glimpse into the exquisite architectural works of innovative and skilled contemporary classicists.

-A lavish and beautifully illustrated sourcebook of classically inspired architectural detail -A valuable resource for architects, interior designers, builders and home decorators -Featuring a foreword by renowned interior designer David Easton -Highlights projects by US architects including Marc Ferguson & Oscar Shamamian, Peter Pennoyer, Quinlan Terry and Gil Schafer. Features a foreword by David Easton, arguably America's most respected decorator. Contributors also include historians Jeremy Musson and David Watkin. In The Art of Classical Details, classically trained architect Phillip Dodd takes a close-up look at some of the finest examples of neo-classical architecture in the world today. Covering the fundamentals of classical architecture, such as Tuscan, Doric, Ionic, Corinthian, and Composite columns, and featuring the work of skilled contemporary classicists, including Julian Bicknell and Ken Tate, The Art of Classical Details is the definitive guide to today's world of neoclassical architectural detailing.

This is the story of one man's adventures in acquiring and bringing back to life some of America's most enticing and historically significant dwellings. With the eye of a connoisseur, the business acumen derived from a legendary career in international finance, and a Jeffersonian grasp of classical architecture, Richard Hampton Jenrette reveals his charming, often risky, ventures in the world of old houses.

Architects Philip Johnson, Marcel Breuer, Landis Gores, Eliot Noyes, Edward Durell Stone, and others created an extraordinary collection of modern houses in New Canaan, Connecticut, in the 1940s and 1950s. The bucolic New England town—a suburb of Manhattan—became the site of fervent experimentation by some of the leading lights of the movement in the United States, the architects known as the Harvard Five, whose modern aesthetic could be traced to the Bauhaus school of design. There they promoted their core principles: simplicity, openness, and sensitivity to site and nature, and built glass, wood, steel, and fieldstone houses that established architectural modernism as the ideal of domesticity in the twentieth century. Architects Jeffrey Matz and Cristina A. Ross, photographer Michael Biondo, and graphic designer Lorenzo Ottaviani present this vanishing generation of iconic American houses as more than an issue of restoration or preservation, but as an evolving legacy that adapts to contemporary life. Selecting a representative group of sixteen houses covering the period between the 1950s and 1978, they portray each one in great detail, with floor plans, timelines, and both archival and luminous new photography—from the clean, minimalist look of the initial construction, to subsequent additions by some of the most significant architects of our time including Toshiko Mori, Roger Ferris, and Joeb Moore. Voices of the architects and builders, original owners and current occupants combine to describe how the houses are enjoyed and lived in today, and how the modernist residence is more than just a philosophy of design and construction, but also a philosophy of living.

Interior designer and decorative arts historian Thomas Jayne takes on the redoubtable Edith Wharton and her co-author Ogden Codman, whose 1897 book The Decoration of Houses is acknowledged as the Bible of American interior design. Wharton and Codman advocated for classical simplicity and balance, replacing the excesses of the Gilded Age. In Jayne’s view, “The Decoration of Houses is the level-headed, indispensable book on the subject. It is not an overstatement to say that it is the most important decorating book ever written.” How much of Wharton and Codman’s advice and how many of their principles are still applicable today? In Classical Principles for Modern Design, Jayne argues that Wharton and Codman’s fundamental ideas about the proportion and planning of space create the most harmonious and livable interiors, whether traditional or contemporary. His authoritative and engaging text traces contemporary ideas about design elements and furnishing rooms back to Wharton and Codman and shows where his design approach coincides and where it diverges from their views. The book follows the chapter organization of The Decoration of Houses—chapters on walls, doors, windows and curtains, ceilings and floors, etc.—and adds important new perspectives on the design of kitchens and the use of color, both major subjects that Wharton and Codman did not address. Drawing on his own work at Jayne Design Studio, Jayne has selected elegant, traditional interiors that demonstrate these principles. Projects range from a restoration of historic eighteenth-century public rooms in Crichel House in Dorset, England, to a mountain retreat in the wilds of Montana to an array of luxurious New York City apartments and country houses in the Hudson Valley. Captured in lush photographs by Don Freeman and others, all speak to Thomas Jayne’s commitment to the primacy of function, quality, and simplicity, derived from the ancient tradition of classical design. As he says, “Tradition is not about what was. Tradition is now.”