Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * The Clarion (Tanner) * Concert Piece No. 5 (Blazewitch) * Dawn Is the Beginning (Tanner) * A Fireside Soliloquy (Frangkiser) * The Holy City (Adams, arr. Frangkiser) * Medalist March (Snell) * Meditation (Bakaleinikoff) * Night Song (Snell) * Nine Hundred Miles (Traditional, arr. Tanner) * Singin' the Blues (Snell) * Sleeping Beauty (Tschaikowsky, arr. Tanner) * Toccata (Snell)

Idiomatic solo materials with an eye to variety and playability are included, beginning with easier material progressing to more difficult. Works from several periods of composition are presented to give the advancing student the opportunity to learn and to demonstrate performance in each appropriate style

Idiomatic solo materials with an eye to variety and playability are included, beginning with easier material progressing to more difficult. Works from several periods of composition are presented to give the advancing student the opportunity to learn and to demonstrate performance in each appropriate style.

Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Adagio (Mozart, arr. Lentz) * Aries (Lewallen) * Canto Lyric (Bolz) * Elf Interludes (Haan) * Hungarian Dance No. 6 (Brahms, arr. Steenland) * Intermezzo (Mascagni, arr. Guenther) * Offenbach Ballet (arr. Steenland) * Parade (Billingsly, arr. Hahn) * Poeme Petite (Lewallen) * Taurus (Lewallen) * Waltz (Tschaikowsky, arr. Guenther)

Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Andantino (Sor, arr. Dishinger) * Aria (Bach, arr. Fitzgerald) * Chorale Melody, No. 19 (Bach, arr. Smith) * Dedication (Pelz) * The Easy Winners (Joplin, arr. Herriot/Cable) * El Verano (Knipfel/Leonard) * Happy Go Lucky (Smith) * Introduction and Fantasy (Fitzgerald) * La Casa (Knipfel/Leonard) * Road Runner (Smith) * Scarlatti Suite (Scarlatti, arr. Fitzgerald) * Valse "Au Printemps" (Smith)

Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Aubade (Guenther) * Brahms With Variations (arr. Goldberg) * Dusty Rag (Nix, arr. Ferreira) * Flow Gently Sweet Afton (Traditional, arr. Nix/Ferreira) * The Happy Hippo (Porter) * Israeli Melody (arr. Goldberg) * Jacob's Ladder (arr. Goldberg) * The Jolly Bass (Nix, arr. Ferreira) * Medley from H.M.S. Pinafore (Sullivan, Goldberg) * Mini-Variations (Nix, arr. Ferreira) * Novelette (Erickson, arr. Goldberg) * The Old Castle (Moussorsky, arr. Goldberg) * Sonata In G Minor (Eccles, Goldberg)

Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Aria from La Clemenza di Tito (Mozart, arr. Little) * Campus Queen (Weber) * Flow Gently Sweet Afton (Traditional, arr. Little) * Folksong Melodies (Traditional, arr. Ostling/Weber) * Neutron Stars (Belden, arr. Little) * On Wings of Song (Mendelssohn, arr. Ostling/Weber) * Rocked In the Cradle of the Deep (Knight, arr. Ostling/Weber) * Romance and Scherzo (Cohen) * Song from Timon of Athens (Purcell, arr. Little) * Sunday (Brahms, arr. Little) * Texas Horizons (Quate/Little) * The Tubateer Polka (Bell)