A scintillating novel of sex and murder in 50s LA ... Los Angeles 1951 – Frederick Underhill, an ambitious rookie of the Los Angeles Police Department, want to become the most celebrated detective of his time. He is also sexually promiscuous. His two drives are brought together by the slaying of Maggie Cadwallader, a lonely woman whom Underhill slept with shortly before her death. Using his inside knowledge, Underhill gets himself on the case, which is being handled by LA’s most fearsome investigator: Lieutenant Dudley Smith. But instead of the celebrity status he was hoping for, Underhill finds himself on the edge of the abyss, his whole life and future about to take a fall.

Botany in the romantic era played a role in debates about life, nature, and knowledge, as evidenced in this ambitious, beautifully illustrated study. Winner, 2012 British Society for Literature and Science Book Prize Romanticism was a cultural and intellectual movement characterized by discovery, revolution, and the poetic as well as by the philosophical relationship between people and nature. Botany sits at the intersection where romantic scientific and literary discourses meet. Clandestine Marriage explores the meaning and methods of how plants were represented and reproduced in scientific, literary, artistic, and material cultures of the period. Theresa M. Kelley synthesizes romantic debates about taxonomy and morphology, the contemporary interest in books and magazines devoted to plant study and images, and writings by such authors as Mary Wollstonecraft and Anna Letitia Barbauld. Period botanical paintings of flowers are reproduced in vibrant color, bringing her argument and the romantics' passion for plants to life. In addition to exploring botanic thought and practice in the context of British romanticism, Kelley also looks to the German philosophical traditions of Kant, Hegel, and Goethe and to Charles Darwin’s reflections on orchids and plant pollination. Her interdisciplinary approach allows a deeper understanding of a time when exploration of the natural world was a culture-wide enchantment.

Desperate to find her missing cousin, Sarah Callaway enlists the aid of Guy Devoran, the charismatic nephew of a powerful duke and a man with secrets to hide, joining him on a quest that takes them from the elegant ballrooms of London to the dark and dangerous world of Devonshire smugglers. Reprint.

One night. No names. No commitment. That was our agreement. But Spencer Lancaster was addictive. And I was high. High off his taste, starved for his kiss, and desperate for his touch. So when he asked me to stay, to enjoy his company for more nights than I knew I should, I wasn't in the right mind to say no. Everything was perfect. A dream come true. But half a world away there were secrets. Lies. Insecurities. All of the truths that could tear us apart.

Women have no ability to cast spells. That's what wizards have said for generations-and it's a lie. Beatrix Harper wants to expose it to protect her sister's life. Her desperate plan: Train tens of thousands of women in secret, then shock the nation with a display of their magic. She thinks it will work-if only she can keep the details from her town's wizard, Peter Blackwell. But that's nearly impossible thanks to their unwanted magical connection. Peter, meanwhile, fears that his own desperate goal-to counter the terrible weapon he should never have invented-is doomed to fail. Their plans are about to collide. Disastrously. If you're a reader who prefers to know upfront whether a book has a happy ending, what the level of violence or trauma is, whether there are sex scenes and how substantial a part romance plays in the plot, scroll down to the author biography for a link to those details. One scene in the book includes a character discussing a past trauma, and the link has more specifics. What reviewers are saying: "Secrets, lies, and betrayal are abundant in the story, and just when you think you know what's going to happen, Cowley stuns you with an unexpected and shocking twist. ... I couldn't put the book down, and I can't wait for the final book in the trilogy!" - One Book More "The discoveries made, the secrets revealed, the implication of the vows and of using magic, there is just so much packed into these pages. ... I hugely recommend giving the series a try." - Life in the Book Lane Reviews "I was sneakily reading it whenever I got the chance, burning my toast I got so caught up in it." - Goodreads reviewer Rk

This work offers bibliographical descriptions of all printings of erotic fiction in English issued clandestinely during the period 1800-1930. By 'clandestine' is meant books whose publishers and printers attempt to hide their identities, usually by offering title pages whose misleading places and dates of publication may shock and amuse, but which always aim to mystify. Using internal and external evidence, an attempt is made to establish who were the printers, booksellers and publishers, English and Continental, involved in this trade. The printing families or 'groups' into which a large percentage of the material falls are classified, accompanied by illustrations which identify the main printing characteristics ('house styles') of the groups. Bibliographical descriptions follow a checklist of clandestine catalogues; these provide valuable evidence for dating, pricing and 'sales pitch' and information on items of which no copies can now be traced. The work concludes with a series of appendices which provide significant external evidence, and three indexes: of themes, titles and names. Peter Mendes' original research builds on and significantly extends the essential pioneer work of the Victorian collector and bibliographer H.S. Ashbee ('Pisanus Fraxi').