The term ‘cityscaping’ is here introduced to characterise the creative process through which the image of the city is created and represented in various media– text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients’ spatial imagination; another is to inquire into the semantics and functions that are ascribed to the image of a city as constructed in various media. The examples of ancient texts and works of art, and modern literature and films, are used to elucidate the artistic potential of images of the city and the techniques by which they are semanticised. With its interdisciplinary approach, the volume for the first time makes clear how strongly mental images of urban space, both ancient and modern, have been shaped by the techniques of their representation in media.

Cityscapes in History: Creating the Urban Experience explores the ways in which scholars from a variety of disciplines - history, history of art, geography and architecture - think about and study the urban environment. The concept ’cityscapes’ refers to three different dynamics that shape the development of the urban environment: the interplay between conscious planning and organic development, the tension between social control and its unintended consequences and the relationship between projection and self-presentation, as articulated through civic ceremony and ritual. The book is structured around three sections, each covering a particular aspect of the urban experience. ’The City Planned’ looks at issues related to agency, self-perception, the transfer of knowledge and the construction of space. ’The City Lived’ explores the experience of urbanity and the construction of space as a means of social control. And finally, ’The City as a Stage’ examines the ways in which cultural practices and power-relations shape - and are in turn shaped by - the construction of space. Each section combines the work of scholars from different fields who examine these dynamics through both theoretical essays and empirical research, and provides a coherent framework in which to assess a wide range of chronological and geographical subjects. Taken together the essays in this volume provide a truly interdisciplinary investigation of the urban phenomenon. By making fascinating connections between such seemingly diverse topics as 15th century France and modern America, the collection raises valuable questions about scholarly approaches to urban studies.

Photographs and easy-to-read, rhyming text introduce how basic STEAM concepts can be found in the architecture, building, construction, and transportation of city life. Includes notes about what to look for while wandering through a city.

Over 25 CityScapes to Color Twenty-eight dynamic illustrations offer snapshots of cities all over the world, from London, Paris, and Florence to New York, Chicago, and San Francisco. Hidden pictures make each page worth a second look! Answers are included. Specially designed for experienced colorists, Creative Haven® coloring books offer an escape to a world of inspiration and artistic fulfillment. Perforated pages printed on one side only for easy removal and display. Find your true colors with Creative Haven® and hundreds of other coloring books: www.doverpublications.com/CreativeHaven

The entire history of a Boston's development unfolds in a series of "before and after" photographs. Developed from a series of photographic essays in the Boston Globe Magazine, this book tells how cities grow and change, describes the cycles of renewal and decay, and more. 240 photographs. Maps.

While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.