THE INSPIRATION FOR JUSTIFIED: CITY PRIMEVAL ON FX “As gritty and hard-driving a thriller as you’ll find….The action never stops, the language sings and stings.” —Washington Post The City Primeval in Elmore Leonard’s relentlessly gripping classic noir is Detroit, the author’s much-maligned hometown and the setting for many of the Grand Master’s acclaimed crime novels. The “Alexander the Great of crime fiction” (Pittsburgh Post-Gazette) shines in these urban mean streets, setting up a downtown showdown between the psychopathic, thrill-killing “Oklahoma Wildman” and the dedicated city copy who’s determined to take him down. The creator of U.S. Marshal Raylan Givens of TV’s Justified fame, Elmore Leonard is the equal of any writer who has ever captivated readers with dark tales of heists, hijacks, double-crosses, and murder—John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker included—and nobody then or now is better.

Clement Mansell knows how easy it is to get away with murder. The seriously crazed killer is already back on the Detroit streets -- thanks to some nifty courtroom moves by his crafty looker of a lawyer -- and he's feeling invincible enough to execute a crooked Motown judge on a whim. Homicide Detective Raymond Cruz thinks the "Oklahoma Wildman" crossed the line long before this latest outrage, and he's determined to see that the hayseed psycho does not slip through the legal system's loopholes a second time. But that means a good cop is going to have to play somewhat fast and loose with the rules -- in order to maneuver Mansell into a wild Midwest showdown that he won't be walking away from.

An anthology of personal documentaries of place and time by key figures in the art world from the 1970s to the present.

When strange anomalies in time start to appear. Professor Cutter and his team have to help track down and capture a multitude of dangerous prehistoric creatures from Earth's distant past and terrifying future... In this brand new original never-seen-on-TV Primeval adventure, the team confront anomaly crises both in rain-swept London and on hot South African plains. At a safari park in South Africa, rangers are disappearing and strange creatures have been seen battling with lions and rhinos. As the team investigate they are drawn into a dark conspiracy, which could have terrible consequences; while back at home in England, as torrential rain pours down over the city, an enormous anomaly opens up in East London.

“Speedy, exhilarating, and smooth. Nobody does it better.” —Washington Post “The man knows how to grab you—and Pronto is one of the best grabbers in years.” —Entertainment Weekly Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career with an electrifying thriller that sends the indomitable Raylan racing to Italy on the trail of a fugitive bookie who’s hiding from the vengeful Miami mob. The legendary Leonard, whom the Seattle Times lauds as the “King Daddy of crime writers,” proves that all comparisons to American noir icons John D. MacDonald, Dashiell Hammett, and James M. Cain are well deserved with this tale of very dirty doings and extremely dangerous men coming together in the birthplace of Puccini, Garibaldi, and La Cosa Nostra.

The unrivaled master of crime’s first collection of noir stories. . . . “If you thought you knew all the places Elmore Leonard could take you, think again.”—Mike Lupica In more than 30 books spanning half a century, Elmore Leonard has captured the imagination of millions as few writers can. A literary icon praised by the New York Times Book Review as “the greatest crime writer of our time, perhaps ever, ” he has influenced many contemporary writers and is known for both the quality and accessibility of his writing. In this first collection of short pieces, including two novella-length works, since his western anthology Tonto Woman, Leonard demonstrates the superb characterization, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name.

At some point in the course of evolutionâe"from a primeval social organization of early hominidsâe"all human societies, past and present, would emerge. In this account of the dawn of human society, Bernard Chapais shows that our knowledge about kinship and society in nonhuman primates supports, and informs, ideas first put forward by the distinguished social anthropologist, Claude Lévi-Strauss. Chapais contends that only a few evolutionary steps were required to bridge the gap between the kinship structures of our closest relativesâe"chimpanzees and bonobosâe"and the human kinship configuration. The pivotal event, the author proposes, was the evolution of sexual alliances. Pair-bonding transformed a social organization loosely based on kinship into one exhibiting the strong hold of kinship and affinity. The implication is that the gap between chimpanzee societies and pre-linguistic hominid societies is narrower than we might think. Many books on kinship have been written by social anthropologists, but Primeval Kinship is the first book dedicated to the evolutionary origins of human kinship. And perhaps equally important, it is the first book to suggest that the study of kinship and social organization can provide a link between social and biological anthropology.