In City of Widows, Haifa Zangana tells the story of her country, from the early twentieth century through the US-UK invasion and the current occupation. She brings to light a sense of Iraq as a society mainly of secularists who have been denied, through years of sanctions, war, and occupation, a system within which to build the country according to their own values. She points to the long history of political activism and social participation of Iraqi women, and the fact that, before the recent invasion, they had been among the most liberated of their gender in the Middle East. Finally, she writes about Baghdad today as a city populated by bereaved women and children who have lost their loved ones and their land, but who are still emboldened by the native right to resist and liberate themselves to create an independent Iraq.

Widowhood in an American City focuses on the roles and lifestyles of urban American widows fifty years of age or older. These women form a segment of two generations of one society; they present a historical instance of people born and brought up under conditions that are not likely to be duplicated. Not only the U.S., but many other countries are undergoing modifications in the degrees and forms of urbanization, industrialization, and social complexity.Helena Znaniecki Lopata argues that the way women re-engage society following the death of a husband is different due to their location in the modern social system. She notes that the trends in social structure are toward increasingly voluntaristic engagement in achieved, functionally oriented social roles that are performed in large groups and contain secondary social relations. The cultural background of many societal members prevents the utilization of most resources of the complex urban world, restricting them to a small social life space, with almost automatically prescribed social relations.Those who argue that the elderly are socially isolated contend that this is a result of the natural process of withdrawal of the person and the society from each other. These arguments focus on those who are isolated or lonely and those who lack the skills, money, health, and transportation for engaging or re-engaging society. Lopata's study indicates that this assumption is false for many widows. If such people are to be helped, a fresh view of the relation between the urban, industrial, and complex modern world and its residents is required, and new action programs must be creatively developed. This is a timely, ground-breaking work that addresses and shatters common myths associated with growing old alone in an urban society.

“Harrowing and emotional . . . A tribute to the enduring power of family. The story of the disaster’s widows uplifts and devastates in equal measure.” —Gareth Russell, author of The Ship of Dreams When the Titanic foundered in April 1912, the world’s focus was on the tragedy of the passengers who lost their lives. Ever since, in films, dramatizations, adaptations and books, the focus has mostly continued to be on the ones who died. The Titanic and the City of Widows It Left Behind focuses on another group of people—the widows and children of the crew who perished on board. Author Julie Cook’s great-grandfather was a stoker who died on the Titanic. Her great-grandmother had to raise five children with no breadwinner. This book focuses on Emily and the widows like her who had to fight for survival through great hardship, while still grieving for the men they loved who’d died on the ship. Using original archive sources and with accounts from descendants of crew who also lost their lives, the book asks how these women survived through abject poverty and grief—and why their voices have been silent for so long. “The sinking of the Titanic has produced a wealth of books, articles, films and TV documentaries, all of which have given very little thought to the dependents and friends of those who lost their lives in this ocean tragedy. A moving and involving story that corrects this neglect, told by a descendant of a Titanic widow . . . How most of them survived the grief and grinding hardship is a story worth the telling, as are the stories of those who did not survive the crushing pressures.” —Firetrench

On September 11, I dropped my son off at his second full day of kindergarten. The sky was so blue it looked as if it had been ironed. I crossed the street, ordered coffee, and sat to wait for my husband to meet me. It was our eighth wedding anniversary and Dave and I were about to begin a new chapter in our seventeen years together. Sipping coffee, I watched as a line of thick black smoke crept across the sky from Manhattan, oblivious to the fact that my life was about to change forever. On September 11, 2001, Marian Fontana lost her husband, Dave, a firefighter from the elite Squad 1 in Brooklyn, in the World Trade Center attack. A Widow's Walk begins that fateful morning, when Marian, a playwright and comedienne, became a widow, a single mother, and an unlikely activist. Two weeks after 9/11, the city attempted to close Squad 1, which had suffered the loss of twelve men. Known for her feisty spirit and passionate loyalty, Marian, who was still reeling from her profound loss, began to mobilize the neighborhood to keep the firehouse open. From this unlikely platform the 9/11 Widows and Victims' Families Association grew. Over the next twelve months, Marian struggled with the tragedy's endless ripple effects, from the minute and deeply personal—she wonders who will play Star Wars with her son, Aidan, and carry him on his shoulders; to the collective: she works to get families and widows necessary information about the recovery effort and attends private meetings with Governor Pataki, Mayor Giuliani, Senator Clinton, and Mayor Bloomberg. Through it all, Marian's irrepressible humor is her best armor, as well as evidence of her buoyant strength. Written with great heart and humanity, A Widow's Walk is a timely opportunity for remembrance and a timeless testament to love's loss and the resilience of the human spirit.

A legally-minded sleuth takes to the streets of 1920s Bombay in a fascinating new mystery.

Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.

In this transcendent and infectiously wise memoir, Becky Aikman—a widow, too young, too modern to accept the role—forms an unlikely group with five other young widows, each seeking a way forward in a strange and disquieting world. A warm, witty, and compassionate guide on this journey, Aikman explores surprising new discoveries about how people are transformed by adversity, learning the value of new experiences, humor, and friendship. The Saturday Night Widows band together to bring these ideas to life, striking out on ever more far-flung adventures and navigating the universal perils of finding love and meaning. Theirs is a transporting true story of six marriages, six heartbreaks, and one shared beginning—an inspiring testament to what friends can achieve when they hold each other up. Saturday Night Widows is the rare book that will make you laugh, think, and remind yourself that despite the utter unpredictability and occasional tragedy of life, it is also precious, fragile, and often more joyous than we recognize. Now with Extra Libris material, including a reader’s guide and bonus content