After having been kidnapped from her home Huang, a young Chinese girl is sold into the prostitution trade in Hong Kong. Despite these cruel beginngs she survives and prospers to become a wealthy landowner. The novel also follows the lives of other family members and generations, giving us a broad look at Chinese and British cultures and colonialism.

Drawing on literature, the law, and popular media--and "taking her (counter)cue from that celebrated sitcom of American life, 'The Reagan Years'" (Homi K. Bhabha)--Berlant presents a stunning and major statement about the nation and its citizens in an age of mass mediation. Her intriguing narratives and gallery of images will challenge readers to rethink what it means to be an American and seek salvation in its promise. 57 photos.

Welcome to Denver, Colorado. Everyone knows that an historic downtown has enormous character but no one captures that character with as much artistry and detail as Karl Christian Krumpholz. In Queen City, the skyline springs to life to tell this town's rich history. Booms and busts, historic moments, and colorful characters are all presented in this collection with personality and finesse. Over time businesses close, structures crumble and, memory of how things were in happier moments fades. Now preserved and documented with fun facts and tidbits which accompany each drawing, Queen City is a wonderful collection and a testament to Denver's lasting legacy.

Mimi Slavitt’s three-year-old son is autistic, but if we told her, she wouldn’t listen, because she doesn’t want to know—until at last his behavior becomes so strange that even she can’t ignore it. Mimi inhabits a world nearly as isolating as her son’s—one that she shares with mothers like her, chosen against their will for lives of sacrifice and martyrdom. Searching for miracles, fighting heartless bureaucracies while arranging every minute of every day for children who can never be left alone, they exist in a state of perpetual crisis, normal life always just out of reach. In chapters told from Mimi’s point of view and theirs, we meet these mothers, each a complex character totally unsuitable for sainthood and dreaming of the day she can just she walk away. Taking its title from the 1950s reality show that made suffering housewives compete against each other for deluxe refrigerators and life-saving operations, Queen for a Day portrays a group of imperfect women under enormous pressure. Rosaler tells their story in ironic, precise and vivid prose, with dark humor and insight born of first-hand experience.

Daniel Aaron, one of todays foremost scholars of American history and American studies, began his career in 1942 with this classic study of Cincinnati in frontier days. Aaron argues that the Queen City quickly became an important urban center that in many ways resembled eastern cities more than its own hinterlands, with a populace united by its desire for economic growth. Aaron traces Cincinnati's development as a mercantile and industrial center during a period of intense national political and social ferment. The city owed much of its success as an urban center to its strategic location on the Ohio River and easy access to fertile backcountry. Despite an early over-reliance on commerce and land speculation and neglect of manufacturing, by 1838 Cincinnati's basic industries had been established and the city had outstripped her Ohio River rivals. Aaron's account of Cincinnati during this tumultuous period details the ways in which Cincinnatians made the most of commerce and manufacturing, how they met their civic responsibilities, and how they survived floods, fires, and cholera. He goes on to discuss the social and cultural history of the city during this period, including the development of social hierarchies, the operations of the press, the rage for founding societies of all kinds, the response of citizens to national and international events, the commercial elite's management of radicals and nonconformists, the nature of popular entertainment and serious culture, the efforts of education, and the messages of religious institutions. For historians, particularly those interested in urban and social history, Daniel Aaron's view of Cincinnati offers a rare opportuniry to viewantebellum American society in a microcosm, along with all of the institutions and attitudes that were prevalent in urban America during this important time.

I never thought I'd be singing happy birthday to myself in a dungeon. And yet when a sinfully sexy demon crashes happy hour, that's exactly what happens. He's known as the Lord of Chaos, and he's mistaken me for my succubus doppelgänger. Happy birthday to me. When he tastes my blood, he finally understands I'm mortal. And I realize we have something in common: we both crave revenge. So we make a deal: I can stay in the forbidden city to hunt for my mom's killer. In return, I'll help him get the vengeance he craves. I just have to pose as a sexy succubus. One problem--he's my number one suspect. And that's increasingly hard to remember as he teaches me my role: seduction. With each heated touch I drift further into peril. And if I fall under his seductive spell, death awaits me. "I flew through this book... Hot demon lord-check. Action-check. Romance-check. And there's spice! If you love my books, you definitely want to read this one." -Laura Thalassa

King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny "Guitar" Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country. A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin.