“Outstanding . . . A delightfully written work of serious scholarship.” —Jewish Book World Old Odessa, on the Black Sea, gained notoriety as a legendary city of Jewish gangsters and swindlers, a frontier boomtown mythologized for the adventurers, criminals, and merrymakers who flocked there to seek easy wealth and lead lives of debauchery and excess. Odessa is also famed for the brand of Jewish humor brought there in the nineteenth century from the shtetls of Eastern Europe and that flourished throughout Soviet times. From a broad historical perspective, Jarrod Tanny examines the hybrid Judeo-Russian culture that emerged in Odessa in the nineteenth century and persisted through the Soviet era and beyond. The book shows how the art of eminent Soviet-era figures such as Isaac Babel, Il’ia Ilf, Evgenii Petrov, and Leonid Utesov grew out of the Odessa Russian-Jewish culture into which they were born and which shaped their lives. “Traces the emergence, development, and persistence of the myth of Odessa as both Garden of Eden and Gomorrah . . . A joy to read.” —Robert Weinberg, Swarthmore College

Co-winner of the Yad Vashem International Book Prize for Holocaust Research The forgotten story of 200,000 Polish Jews who escaped the Holocaust as refugees stranded in remote corners of the USSR. Between 1940 and 1946, about 200,000 Jewish refugees from Poland lived and toiled in the harsh Soviet interior. They endured hard labor, bitter cold, and extreme deprivation. But out of reach of the Nazis, they escaped the fate of millions of their coreligionists in the Holocaust. Survival on the Margins is the first comprehensive account in English of their experiences. The refugees fled Poland after the German invasion in 1939 and settled in the Soviet territories newly annexed under the Molotov-Ribbentrop Pact. Facing hardship, and trusting little in Stalin, most spurned the offer of Soviet citizenship and were deported to labor camps in unoccupied areas of the east. They were on their own, in a forbidding wilderness thousands of miles from home. But they inadvertently escaped Hitler’s 1941 advance into the Soviet Union. While war raged and Europe’s Jews faced genocide, the refugees were permitted to leave their settlements after the Soviet government agreed to an amnesty. Most spent the remainder of the war coping with hunger and disease in Soviet Central Asia. When they were finally allowed to return to Poland in 1946, they encountered the devastation of the Holocaust, and many stopped talking about their own ordeals, their stories eventually subsumed within the central Holocaust narrative. Drawing on untapped memoirs and testimonies of the survivors, Eliyana Adler rescues these important stories of determination and suffering on behalf of new generations.

This “riveting history . . . brings us face to face with this notorious trial” of a Russian Jew who was framed for ritual murder in 1913 (Jewish Book World). On Sunday, March 20, 1911, children playing in a cave near Kiev made a gruesome discovery: the blood-soaked body of a partially clad boy. After right-wing groups asserted that the killing was a ritual murder, the police, with no direct evidence, arrested Menachem Mendel Beilis, a thirty-nine-year-old Jewish manager at a factory near the site of the crime. Beilis’s trial in 1913 quickly became an international cause célèbre. The jury ultimately acquitted Beilis but held that the crime had the hallmarks of a ritual murder. Robert Weinberg’s account of the Beilis Affair explores the reasons why the tsarist government framed Beilis, shedding light on the excesses of antisemitism in late Imperial Russia. It is a gripping narrative culled from trial transcripts, newspaper articles, Beilis’s memoirs, and archival sources, many appearing in English for the first time.

In the years following the Russian Revolution, a bitter civil war was waged between the Bolsheviks, with their Red Army of Workers and Peasants on the one side, and the various groups that constituted the anti-Bolshevik movement on the other. The major anti-Bolshevik force was the White Army, whose leadership consisted of former officers of the Russian imperial army. In the received—and simplified—version of this history, those Jews who were drawn into the political and military conflict were overwhelmingly affiliated with the Reds, while from the start, the Whites orchestrated campaigns of anti-Jewish violence, leading to the deaths of thousands of Jews in pogroms in the Ukraine and elsewhere. In Russian Jews Between the Reds and the Whites, 1917-1920, Oleg Budnitskii provides the first comprehensive historical account of the role of Jews in the Russian Civil War. According to Budnitskii, Jews were both victims and executioners, and while they were among the founders of the Soviet state, they also played an important role in the establishment of the anti-Bolshevik factions. He offers a far more nuanced picture of the policies of the White leadership toward the Jews than has been previously available, exploring such issues as the role of prominent Jewish politicians in the establishment of the White movement of southern Russia, the "Jewish Question" in the White ideology and its international aspects, and the attempts of the Russian Orthodox Church and White diplomacy to forestall the establishment of a Jewish state in Palestine. The relationship between the Jews and the Reds was no less complicated. Nearly all of the Jewish political parties severely disapproved of the Bolshevik coup, and the Red Army was hardly without sin when it came to pogroms against the Jews. Budnitskii offers a fresh assessment of the part played by Jews in the establishment of the Soviet state, of the turn in the policies of Jewish socialist parties after the first wave of mass pogroms and their efforts to attract Jews to the Red Army, of Bolshevik policies concerning the Jewish population, and of how these stances changed radically over the course of the Civil War.

Over the course of the nineteenth century, some 84,500 Jews in imperial Russia converted to Christianity. Confessions of the Shtetl explores the day-to-day world of these people, including the social, geographic, religious, and economic links among converts, Christians, and Jews. The book narrates converts' tales of love, desperation, and fear, tracing the uneasy contest between religious choice and collective Jewish identity in tsarist Russia. Rather than viewing the shtetl as the foundation myth for modern Jewish nationhood, this work reveals the shtetl's history of conversions and communal engagement with converts, which ultimately yielded a cultural hybridity that both challenged and fueled visions of Jewish separatism. Drawing on extensive research with conversion files in imperial Russian archives, in addition to the mass press, novels, and memoirs, Ellie R. Schainker offers a sociocultural history of religious toleration and Jewish life that sees baptism not as the fundamental departure from Jewishness or the Jewish community, but as a conversion that marked the start of a complicated experiment with new forms of identity and belonging. Ultimately, she argues that the Jewish encounter with imperial Russia did not revolve around coercion and ghettoization but was a genuinely religious drama with a diverse, attractive, and aggressive Christianity.

A collection of “electric, heroically wrought” Russian short stories of violence, crime, and sex set in Ukraine—for fans of hard-boiled fiction by Raymond Chandler and Dashiell Hammett (John Updike) Odessa was a uniquely Jewish city, and the stories of Isaac Babel—a Jewish man, writing in Russian and born in Odessa—uncover its tough underbelly around the time of the Russian Revolution. Gangsters, prostitutes, beggars, smugglers: no one escapes the pungent, sinewy force of Babel’s pen. From the tales of the magnetic cruelty of Benya Krik—infamous mob boss, and one of the great anti-heroes of Russian literature—to the devastating semi-autobiographical account of a young Jewish boy caught up in a pogrom, this collection of stories is considered one of the great masterpieces of twentieth-century Russian literature. Translated with precision and sensitivity by Boris Dralyuk, whose rendering of the rich Odessan argot is pitch-perfect, Odessa Stories is the first ever stand-alone collection of Babel’s narratives set in the city and includes the original stories as well as later tales. “The salty speech of the city’s inhabitants is wonderfully rendered in a new translation by Boris Dralyuk . . . Hard-boiled language reminiscent of Dashiell Hammett.” —Vice