When the bombs that stopped the species war tore holes in the veil between this world and the next, they allowed entry to the Others - demons, wraiths, and death spirits who turned the shadows into their hunting grounds. Now, a hundred years later, humans and shifters alike live in artificially lit cities designed to keep the darkness at bay.... As a déchet - a breed of humanoid super-soldiers almost eradicated by the war - Tiger has spent her life in hiding. But when she risks her life to save a little girl on the outskirts of Central City, she discovers that the child is one of many abducted in broad daylight by a wraith-like being - an impossibility with dangerous implications for everyone on earth. Because if the light is no longer enough to protect them, nowhere is safe...

The essays in Shadows in the City of Light explore the significance of Paris in the writing of five influential French writers—Sarah Kofman, Patrick Modiano, George Perec, Henri Raczymow, and Irene Nemirovsky—whose novels and memoirs capture and probe the absences of deported Paris Jews. These writers move their readers through wartime and postwar cityscapes of Paris, walking them through streets and arrondissments where Jews once resided, looking for traces of the disappeared. The city functions as more than a backdrop or setting. Its streets and buildings and monuments remind us of the exhilarating promise of the French Revolution and what it meant for Jews dreaming of equality. But the dynamic space of Paris also reminds us of the Holocaust and its aftermath. The shadowed paths traced by these writers raise complicated questions about ambivalence, absence, memory, secularity, and citizenship. In their writing, the urban landscape itself bears witness to the absent Jews, and what happened to them. For the writers treated in this volume, neither their Frenchness nor their Jewishness is a fixed point. Focusing on Paris's dual role as both a cultural hub and a powerful symbol of hope and conflict in Jewish memory, the contributors address intersections and departures among these writers. Their complexity of thought, artistry, and depth of vision shape a new understanding of the impact of the Holocaust on Jewish and French identity, on literature and literary forms, and on the development of Jewish secular culture in Western Europe.

Lisbon had a pivotal role in the history of World War II, though not a gun was fired there. The only European city in which both the Allies and the Axis power operated openly, it was temporary home to much of Europe's exiled royalty, over one million refugees seeking passage to the U.S., and a host of spies, secret police, captains of industry, bankers, prominent Jews, writers and artists, escaped POWs, and black marketeers. An operations officer writing in 1944 described the daily scene at Lisbon's airport as being like the movie "Casablanca," times twenty. In this riveting narrative, renowned historian Neill Lochery draws on his relationships with high-level Portuguese contacts, access to records recently uncovered from Portuguese secret police and banking archives, and other unpublished documents to offer a revelatory portrait of the War's back stage. And he tells the story of how Portugal, a relatively poor European country trying frantically to remain neutral amidst extraordinary pressures, survived the war not only physically intact but significantly wealthier. The country's emergence as a prosperous European Union nation would be financed in part, it turns out, by a cache of Nazi gold.

Francesca Flores' Shadow City is the stunning action-packed conclusion to The City of Diamond and Steel duology. Aina Solís has fought her way to the top of criminal ranks in the city of Kosín by wresting control of an assassin empire owned by her old boss, Kohl. She never has to fear losing her home and returning to life on the streets again—except Kohl, the man who tried to ruin her life, will do anything to get his empire back. Aina sets out to kill him before he can kill her. But Alsane Bautix, the old army general who was banned from his seat in the government after Aina revealed his corruption, is working to take back power by destroying anyone who stands in his way. With a new civil war on the horizon and all their lives at risk, the only way for Aina to protect her home is to join up with the only other criminal more notorious than her: Kohl himself. As Bautix’s attacks increase, Aina and Kohl work together to stop his incoming weapons shipments and his plans to take back the Tower of Steel. To defeat them both, Aina will resort to betrayal, poison, and a deadly type of magic that hasn’t been used in years. Through narrow alleys, across train rooftops, and deep in the city’s tunnels, Aina and Kohl will test each other’s strengths and limits, each of them knowing that once Bautix is dead, they’ll still have to face each other. If she manages to kill him, she’ll finally have the freedom she wants—but it might forever mark her as his shadow in a city where only the strongest survive.

Horace Carpetine does not believe in ghosts. Raised to believe in science and reason, Horace Carpetine passes off spirits as superstition. Then he becomes an apprentice photographer and discovers an eerie—and even dangerous—supernatural power in his very own photographs. When a wealthy lady orders a portrait to place by her daughter's gravesite, Horace's employer, Enoch Middleditch, schemes to sell her more pictures—by convincing her that her daughter's ghost has appeared in the ones he's already taken. It's Horace's job to create images of the girl. Yet Horace somehow captures the girl's spirit along with her likeness. And when the spirit escapes the photographs, Horace discovers he's released a ghost bent on a deadly revenge. . . .

"Laura Sebastian is the next Madeline Miller. . . . a fierce, fresh, lyrical tale that will enthrall until the last page."--Kate Quinn, New York Times bestselling author of The Huntress A Popsugar Best Summer Read of 2021 A Bibliolifestyle Most Anticipated Summer 2021 Sci-fi and Fantasy Book "Magical, haunting, unique--I haven't been so excited about an Arthur book since I read The Once and Future King ."--Tamora Pierce, #1 New York Times bestselling author The Lady of Shalott reclaims her story in this bold feminist reimagining of the Arthurian myth from the New York Times bestselling author of Ash Princess. Everyone knows the legend. Of Arthur, destined to be a king. Of the beautiful Guinevere, who will betray him with his most loyal knight, Lancelot. Of the bitter sorceress, Morgana, who will turn against them all. But Elaine alone carries the burden of knowing what is to come--for Elaine of Shalott is cursed to see the future. On the mystical isle of Avalon, Elaine runs free and learns of the ancient prophecies surrounding her and her friends--countless possibilities, almost all of them tragic. When their future comes to claim them, Elaine, Guinevere, Lancelot, and Morgana accompany Arthur to take his throne in stifling Camelot, where magic is outlawed, the rules of society chain them, and enemies are everywhere. Yet the most dangerous threats may come from within their own circle. As visions are fulfilled and an inevitable fate closes in, Elaine must decide how far she will go to change destiny--and what she is willing to sacrifice along the way.

The extensive collection of police forensic negatives casts a fascinating light on the shadowy underworld of Sydney between the wars. In the mugshots we encounter people of that world - thieves, breakers, receivers, 'magsmen', false pretenders, 'hotel barbers', dope users, prostitutes, makers of false oaths - and the occasional murderer. And within this medium of crime and accident scene photographs we are able to view, sometimes in extraordinary detail, their physical milieu - the mean kitchens, bedrooms and parlours, the pubs, boarding houses, corner shops and residentials, the garages, back lanes and byways of a city that is both eerily strange but all too familiar.