This book presents the city beneath the surface of Abu Salabikh, southern Iraq. The archaeology and the textual data combine to reveal its architecture, agricultural and industrial enterprises, and social structure. Integrated with our wider knowledge of south Mesopotamia at this time it creates a vivid image of city life in 2600 BC.

This book presents the city beneath the surface of Abu Salabikh, southern Iraq. The archaeology and the textual data combine to reveal its architecture, agricultural and industrial enterprises, and social structure. Integrated with our wider knowledge of south Mesopotamia at this time it creates a vivid image of city life in 2600 BC.

Catalog of an exhibition being held at the Metropolitan Museum of Art from May 8 to Aug. 17, 2003.

Containing more information on Asian culture than any other English-language reference work, Columbia Chronologies of Asian History and Culture is the first of its kind: a set of more than thirty chronologies for all the countries of Asia—East, South, Southeast, and Central—from the Paleolithic era through 1998. Each entry is clearly dated and, unlike most chronologies found in standard history texts, the entries are complete and detailed enough to provide virtually a sequential history of the vast and rich span of Asian cultures. The contributing writers and editors have ensured the book's usefulness to general readers by identifying individuals and groups, locating places and regions, explaining events and movements, and defining unfamiliar words and concepts. The thirty-two chronologies on individual countries, in conjunction with a detailed index, allow readers to find specific information quickly and efficiently, whether they seek the date for the invention of the iron plow or gunpowder, the fall of the Han Dynasty in China, or Ho Chi Minh's declarations of Vietnamese independence. This invaluable reference culminates with three appendices: "National/Independence Days," "Scientific-Technological Achievements in Asia," and "Asia: A Chronological Overview," which provides an accessible summary of key events and developments in various fields of activity throughout the continent. The Columbia Chronologies of Asian History and Culture features: three discrete chronologies on (1) Politics/History, (2) Art/Culture/Religion, and (3) Science/Economics/Everyday Life for each of Asia's three major cultures—China, India, and Japan—as well as a combined chronology for each of the other nations; detailed entries of thousands of historical events as well as important milestones in religion, philosophy, literature, and the arts; entries on technological developments and natural events (famines, floods, etc.) affecting the lives of ordinary people; and authoritative and accessibly written entries by a team of Asian scholars from Columbia, Harvard, and other major research universities. Beyond its detailed accounting of Asia's political history, Columbia Chronologies of Asian History and Culture also gives full recognition to religious, intellectual, artistic, and general cultural achievements, as well as to scientific, technological, industrial, agricultural, and economic developments. Concise yet complete, it will stand as an indispensable reference work in the field of Asian studies.

As part of the Institutional Capacity Building Plan, which is the first of the three components of the Regional Programme for Cultural and Natural Heritage in South-East Europe launched in 2003, the first stage of a "transnational theme-based debate" was organised following an assessment of requests from the countries/regions participating in the regional programme: Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo/UNMIK, Montenegro, Romania, Serbia and "the former Yugoslav Republic of Macedonia".It was concerned with current heritage policies and legislation and aimed to take stock of the current position in the countries of South-East Europe. It also highlighted the need to undertake an in-depth analysis of certain key areas where difficulties still arise with regard to implementation.

A chronological journey through world history from the beginnings of man becomes interactive with reproductions of historical documents, including pages from the Gutenberg Bible, William Shakespeare's will, and blueprints for the Titanic.

Europe is a word that is almost daily on our lips. But how far do we have to go back in order to find the origins of its name? The first part of this beautifully illustrated book traces the geographical and mythological basis of Europe's name. Who came up with the idea to distinguish the world in continents with proper names? The search will bring the reader back to the early history of mankind. How did the ancient Egyptians see the world and populations around them? Where did the Hebrews get the idea to split the world in three? And what was the world-picture in ancient Greece, laid down in geographic treatises and fragments? Where did the name 'Europe' originate from? Could it be from a person, either mortal or divine? In ancient Greek literature the name 'Europa' appears quite frequently for Greek goddesses and Greek women. Strangely enough, the best known Europa myth concerns a Phoenician princess, loved by the Greek god Zeus. Many mythographs doubt the Asian descent of the Phoenician Europa. Is her real origin to be located on mainland Greece? How can the contradicting Greek myths be interpreted, and was the name universally accepted as the name for the continent? In the second part of this book, the author tells the amazing story of how the Arts have treated the Europa myths for almost three millennia. He shows the extraordinary influence of the personification of the geographic continent Europe on literature, music, sculpture, painting, tapestry and other applied arts. All this clearly demonstrates the vivid interest in Europe for the subject throughout the ages and illustrates, according to Karel van Miert in his Foreword, our common European culture.