"An engaging account of the uniquely creative spirit and bustling cultural ecology of contemporary Los Angeles ... [The author] weaves together the city's art, architecture, and design, juxtaposes its entertainment and literary histories, and moves from restaurant kitchens to recording studios to ultra-secret research and development labs. In the process, he reimagines Los Angeles as simultaneously an exemplar and cautionary tale for the 21st century"--Provided by publisher.

The Original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison 'The City on the Edge of Forever' has been surrounded by controversy since the airing of an "eviscerated" version - which subsequently has been voted the most beloved episode in the series' history. In its original form, 'The City on the Edge of Forever' won the 1966-67 Writers Guild of America Award for best teleplay. As aired, it won the 1967 Hugo Award. 'The City on the Edge of Forever' is, at its most basic, a poignant love story. Ellison takes the reader on a breathtaking trip through space and time, from the future, all the way back to 1930s America. In this harrowing journey, Kirk and Spock race to apprehend a renegade criminal and restore the order of the universe. It is here that Kirk faces his ultimate dilemma: a choice between the universe - or his one true love. This edition makes available this astonishing teleplay as Ellison intended it to be aired. The author's introductory essay (expanded by 15,000 words from the limited edition) reveals all of the details of what Ellison describes as a "fatally inept treatment" of his creative work. Was he unjustly edited, unjustly accused, and unjustly treated?

"Includes a new introduction and afterword by Harlan Ellison"--Page 4 of cover.

The controversy has raged for almost 30 years--now readers can judge for themselves. Harlan Ellison wrote the original award-winning teleplay for "The City on the Edge of Forever", which was rewritten and became the most-loved Star Trek episode of all time. Ellison sued Paramount in protest and one. This book contains the teleplay and afterwords by Leonard Nimoy, DeForest Kelley, George Takei and others.

Hoagland's history of the exploration of Mars, and his case that beings were on Mars millions of years ago assembling behemoth structures whose ruins are still seen today, is updated with a new preface covering the Mars Global Surveyor photos and reactions of NASA. Includes maps, charts, and tables. Photos & illustrations.

An engaging account of the uniquely creative spirit and bustling cultural ecology of contemporary Los Angeles How did Los Angeles start the 20th century as a dusty frontier town and end up a century later as one of the globe's supercities - with unparalleled cultural, economic, and technological reach? In City at the Edge of Forever, Peter Lunenfeld constructs an urban portrait, layer by layer, from serendipitous affinities, historical anomalies, and uncanny correspondences. In its pages, modernist architecture and lifestyle capitalism come together via a surfer girl named Gidget; Joan Didion's yellow Corvette is the brainchild of a car-crazy Japanese-American kid interned at Manzanar; and the music of the Manson Family segues into the birth of sci-fi fandom. One of the book's innovations is to brand Los Angeles as the alchemical city. Earth became real estate when the Yankees took control in the nineteenth century. Fire fueled the city's early explosive growth as the Southland's oil fields supplied the inexhaustible demands of drivers and their cars. Air defined the area from WWII to the end of the Cold War, with aeronautics and aerospace dominating the region's industries. Water is now the key element, and Southern California's ports are the largest in the western hemisphere. What alchemists identify as the ethereal fifth element, or quintessence, this book positions as the glamour of Hollywood, a spell that sustains the city but also needs to be broken in order to understand Los Angeles now. Lunenfeld weaves together the city's art, architecture, and design, juxtaposes its entertainment and literary histories, and moves from restaurant kitchens to recording studios to ultra-secret research and development labs. In the process, he reimagines Los Angeles as simultaneously an exemplar and cautionary tale for the 21st century.

When you stand on the edge, you might just find yourself falling. Teaching Russians how to be cowboys? Levi thinks his father is joking when he tells him that's what he wants him to do for the next six months. Working in the frozen desolation of southwest Russia he'll earn enough to buy a new barn for their Montana ranch. But there's a deeper agenda for sending him to the edge of nowhere. It will stop him sloping off on Saturday nights to gay bars and clubs for threesomes with strangers. Pasha finally pushes his father too far and is banished to a remote ranch in the middle of a snowy Russian winter. Stripped of all the trappings of his privileged Moscow lifestyle, he has nothing at his disposal but a suitcase of designer clothes and a whole lot of sass. Pasha hates the countryside, hates physical work, hates the cold and hates cows. But deprived of money, phone, and access to anyone who might help him, he's screwed and not in a good way. Levi's counting down the days till he can return to the States and his Saturday night hook-ups. Then Pasha arrives at the ranch wearing eyeliner, retching every time he walks into a barn, and Levi is amused, irritated-and attracted. After a vicious attack on Pasha throws them into close quarters, both men are forced to re-evaluate not just who the other is, but whether they truly want to return to the lives they left behind. When you stand on the edge, you just might find yourself falling in love.