"It's always about each specific location, the people, and a vision. This is the message distilled from these portraits of 30 reused industrial areas. In a wide variety of places all round the globe, reinterpretations of the legacy of the industrial age are releasing tremendous potential energy and creativity - in the USA, Russia, Brazil and China just as much as in Europe. The book examines the background, protagonists and concepts involved and shows various strategies for reuse. In essays and interviews, specialists from both the theoretical and practical fields explain their findings and experiences. Dutch book designer Joost Grootens, well known for his self-explanatory 'infographics', has given the 30 projects a visual form allowing fascinating comparisons."--Publisher description.

Behind the dirty, cast-iron facades of nineteenth-century loft buildings, an elegant style of life developed during the 1960s and 1970s. This style of life -- of using the city as a consumption mode -- was tied to the presence of artists, whose "happenings," performances, and studio spaces shaped a public perception of the good life at the center of the city.

A groundbreaking look at the transformation of SoHo. American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.

As the world hurtles towards urbanization at an ever-increasing pace, there arises the need for further theological reflection on the city. Globalization, international immigration, and densification in cities are having a transformative impact on the urban landscape. Urban mission is at the forefront of many denominations, church planting networks, ministries, and mission organizations yearning for citywide transformation. How are we to think biblically and theologically about the city? View from the Urban Loft will take readers through the development of cities throughout history, act as a guide to navigating the current forces shaping urban environments, and seek to uncover a theology of the city that gives Christians a rationale and a biblical understanding of the meaning and purposes of the city and then how to live in it for the glory of God.

The loft is increasingly the residential image most identified with New York. Originally popularized by artists and designers, the enormous raw spaces, most often in old industrial buildings in lower Manhattan, have been laboratories for the creativity of architects. Some of the most striking and important residential design of the latter part of the twentieth century has been created for lofts. Celebrated design arbiter Mayer Rus has had unparalleled access to the most exceptional new projects. He has gathered a great variety of architects and designers -- all widely published in popular and trade magazines -- for the book: Henry Smith-Miller and Laurie Hawkinson, Peter Stamberg and Paul Aferiat, Architecture Research Office, and Deborah Berke. Paul Warchol's exquisite photographs, most taken especially for this volume, capture not only the design and details but the qualities of light, context, and history that make each loft unique. The engaging text highlights the designers, owners, and their residences, in addition to evoking the dramatic qualities of loft living.

Resulting from the author's 20-year passion for urban residential architecture, this volume offers innovative ideas for creating comfortable, well-crafted city dwellings. 240 color photos. 35 illustrations.

Lofts, by definition, are former commercial spaces that have been converted for residential use and living/work environments. But lofts, by design, are vast silent expanses, soaring arches, stalwart steel girders, massive beams, and all the powerful drama of a curtain-time stage set. Lofts are a designer's dream. The importance of urban loft design for the architectural and design world is highlighted in this collection of the finest, most dramatic of these transformed spaces. Lofts: New Designs for Urban Living takes you on an intimate tour of residential lofts in the major cities of the world including New York, Los Angeles, Sydney, London, Toronto, Paris, and Tokyo. Projects include work from cutting-edge designers: Roto, Fred Fisher, Peter Anders, Neil Frankel, Briggs/Iacucci, Peter Tow, Kar Ho, Moneo/Brock, Belmont Freeman, Lotek, Brayton & Hughes and more. Complete with informative text, Lofts features full-color photographs, plans, and a valuable resource guide for anyone who has every dreamed of converting a commercial building into a residential loft.