Cultural records such as dedications, honorific statues and decrees are keys to understanding the manifold and diverse social roles and religious functions of priesthoods in the cities of Asia Minor and the Aegean islands from the classical period to late antiquity. These texts and images indicate how the priests and priestesses saw themselves and were viewed by others. The approaches in this volume are historical, religious, and archaeological, and they elucidate the religious functions that the cult personnel fulfilled for the city, and the perception of priests and priestesses as citizens of the polis. The volume focuses on developments from the Hellenistic period into Imperial times. Subjects include: gendered priesthoods and family traditions, the topography of honorary statues and the presentation of funerary monuments, federal and civic priesthoods as well as priests of private cult-foundations, benefactions and social pressure, and the religious, social and political functions of priests and priestesses within cities.

What does “missional” mean for small Christian communities in a deeply secular society? Leading missiologist Stefan Paas asks what missional spirituality could possibly mean for today’s local church. This fully revised new international edition will make this an important introduction to contemporary thinking on mission and the church.

Embraces an all-encompassing interdisciplinary methodology to uncover the symbiosis of saintly and civic ideals in music, rituals, and hagiographic writing celebrating the origins and identity of a major clerical center. Medieval Liège was the seat of a vast diocese in northwestern Europe and a city of an exceptional number of churches, clergymen, and church musicians. Recognized as a priestly paradise, the city accommodated as many Masses each day as Rome. In this volume, musicologist Catherine Saucier examines the music of religious worship in Liège and reveals within the liturgy and ritual a civic function by which local clerics promoted the holy status of their city. Analyzing hagiographic and historical writings, religious art, and sung ceremonies relevant to the city's genesis, destruction, and eventual rebirth, Saucier uncovers richly varied ways in which liégeois clergymen fused music with text, image, and ritual to celebrate the city's sacred episcopal origins and saintly persona. A Paradise of Priests forges new interdisciplinary connections between musicology, the liturgical arts, the cult of saints, church history, and urban studies, and is an essential resource for scholars and students interested in the history of the Low Countries, hagiography and its reception, and ecclesiastical institutions. CatherineSaucier is assistant professor of music history at Arizona State University.

This book analyzes the acquisition and use of texts by the parish clergy in the diocese of Eichstätt between 1400 and 1520 to refute the amusing, but misleading, image of the lustful and ignorant cleric so popular in the satirical literature of the period. By the fifteenth-century, more widely available local schooling and increasing university attendance had improved the educational level of the clergy; priests were bureaucrats as well as pastors and both roles required extensive use of the written word. What priests read is a question of fundamental importance to our understanding of the late medieval parish and the role of the clergy as communicators and cultural mediators. Priests were entrusted with saying the Mass, preaching doctrine and repentance, honoring the saints, plumbing the conscience, and protecting the legal rights of the Church. They baptized children, blessed the fields, and prayed for the souls of the dead. What priests read would have informed how they understood and how they performed their social and religious roles. By locating and contextualizing the manuscripts, printed books, and parish records that were once in the hands of priests in the diocese, the author has found evidence for the unexpected: the avid acquisition of books; a theological awareness; and an emerging professional identity. This marks an important revision to the conventional view of a dramatic era marked by both the transition from manuscripts to printed books and the outbreak of the Reformation.