Once an eagerly awaited spectacle, the traveling circus--that miracle of red wagons, trumpeting elephants and spangled trapeze artists that slipped into town at dawn and disappeared by midnight--has all but vanished from the American landscape. This work explores circus history from 1793 to the present and addresses the forces of modern culture (such as the popularity of Cirque du Soleil, and pressure from the animal rights movement) that are pushing big top shows toward what the author calls "circus ballet." Numerous photographs and in-depth interviews conducted with show owners, performers and directors enrich the narrative. Overall, the book reveals a sobering contrast between circuses of yesterday and today, even as it honors the outstanding performers who created, and have sustained, the enduring appeal of the circus.

Horror has a new name: Daphne. A brutal, enigmatic woman stalks a high school basketball team in a reimagining of the slasher genre by the New York Times bestselling author of Bird Box. “A superb serial killer novel and a great coming-of-age story.”—Gabino Iglesias, author of The Devil Takes You Home ONE OF THE BEST BOOKS OF THE YEAR: Paste It’s the last summer for Kit Lamb: The last summer before college. The last summer with her high school basketball team, and with Dana, her best friend. The last summer before her life begins. But the night before the big game, one of the players tells a ghost story about Daphne, a girl who went to their school many years ago and died under mysterious circumstances. Some say she was murdered, others that she died by her own hand. And some say that Daphne is a murderer herself. They also say that Daphne is still out there, obsessed with revenge, and will appear to kill again anytime someone thinks about her. After Kit hears the story, her teammates vanish, one by one, and Kit begins to suspect that the stories about Daphne are real . . . and to fear that her own mind is conjuring the killer. Now it’s a race against time as Kit searches for the truth behind the legend and learns to face her own fears—before the summer of her lifetime becomes the last summer of her life. Mixing a nostalgic coming-of-age story and an instantly iconic female villain with an innovative new vision of classic horror, Daphne is an unforgettable thriller as only Josh Malerman could imagine it.

If you can’t trust your parents, who can you trust? Cameron and Lewis Larsen are identical twins living normal, suburban lives … until their mom and dad kill two uninvited guests at a neighborhood barbecue and then disappear. Following cryptic instructions their parents left behind, the twins make their way to a small hotel in Edinburgh. Too conspicuous as twins, they hide by pretending to be one person, each gathering clues on alternate days. The closer they get to the truth, only one thing is clear: Someone is following them. Will they uncover their parents’ secrets before their own is discovered? Readers will be obsessed with finding out what happens next!

Burning Man is the premier countercultural event of modern times, growing over 25 years from a strange San Francisco beach party into an experimental city of 50,000 colorful souls in Nevada’s Black Rock Desert, which burns brightly for a week before dissolving into dusty memories and changed lives. Longtime newspaper journalist Steven T. Jones embedded himself in this blossoming culture starting in 2004, a dispiriting year for American politics but the beginning of Burning Man’s renaissance, when it exploded outward in unexpected ways. The result is the most in-depth book ever written on this intriguing social phenomenon – The Tribes of Burning Man: How An Experimental City in the Desert is Shaping the New American Counterculture – which is being released in January, 2011 by CCC Publishing. From covering the Borg2 artists’ rebellion to learning how to make large-scale fire sculptures with the Flaming Lotus Girls, from helping Opulent Temple showcase the world’s best DJs to cleaning up after Hurricane Katrina with Burners Without Borders, from regularly interviewing event founder Larry Harvey to covering Barack Obama’s nominating convention speech, Jones gives readers an inside, meticulously reported look at a time when Burning Man hit its zenith just as the country hit its nadir. Hundreds of thousands of people from all over the world have made the dusty pilgrimage to Black Rock City to take part in this experiment in participatory art, commerce-free culture, and bacchanalian celebration—and many say their lives were fundamentally changed by this truly unique experience.

Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger.