Presents instructions for 101 games, acts, and tricks inspired by the circus, categorized by four different age groups, with ideas for props and musical accompaniment.

The story begins with Doctor John Dolittle who is looking for some money to earn to pay off a voyage to Africa. The Doctor's idea is to get the Pushmi-Pullyu into the circus but he couldn't find one until Mathew Mugg suggest a small business circus owned by the ring master Blossum. The Doctor visits Blossum and persuades him to visit his house in Puddleby to discuss the payment and rules of the Pushmi-Pullyu before its performance in the circus. The Performance goes well after the Pushmi-Pullyu is put into the show and the doctor starts earning but he also discovers the animals who are in need of their cages cleaned which Blossum doesn't co-operate with when the doctor suggests some new ways to look after the animals. The doctor then meets Sophie the Alaskan seal, who is owned by Mr Higgins and she explains to him while crying that she misses her husband Slushy who is the alpha seal so the Doctor plans an escape for Sophie. When the night comes for the escape Doctor Dolittle waits in the street while Mathew and Jip get Sophie out of the circus but the guards shut the gate before the seal came make a break for it so Mathew and his wife Theodosia distract them by luring them to Sophie's tank and pushing them in. The whole circus goes into pandemonium when they see the disappearance of Mr Higgins's seal but Sophie manages to escape eventually while the Doctor becomes worried for waiting too long. When The Doctor and Sophie reach the outskirts of the town Sophie has an idea that if they follow the river they will get to the sea quicker so they consult the ducks who tell them to go to Talbot's Bridge which will lead them to Kippet River all the way to the Bristol Coast.

This collection aims to map a diversity of approaches to the artform by creating a 360° view on the circus. The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus’ role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDown—Circus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views. This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.

Have you ever been to a circus where the seal plays the bass drum, the monkey plays the violin, the elephant plays the cello and the kangaroo plays the bassoon! Well, at least the camel doesn’t play the didgeridoo – or does he?. This is a circus where the ring master is a tiger and the lion-tamer is, well, a lion! Well you’ll get all this and more at the Spangleland Circus in “The Adventures of Diggeldy Dan.” Too-Bo-Tan sends a speaking messenger bird to Diggeldy Dan the clown. The bird tells him that after the circus is over and everyone has gone home and the circus folk are in their tents and caravans, that after dinner they will all fall asleep – except for Diggeldy Dan, who must hide in the round white tent that stands in the center of all the bigger tents, and wait for the messenger who will come out of the west.’ Dan does this and when the messenger arrives, his adventures begin. What are the adventures you ask? Well you’ll have to download and read this book for yourself to find out. 10% of the profit from the sale of this book, and all the books Abela Publishing publishes, will be donated to charities

Produce your own circus! Make your own stilts, juggling sticks, and tightrope, then learn to use them; master the human pyramid; discover how to create your own circus acts and shows; and much more with DIY Circus Lab for Kids. Companion online video tutorials for every prop and skill make learning easy. Veteran circus educator Jackie Leigh Davis takes you, step by step, through the props and skills you need to perform all the major circus arts: Acrobatics, acrobalance, and human pyramids Balance arts Clowning Gyroscopic and toss juggling You’ll learn how to make juggling balls, a hoola hoop, a rola bola, a clown nose and hat, and a pair of poi, among other circus essentials. With these props, you’ll learn how to juggle, hoop, balance, perform clown gags, and more. Photo demonstrations, numbered steps, and online tutorials ensure you’ll understand exactly how to make the props and perform the skills. Did you know that a tight rope walker in Ancient Greece was called a funambulus? Or that female jugglers can be found pictured in 4,000-year-old hieroglyphs on the wall of an Egyptian tomb? DIYCircus Lab for Kids includes the history of each family of circus skills. “Circademics” sidebars explore the science and academics behind the circus activities, like how the brain changes when you learn how to juggle. “Circussecrets” sidebars throughout connect circus arts to social and emotional skills, like listening, persistence, and asking for and giving help. Many of the skills in this book are safe enough for kids to do themselves, with a few requiring an adult “spotter” so families or classes can enjoy them together. Once you’ve learned how to create your own circus with DIY Circus Lab for Kids, you can also: host a circus prop–making party, start a juggling club at school, clown at a senior center or daycare, start a community circus meet-up in a park, or integrate circus themes into your school's curriculum—the opportunities for circus fun are endless. The popular Lab for Kids series features a growing list of books that share hands-on activities and projects on a wide host of topics, including art, astronomy, clay, geology, math, and even bugs—all authored by established experts in their fields. Each lab contains a complete materials list, clear step-by-step photographs of the process, as well as finished samples. The labs can be used as singular projects or as part of a yearlong curriculum of experiential learning. The activities are open-ended, designed to be explored over and over, often with different results. Geared toward being taught or guided by adults, they are enriching for a range of ages and skill levels. Gain firsthand knowledge on your favorite topic with Lab for Kids.

From the 1870s to the 1960s, circuses crisscrossed the nation providing entertainment. A unique workforce of human and animal laborers from around the world put on the show. They also formed the backbone of a tented entertainment industry that raised new questions about what constituted work and who counted as a worker. Andrea Ringer examines the industry-wide circus world--the collection of shows that traveled by rail, wagon, steamboat, and car--and the traditional and nontraditional laborers who created it. Performers and their onstage labor played an integral part in the popularity of the circus. But behind the scenes, other laborers performed the endless menial tasks that kept the show on the road. Circus operators regulated employee behavior both inside and outside the tent even as the employees themselves blurred the line between leisure and labor until, in all parts of the show, the workers could not escape their work. Illuminating and vivid, Circus World delves into the gender, class, and even species concerns within an extinct way of life.