Investigates how data production and consumption territorialize the physical landscape filtered through Ireland’s role in global communications and, as told by the Irish Pavilion at the 2021 Venice Architecture Biennale, features an installation that focuses on the materiality of data infrastructure in space. As our everyday lives become increasingly entangled with data technologies, the book addresses the utopian fantasy that surrounds the Cloud, as transcending physical presence or resourcing. By bringing the physical infrastructure around data, and its impact on the environment under the spotlight, it hopes to reframe how we understand data production and highlight the myth that information technologies are hidden and without major material manifestations on the landscape. The context for the book is Ireland which has a significant historical role in the evolution of global communications and data infrastructure. In 1866, the world’s first transatlantic telegraph cable landed on the West coast of Ireland. In 1901, the inventor of the radio Guglielmo Marconi transmitted some of the world’s first wireless radio messages from Ireland across the Atlantic Ocean to Newfoundland. Today, Dublin has overtaken London as the data centre hub of Europe, hosting 25% of all available European server space. And by the year 2027, data centres are forecast to consume a third of Ireland’s total electricity demand. The book aims to raise awareness around the hardware of the global internet and Cloud services, which is interwoven with the Irish landscape—made manifest through the vast constellation of data centres, fibre optic cable networks, and energy grids that have come to populate its cities and suburbs over recent decades. The publication accompanies and supports Entanglement, the Irish Pavilion at the 17th Venice Architecture Biennale by archiving the production of the pavilion filtered through a series of poetic excerpts that describe the form, components, content and furniture that make up the installation. At the same time the book is conceived as more than just a catalog by positioning some of the cultural and spatial implications of data technologies in Ireland within a more universal context through contributions by ANNEX, the team selected to produce the pavilion, as well as invited contributors from the disciplines of Media Theory; Journalism; Computer Science, Geography; History and Architecture.

A tale of Olde Ireland steeped in history, myth and mystery, everlasting friendships and the love for all mankind. It's been said that she's not truly of this world. She is thought to be a selkie, a half seal half human being from the sea, who, in her latter form, will never age beyond maidenhood. But this is forbidden to speak of. What is known for certain is that Grace O'Malley enjoys a privileged youth as the daughter of a clan chieftain in 16th century Ireland, but is forced to endure much brutality and heartache before ultimately transforming herself into one of the most feared and revered pirates of all time. It is her Destiny. And Destiny will be honored.

From Monitor to The Late Show, British television programs featuring the visual arts are profiled here. The various types or genres of arts programs are identified, including review programs, strand series, drama-documentaries, and artists' profiles, and a chronological account of their evolution from 1936 to the 1990s is provided. Major series such as Civilization, Ways of Seeing, Shock of the New, State of the Art, and Relative Values are examined in detail.

By the time you read this book, the art world may have witnessed the sale of its first $500 million painting. Whilst for some people money is anathema to art this is clearly a wealthy international industry, and a market with its own conventions and pressures. Drawing on the vast experience of Sotheby’s Institute of Art, The Art Business exposes the realities of the commercial trade in fine art and antiques. Attention is devoted to the role of auction houses, commercial galleries and art museums as key institutions, with the text divided into four thematic sections covering: technical and structural elements of the art market cultural policy and management in art business regulatory legal and ethical issues in the art world the views, through interviews, of leading art market experts. This book provides a thorough examination of contemporary issues in the art business, and the mechanisms and influences which underpin its evolution. It is essential reading for students of art history or international business, or anyone with an interest in pursuing a career in this area.

Artwork by Gretchen Bender, Sue Coe, George Condo, Kiki Smith, Jean-Michel Basquiat, Ashley Bickerton, Mike Bidlo, Peter Halley. Photographs by Richard Kern, David Wojnarowicz. Edited by Julie Ault, Dan Cameron. Contributions by Carlo McCormick. Text by Patti Astor, Mitch Corber, Liza Kirwin, Lydia Lunch, Alan Moore, Penny Arcade, Sur Rodney, Mark Russell, Calvin Reid.