Cinematic Journeys explores the interconnected histories, theories and aesthetics of mobile vision and cinematic movement. It traces the links between certain types of movement of/in the frame and broader cultural trends that have historically informed Western sensibilities. It contextualises that genealogy with detailed analysis of contemporary and recent 'travel films' as well as older works.The book investigates how movements of exploration, discovery and revelation are activated in specific cinematic narratives of travelling and displacement. Such narratives are analysed with attention to the mass population movements and displacements that form their referential background.Cinematic Journeys also examines the ways in which travelling affects film itself. Case studies focus on films as travelling commodities (with the popularity of Indian films in Greece in the 1950s and 60s as case study); and, through a study of subtitles, on the category of the 'foreign spectator' (who in the encounter with 'foreign' films moves across cultural borders).Films considered in the book include Sunrise, Slow Motion, Hukkle, Death in Venice, Voyage to Italy, The Motorcycle Diaries, Koktebel, Japon, Blackboards, Ulysses' Gaze, and the work of directors Tony Gatliff and Fatih Akin.

This book critically examines how movies that feature real or imagined explorers and expeditions creatively feature the geography of Latin America. It focuses on how locales are scripted into film plots and artistically depicted, and demonstrates that place is as important as any character in a film, especially in this genre. Nineteen key films are analyzed. Some, like Aguirre, the Wrath of God, Fitzcarraldo, The Other Conquest, Embrace of the Serpent, and The Lost City of Z are based on the exploits of real explorers. Others are fictional, including Apocalypto, Indiana Jones and the Kingdom of the Crystal Skull, and Dora and the Lost City of Gold. The author also discusses the evolution of exploration-discovery films, including trends that will likely be found in forthcoming movies.

Explores the experience of driving cars as a way of encountering landscapes and cities around the world, illustrating cultural history, urban history, art, literature and music. This book is about dynamic journeys, experiences and speeds, rooted in specific places and roads, and expanded into the realm of cinema, art and video games.

For lovers of Asian cinema and for those simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid- 80s, Asian Film Journeys is a feast. It presents a selection of articles that appeared in the pages of Cinemaya, The Asian Film Quarterly between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded. The Quarterly remained, for fifteen years, the one and only serious yet lively platform for writing on the cinemas of Asian countries. Given that the writers were mostly Asian-apart from some keen and long-standing followers of Asian cinema from the West-the magazine offered, for the first time, a truly authentic point of view, a look at films from within their cultures. The book gives a bird’s eye view of the style and substance, art and craft of these cinemas and captures some of the Asian air it let in!

Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.

Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.

"Describes what media is, how movies are part of media, and encourages readers to question the medium's influencial messages"--Provided by publisher.