Did Cinderella live happily ever after? You might think so until you look more closely at the hidden messages in beloved fairy tales. In Cinderella Didn't Live Happily Ever After, fairy tales are analyzed in terms of the underlying messages about marriage, power, suffering, agency, and good versus evil, with a focus on how male and female characters differ in each of these areas. The analysis is data-driven, and it provides clear evidence for the hidden messages in these beloved tales. The end conclusion is not whether fairy tales are good or bad, but rather what messages they deliver about life, even if unintentionally.

"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert. It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again. Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all--and in the process, they learn that there's more to Cinderella's story than they ever knew . . . This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them.

A theme park princess must put her life back together after her happily ever after falls apart in this contemporary YA romance from the author of How to Keep Rolling After a Fall.

"Genre-bending and darkly comic, Grushin's fourth novel is a weird and wonderful triumph." –O, the Oprah Magazine Cinderella wants her Prince Charming dead in this sophisticated fairy-tale for the twenty-first century. Cinderella married the man of her dreams--the perfect ending she deserved after diligently following all the fairy-tale rules. Yet now, thirteen and a half years later, things have gone badly wrong and her life is far from perfect. One night, fed up and exhausted, she sneaks out of the palace to get help from the Witch who, for a price, offers love potions to disgruntled housewives. But as the old hag flings the last ingredients into the cauldron, Cinderella doesn't ask for a love spell to win back her Prince Charming. Instead, she wants him dead. Endlessly surprising, wildly inventive, and decidedly modern, The Charmed Wife weaves together time and place, fantasy and reality, to conjure a world unlike any other. Nothing in it is quite what it seems--the twists and turns of its magical, dark, and swiftly shifting paths take us deep into the heart of what makes us unique, of romance and marriage, and of the very nature of storytelling.

"I had never wondered about Snow White once her prince kissed and whisked her away. I had imagined a similarly happy fate for the Sleeping Beauty. Would either have warned me had I asked for the truth? That 'Happily Ever After' doesn't exist?" When the invitation to the prince's ball was put in her hands, Ella imagined a single night of wonder, a single night to escape her wretched life and be anyone else for a while. She never expected to turn the prince's head, she certainly never expected to run off with his heart. Five years later, Ella looks back on her faerytale rise from soot stained cinderwench to the queen the people call CinderElla. Ignored and humiliated much of her life, she could hardly believe her sudden good fortune. Nor could she anticipate what was to follow, not the lies, not the betrayal, not the truth of her handsome Prince Charming. Ella is desperate to figure out how, despite her best intentions, everything went so horribly wrong. And what, if anything, she can do to get back her ever after. End of Ever After is the first in a five part companion series that rewrites the classic tales of happily ever after.

When Petunia, youngest of the dancing princesses, is ambushed by bandits in wolf masks on her way to visit an elderly neighbor, the line between enemies and friends becomes blurred as she and her sisters get a chance to end their family's curse once and for all.

Magic shoes, family problems, and a midnight deadline… How much do you really know about Cinderella’s fairytale? Ella always knew she’d marry for love or not at all. She wanted nothing less in a marriage than the obvious affection she witnessed between her father and her stepmother, Iris. But when her father disappears and Iris sinks into depression, Ella cuts herself off from the rest of the world as she struggles with her own emotions, a disgruntled stepsister, and an overwhelming workload. Armed with a fragile hope, she must go to the royal ball to find her father. But a reunion with her childhood best friend threatens to shatter the walls she’s built around her heart. Crown Prince Aeden always hated his status. He felt like social engagements and propriety were a waste of his time and energy, especially with girls who were just interested in a crown. One such confrontation with Ella led to the start of an unlikely friendship. Over time, Aeden realizes that his feelings for Ella have evolved into something more. But before he can tell her, tragedy strikes and Ella pushes him away. When he finally sees her, Aeden is determined to do whatever it takes to not lose her again. He must convince Ella that they are meant to be together before his time runs out. Stepmothers aren’t always villains and princes aren’t always charming. With so much uncertainty, do they have what it takes to create a happy ending? The Once upon a Story series consists of interconnected standalones that can be read in any order.