"Don Heinrich Tolzmann is the author, editor, and translator of many books on Cincinnati's German heritage, ranging from the Roebling Suspension bridge to Over-the-Rhine to Cincinnati's beer barons. In Cincinnati's Germans before World War I he explores German immigration, settlement, and influences in Cincinnati, from their beginnings in the eighteenth century to the early twentieth century"--Provided by publisher.

German Cincinnati Revisited illuminates the major festivities, celebrations, and events throughout the calendar year in the Greater Cincinnati area that reflect the German heritage of the region. It begins with the celebration of Bockfest in March, heralding the end of winter and the beginning of spring, continuing on with chapters on Maifest, German Day, RoeblingFest, Schuetzenfest, Oktoberfest, and German-American Heritage Month. A final chapter covers the German Heritage Museum of Cincinnati.

Representing one-fourth of the population, German-Americans constitute the largest ethnic element, according to the U.S. Census, with well over 60 million people claiming German heritage. In twenty-six states, they comprise at least 20 percent of the population, and in five states they number more than 50 percent-important statistics in understanding the role played by German-Americans in U.S. history. The German-American Experience provides a comprehensive record of the essential facts in the history of this group, from its first U.S. settlements in the seventeenth century to the present. Beginning with "The Age of Discovery," this volume explores the earliest contacts between America and Germany, immigration and settlement patterns of Germans, foundations of German-American community life, their major involvement in the American Revolution, and the role German-Americans played in our Civil War. Both world wars are chronicled, including the anti-German sentiment and the internment of German-Americans during both wars. The revival of German heritage and the renaissance of German-American ethnicity since the 1970s is surveyed, along with recent events, including the impact of German unification and the 1990 census. The author also analyzes German-American influences on agriculture, industry, religion, education, music, art, architecture, politics, military service, journalism, literature, and language. In addition, he comments on prominent German-Americans, German names, sister cities, historical statistics, and much more.

German Cincinnati explores the German American experience in the Greater Cincinnati area. German immigrants first came to the region in the late 18th century and then arrived in great waves beginning in the early 19th century. These German American immigrants and their descendants have greatly influenced the social, political, cultural, religious, and economic growth and development of the area, earning Cincinnati a reputation for its German heritage. It is known as one of the corners in the famed "German Triangle," along with St. Louis and Milwaukee. German Cincinnatians survived the hard times of the world wars of the last century, even experiencing an ethnic heritage revival that has reaffirmed the area's reputation as one of the major centers of German heritage in the United States today.

In 1783, the officers of the Continental Army created the Society of the Cincinnati. This veterans' organization was to preserve the memory of the revolutionary struggle and pursue the officers' common interest in outstanding pay and pensions. Henry Knox and Frederick Steuben were the society's chief organizers; George Washington himself served as president. Soon, a nationally distributed South Carolina pamphlet accused the Society of treachery; it would lead to the creation of a hereditary nobility in the United States and subvert republicanism into aristocracy; it was a secret government, a puppet of the French monarchy; its charitable fund would be used for bribes. These were only some of the accusations made against the Society. These were, however, unjustified. The author of this book explores why a part of the revolutionary leadership accused another of subversion in the difficult 1780s, and how the political culture of this period predisposed many leading Americans to think of the Cincinnati as a conspiracy.

More Americans trace their ancestry to Germany than to any other country. Arguably, German Americans form America's largest ethnic group. Yet they have a remarkably low profile today, reflecting a dramatic, twentieth-century retreat from German-American identity. In this age of multiculturalism, why have German Americans gone into ethnic eclipse--and where have they ended up? Becoming Old Stock represents the first in-depth exploration of that question. The book describes how German Philadelphians reinvented themselves in the early twentieth century, especially after World War I brought a nationwide anti-German backlash. Using quantitative methods, oral history, and a cultural analysis of written sources, the book explores how, by the 1920s, many middle-class and Lutheran residents had redefined themselves in "old-stock" terms--as "American" in opposition to southeastern European "new immigrants." It also examines working-class and Catholic Germans, who came to share a common identity with other European immigrants, but not with newly arrived black Southerners. Becoming Old Stock sheds light on the way German Americans used race, American nationalism, and mass culture to fashion new identities in place of ethnic ones. It is also an important contribution to the growing literature on racial identity among European Americans. In tracing the fate of one of America's largest ethnic groups, Becoming Old Stock challenges historians to rethink the phenomenon of ethnic assimilation and to explore its complex relationship to American pluralism.

Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.