Professor Shackleton Bailey's edition of Cicero's letters to Atticus, also published in the Cambridge Classical Texts and Commentaries series, has been generally recognized as an outstanding achievement. Now Professor Shackleton Bailey presents his edition of the second major body of Cicero's correspondence - his letters to his friends. Unlike the Atticus volumes this edition contains no translation (this will be published elsewhere), which has made it possible to gather all the letters and commentary into only two volumes. The introduction, which includes a reassessment of the manuscript tradition, is followed by a completely revised text and apparatus criticus. The commentary covers many problems of text, interpretation, history, prosopography, and letter-chronology. Both volumes contain indexes. This edition is intended for use by students and specialists in Roman literature and history.

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Judicial theatrics in Roman courts

Neither older empiricist positions that genre is an abstract concept, useless for the study of individual works of literature, nor the recent (post) modern reluctance to subject literary production to any kind of classification seem to have stilled the discussion on the various aspects of genre in classical literature. Having moved from more or less essentialist and/or prescriptive positions towards a more dynamic conception of the generic model, research on genre is currently considering "pushing beyond the boundaries", "impurity", "instability", "enrichment" and "genre-bending". The aim of this volume is to raise questions of such generic mobility in Latin literature. The papers explore ways in which works assigned to a particular generic area play host to formal and substantive elements associated with different or even opposing genres; assess literary works which seem to challenge perceived generic norms; highlight, along the literary-historical, the ideological and political backgrounds to "dislocations" of the generic map.

The Landmark Julius Caesar is the definitive edition of the five works that chronicle the mil­itary campaigns of Julius Caesar. Together, these five narratives present a comprehensive picture of military and political developments leading to the collapse of the Roman republic and the advent of the Roman Empire. The Gallic War is Caesar’s own account of his two invasions of Britain and of conquering most of what is today France, Belgium, and Switzerland. The Civil War describes the conflict in the following year which, after the death of his chief rival, Pompey, and the defeat of Pompey’s heirs and supporters, resulted in Caesar’s emergence as the sole power in Rome. Accompanying Caesar’s own commentaries are three short but essential additional works, known to us as the Alexandrian War, the African War, and the Spanish War. These were written by three unknown authors who were clearly eyewitnesses and probably Roman officers. Caesar’s clear and direct prose provides a riveting depiction of ancient warfare and, not incidentally, a persuasive portrait for the Roman people (and for us) of Caesar himself as a brilliant, moderate, and effec­tive leader—an image that was key to his final success. Kurt A. Raaflaub’s masterful translation skillfully brings out the clarity and elegance of Caesar’s style, and this, together with such Landmark features as maps, detailed annotations, appendices, and illustrations, will provide every reader from lay person to scholar with a rewarding and enjoyable experience. (With 2-color text, maps, and illustrations throughout; web essays available at http://www.thelandmarkcaesar.com/)

Cicero, and others in the Roman Republic, were masters of both invective and panegyric, two hugely important genres in ancient oratory, which influenced the later theory and practice of rhetoric. The papers in this volume address strategies of vituperation and eulogy within the Republic, and examine the mechanisms and effects of praise and blame.