The seventeenth-century scientific revolution and the eighteenth-century chemical revolution are rarely considered together, either in general histories of science or in more specific surveys of early modern science or chemistry. This tendency arises from the long-held view that the rise of modern physics and the emergence of modern chemistry comprise two distinct and unconnected episodes in the history of science. Although chemistry was deeply transformed during and between both revolutions, the scientific revolution is traditionally associated with the physical and mathematical sciences whereas modern chemistry is seen as the exclusive product of the chemical revolution. This historiographical tension, between similarity in ’form’ and disparity in historical ’content’ of the two events, has tainted the way we understand the rise of modern chemistry as an integral part of the advent of modern science. Against this background, Matter and Method in the Long Chemical Revolution examines the role of and effects on chemistry of both revolutions in parallel, using chemistry during the chemical revolution to illuminate chemistry during the scientific revolution, and vice versa. Focusing on the crises and conflicts of early modern chemistry (and their retrospectively labeled ’losing’ parties), the author traces patterns of continuity in matter theory and experimental method from Boyle to Lavoisier, and reevaluates the disciplinary relationships between chemists, mechanists, and Newtonians in France, England, and Scotland. Adopting a unique approach to the study of the scientific and chemical revolutions, and to early modern chemical thought and practice in particular, the author challenges the standard revolution-centered history of early modern science, and reinterprets the rise of chemistry as an independent discipline in the long eighteenth century.

A fascinating collection of the pictures, figures, and diagrams that chemists create to explain their craft In A Chemical History Tour, Arthur Greenberg took readers on a wild romp through the history of chemistry, introducing the unique characters, sometimes bizarre theories, and novel experiments that ultimately produced the modern science. Now Greenberg returns with more tales of chemistry glory, lovingly chronicling the extraordinary artwork that alchemists and chemists have produced in their pursuit of understanding the nature of matter in The Art of Chemistry: Myths, Medicines, and Materials. The Art of Chemistry employs 187 figures (including 16 full-color plates) to illuminate 72 essays on the mythical origins, wondrous experiments, and adventurous explorers in the annals of chemistry. Greenberg divides his delightful study into eight sections: Spiritual and Mythological Roots Stills, Cupels, and Weapons Medicines, Purges, and Ointments An Emerging Science Two Revolutions in France A Young Country and a Young Theory Specialization and Systemization Some Fun Each section tracks chemistry's incremental progress from myth to modern science, featuring the figures and diagrams that early chemists used to explain their craft. Along the way, readers will meet the deadly basilisk and the fabulous phoenix that populated the lore of pre-modern chemistry, learn the contributions to chemistry of the American natural philosopher Benjamin Franklin, and encounter Antoine Lavoisier, the father of modern chemistry and perhaps France's greatest economist. Greenberg also examines our fundamental connections with science through two personal essays, one on an adolescent friend who improbably (but perhaps inevitably) became a world-renowned entomology professor and the other on his quest to discover his own chemical heritage. The Art of Chemistry is sure to inform and entertain anyone interested in our eternal quest to know the natural world.