36 readers theatre scripts use authors and illustrators to awaken student imaginations. This book of 36 readers theatre scripts (one for each week of the school year) concentrates on scripts written at multiple reading levels with a large number of parts—including choral reading parts—that enable the entire class to participate. The first 18 scripts are written for 1st-3rd grade reading levels and feature giants of kids literature like Margaret Wise Brown, James Marshall, Bill Martin Jr., Bill Peet, and Beatrix Potter. The second 18 scripts are written for 2nd-4th grade reading levels to allow for growth throughout the school year. This group of plays introduces students to Stan Berenstain, Arnold Lobel, Shel Silverstein, and Tasha Tudor, among others. Carefully designed to meet the needs of students of various reading levels, the scripts are also ideal for use with remedial readers. Grades 2-5

A lavishly illustrated, large-format reference book highlighting the work of 101 top children’s illustrators The illustrated children’s book came of age in the 18th century alongside the rising middle-class demand for economic and social advancement. Inspired by philosopher John Locke’s prescient insights into child development, London publisher John Newbery established the first commercial market for illustrated “juveniles” in the West, and the impact of the model he set for books tailored to the interests and capabilities of young readers has spanned the globe, spurring higher literacy rates, cultural enfranchisement, and a better life for generations of children. In Pictured Worlds, renowned historian Leonard S. Marcus shares his incomparable knowledge of this global cultural phenomenon in the definitive reference work on children’s book illustration. The author of more than 25 award-winning books, Marcus here highlights an international roster of 101 artists of the last 250 years whose touchstone achievements collectively chart the major trends and turning points in the history of children’s book illustration. While some illustrators explored in this lively volume (John Tenniel, Maurice Sendak) have become household names, Marcus’s wide-ranging survey also shines a light on several lesser-known figures whose unique contributions merit a closer look. The result is a sweeping chronicle of a vibrant art form and cultural driver that has touched the lives of literate peoples everywhere. Over 400 illustrations showcase landmark books from Great Britain, the United States, France, Germany, Austria, Italy, Sweden, Czech Republic, Russia, Japan, China, Korea, Bulgaria, Argentina, Cameroon, and more. Each illustrated entry is comprised of an artist’s biography and career overview and a deep-dive look at a pivotal book and its legacy. Featured books include Ivan Bilibin’s The Golden Cockerel, Leo Lionni’s Inch by Inch, Richard Doyle’s In Fairyland, Kveta Pacovská’s One, Five, Many, Helen Oxenbury’s We’re Going On a Bear Hunt, Mitsumasa Anno’s Anno’s Journey, and Zhu Cheng-Liang’s A New Year’s Reunion, as well as the books that introduced such iconic characters as Alice, Max, Struwwelpeter, the Little Prince, and Winnie-the-Pooh. At once a celebration of illustrated children’s books and an essential reference work, Pictured Worlds encapsulates, in the author’s words, “the special nature of the illustrated children’s book as a cultural enterprise that is at once a rewarding art form, a bridge across cultures, and a ladder between generations.”

"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.

A graphic novel from the author of the beloved children's classic Corduroy Published in the centennial year of Don Freeman's birth, Skitzy follows a day in the life of a man literally divided between life as an office worker and life as an artist. Without the use of dialogue, his fluid and economical illustrations create an engrossing and fully believable environment, seducing the reader into a familiar world where expressive, gestural drawings explore the possibility of striking a perfect balance between work and play. Floyd W. Skitzafroid's wife worries that he is culture-starved and overworked, but she is only half right. Shortly after he leaves the house, Floyd splits into two: one a carefree artist, the other a grumpy worker with no time to spare. The contented Floyd quickly evades his morose counterpart in favor of a trip to his studio, sporting a broad grin throughout the day. But while this half paints and walks around pleasantly greeting those he meets, the other Floyd is confined to a desk, interacting only with paperwork, a looming boss, and his own disrupting thoughts. When the two halves of Skitzafroid are reunited after the workday, an unexpected eye-opener gives Floyd the push he needs to find a solution that will allow him to enjoy his passions without compromising his financial freedom.

Inside this book are short biographical sketches about the many artists represented in the Library of Congress' Swann Collection compiled by Erwin Swann (1906-1973). In the early 1960s, Swann, a New York advertising executive started collecting original cartoon drawings of artistic and humorous interest. Included in the collection are political prints and drawings, satires, caricatures, cartoon strips and panels, and periodical illustrations by more than 500 artists, most of whom are American. The 2,085 items range from 1780-1977, with the bulk falling between 1890-1970. The Collection includes 1,922 drawings, 124 prints, 14 paintings, 13 animation cels, 9 collages, 1 album, 1 photographic print, and 1 scrapbook.