Filled with images from every stage of Chuck Close's distinguished career, this volume surveys the entirety of the artist's photographic oeuvre for the very first time. . The illustrations vary from Close's signature portraits and self-portraits to nudes, flowers, and delightful outtakes from sessions with celebrity subjects. It will offer new insights into Close's creative process as well as his courageous and resourceful forays into a uniquely modern medium that he has made his very own.

Daguerreotype portraits with praise poems written to accompany the photographs. Subjects include Laurie Anderson, Cecily Brown, Gregory Crewdson, Carroll Dunham, Ellen Gallagher, Philip Glass, Lyle Ashton Harris, Bob Holman, Elizabeth Murray, Elizabeth Peyton, Andres Serrano, Cindy Sherman, James Siena, Lorna Simpson, Kiki Smith, James Turrell, Robert Wilson, Terry Winters, Lisa Yuskavage, and Chuck Close. Also includes Rexer's joint interview with photographer Close and poet Holman.

Now available in a newly revised and expanded edition, this book offers the definitive critical examination of one of America’s most celebrated living artists. Chuck Close reinvented portraiture more than four decades ago with a series of nine-foot-tall, black-and-white likenesses of himself and fellow artists, which astonished an art world dominated by Minimalism and Conceptualism. Close has since explored the possibilities implicit in his original breakthrough in an array of media. This lavish, large-format volume deals with all aspects of Close’s career and places them in a biographical context. Christopher Finch’s insight into Close’s achievement comes by way of hundreds of studio visits and thousands of hours of conversation since he met Close in 1968. The author provides an engaging, in-depth analysis of Close’s portraits on canvas, from the continuous-tone airbrushed heads of the 1960s and 1970s to the painterly "prismatic grids" of the past decades. Featuring 365 illustrations, the book surveys almost all of Close’s paintings, including his most recent work, together with a selection of prints and multiples and examples of his photographic oeuvre. This beautifully designed volume reveals not only the variety of pictorial strategies Close has devised, but also the extraordinary personality of the artist behind the work.

This essential volume on Chuck Close's innovative and groundbreaking techniques presents a life's work in printmaking by one of the most influential artists of our time. Since the retrospective exhibition of Chuck Close's prints first began touring in 2003, it has visited some 20 venues around the world, even as the artist has persisted in working prolifically and brilliantly in various print media. Revealing the full arc of Close's career in printmaking, including his most recent work and technical achievements, this book features everything from woodcuts, Woodbury types, and anamorphic etchings to felt hand-stamp prints, pulp-paper multiples, and watercolor pigment prints. With a thorough introduction, an essay by the distinguished scholar Richard Shiff, and interviews with the artist and master printmakers, this classic study will stand as the definitive reference on Close's print practice for years to come.

Essays by Siri Engberg, Madeleine Grynsztejn and Douglas R. Nickel. Foreword by Kathy Halbreich and Neal Benezra.

Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details. It is these "cruder," more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist. Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning. A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made "Artist's Questionnaire," Fig began a journey through the workspaces of some of today's most exciting contemporary artists.