A young Egyptian woman recounts her personal and political coming of age in this brilliant debut novel. Cairo, 1984. A blisteringly hot summer. A young girl in a sprawling family house. Her days pass quietly: listening to a mother’s phone conversations, looking at the Nile from a bedroom window, watching the three state-sanctioned TV stations with the volume off, daydreaming about other lives. Underlying this claustrophobic routine is mystery and loss. Relatives mutter darkly about the newly-appointed President Mubarak. Everyone talks with melancholy about the past. People disappear overnight. Her own father has left, too—why, or to where, no one will say. We meet her across three decades, from youth to adulthood: As a six-year old absorbing the world around her, filled with questions she can’t ask; as a college student and aspiring filmmaker pre-occupied with love, language, and the repression that surrounds her; and then later, in the turbulent aftermath of Mubarak’s overthrow, as a writer exploring her own past. Reunited with her father, she wonders about the silences that have marked and shaped her life. At once a mapping of a city in transformation and a story about the shifting realities and fates of a single Egyptian family, Yasmine El Rashidi’s Chronicle of a Last Summer traces the fine line between survival and complicity, exploring the conscience of a generation raised in silence.

A captivating exploration of beach resort culture—from its roots in fashionable society to its undervalued role in today’s world economy—as the travel industry approaches a climate reckoning With its promise of escape from the strains of everyday life, the beach has a hold on the popular imagination as the ultimate paradise. In The Last Resort, Sarah Stodola dives into the psyche of the beachgoer and gets to the heart of what drives humans to seek out the sand. At the same time, she grapples with the darker realities of resort culture: strangleholds on local economies, reckless construction, erosion of beaches, weighty carbon footprints, and the inevitable overdevelopment and decline that comes with a soaring demand for popular shorelines. The Last Resort weaves Stodola’s firsthand travel notes with her exacting journalism in an enthralling report on the past, present, and future of coastal travel. She takes us from Monte Carlo, where the pursuit of pleasure first became part of the beach resort experience, to a village in Fiji that was changed irrevocably by the opening of a single resort; from the overdevelopment that stripped Acapulco of its reputation for exclusivity to Miami Beach, where extreme measures are underway to prevent the barrier island from vanishing into the ocean. In the twenty-first century, beach travel has become central to our globalized world—its culture, economy, and interconnectedness. But with sea levels likely to rise at least 1.5 to 3 feet by the end of this century, beaches will become increasingly difficult to preserve, and many will disappear altogether. What will our last resort be when water begins to fill the lobbies?

Acclaimed actor and columnist Sherman takes a funny, touching, and ironic look at life in suburbia.

The history of the modern riot parallels the development of the modern novel and the modern lyric. Yet there has been no sustained attempt to trace or theorize the various ways writers over time and in different contexts have shaped cultural perceptions of the riot as a distinctive form of political and social expression. Through a focus on questions of voice, massing, and mediation, this collection is the first cross-cultural study of the interrelatedness of a prevalent mode of political and economic protest and the variable styles of writing that riots inspired. This volume will provide historical depth and cultural nuance, as well as examine more recent theoretical attempts to understand the resurgence of rioting in a time of unprecedented global uncertainty. One of the key contentions of this collection is that literature has done more than merely record riotous practices. Rather literature has, in variable ways, used them as raw material to stimulate and accelerate its own formal development and critical responsiveness. For some writers this has manifested in a move away from classical norms of propriety and accord, and toward a more openly contingent, chaotic, and unpredictable scenography and cast of dramatis personae, while others have moved towards narrative realism or, more recently, digital media platforms to manifest the crises that riots unleash. Keenly attuned to these formal variations, the essays in this collection analyse literature's fraught dialogue with the histories of violence that are bound up in the riot as an inherently volatile form of collective action.

Anthony Trollope's 'The Chronicles of Barsetshire' is a masterful and multi-faceted collection of novels that follows the lives and scandals of the residents of the fictional English county of Barsetshire. Trollope's writing style is characterized by its keen observation of Victorian society, rich character development, and subtle wit. Set against the backdrop of church and local politics, the series delves into themes of morality, ambition, and love. Trollope's ability to interweave multiple storylines and explore the complexities of human nature make this collection a timeless classic in English literature. Anthony Trollope, a prolific Victorian author, drew on his experience working in the British civil service, as well as his deep knowledge of political and social structures, to create the intricate world of Barsetshire. His own observations and understanding of human behavior lend authenticity and depth to the characters and situations portrayed in the series. I highly recommend 'The Chronicles of Barsetshire' to readers who appreciate richly detailed novels with a strong sense of place and complex characters. Trollope's insightful exploration of human relationships and societal norms makes this collection a captivating read for fans of classic literature.

The Chronicles of Barsetshire (or Barchester Chronicles) is a series of six novels by the English author Anthony Trollope, set in the fictitious English county of Barsetshire (located roughly in the West Country) and its cathedral town of Barchester. The novels concern the dealings of the clergy and the gentry, and the political, amatory, and social manœuvrings that go on among and between them. Together, the series is regarded by many as Trollope's finest work. The Palliser novels are six novels, also known as the "Parliamentary Novels", by Anthony Trollope. The common thread is the wealthy aristocrat and politician Plantagenet Palliser and his wife Lady Glencora. The plots involve British and Irish politics in varying degrees, specifically in and around Parliament. Table of Contents: Anthony Trollope: An Autobiography The Chronicles of Barsetshire: The Warden The Barchester Towers Doctor Thorne Framley Parsonage The Small House at Allington The Last Chronicle of Barset The Palliser Novels: Can You Forgive Her? Phineas Finn The Eustace Diamonds Phineas Redux The Prime Minister The Duke's Children Anthony Trollope (1815–1882) was one of the most successful, prolific and respected English novelists of the Victorian era. Some of his best-loved works, collectively known as the Chronicles of Barsetshire, revolve around the imaginary county of Barsetshire. He also wrote perceptive novels on political, social, and gender issues, and on other topical matters. Trollope's literary reputation dipped somewhat during the last years of his life, but he regained the esteem of critics by the mid-twentieth century.