Report
Title | Report PDF eBook |
Author | Commonwealth Shipping Committee |
Publisher | |
Pages | 824 |
Release | 1915 |
Genre | Shipping |
ISBN |
Register of Officers and Agents, Civil, Military and Naval [etc]
Title | Register of Officers and Agents, Civil, Military and Naval [etc] PDF eBook |
Author | United States. Department of the Interior |
Publisher | |
Pages | 1766 |
Release | 1905 |
Genre | United States |
ISBN |
Blackwood's Edinburgh Magazine
Title | Blackwood's Edinburgh Magazine PDF eBook |
Author | |
Publisher | |
Pages | 910 |
Release | 1889 |
Genre | |
ISBN |
Illinois Libraries
Title | Illinois Libraries PDF eBook |
Author | |
Publisher | |
Pages | 430 |
Release | 1919 |
Genre | Libraries |
ISBN |
Includes proceedings of the Illinois Library Association.
The Church of England quarterly review
Title | The Church of England quarterly review PDF eBook |
Author | |
Publisher | |
Pages | 534 |
Release | 1846 |
Genre | |
ISBN |
Target
Title | Target PDF eBook |
Author | Kathleen Willey |
Publisher | WND Books |
Pages | 293 |
Release | 2007 |
Genre | Biography & Autobiography |
ISBN | 0974670162 |
Willey, former Democratic activist and White House volunteer, argues that Hillary Clinton should not be returned to the White House in any capacity as she outlines how her life was changed by the intimidation campaign launched by the Clintons.
Their Own Best Creations
Title | Their Own Best Creations PDF eBook |
Author | Annie Berke |
Publisher | Univ of California Press |
Pages | 301 |
Release | 2022-01-04 |
Genre | Drama |
ISBN | 0520300793 |
A rich account that combines media-industry history and cultural studies, Their Own Best Creations looks at women writers' contributions to some of the most popular genres of postwar TV: comedy-variety, family sitcom, daytime soap, and suspense anthology. During the 1950s, when the commercial medium of television was still being defined, women writers navigated pressures at work, constructed public personas that reconciled traditional and progressive femininity, and asserted that a woman's point of view was essential to television as an art form. The shows they authored allegorize these professional and personal pressures and articulate a nascent second-wave feminist consciousness. Annie Berke brings to light the long-forgotten and under-studied stories of these women writers and crucially places them in the historical and contemporary record.