When early Christians began to study the Bible, and to write their own history and that of the Jews whom they claimed to supersede, they used scholarly methods invented by the librarians and literary critics of Hellenistic Alexandria. But Origen and Eusebius, two scholars of late Roman Caesarea, did far more. Both produced new kinds of books, in which parallel columns made possible critical comparisons previously unenvisioned, whether between biblical texts or between national histories. Eusebius went even farther, creating new research tools, new forms of history and polemic, and a new kind of library to support both research and book production. Christianity and the Transformation of the Book combines broad-gauged synthesis and close textual analysis to reconstruct the kinds of books and the ways of organizing scholarly inquiry and collaboration among the Christians of Caesarea, on the coast of Roman Palestine. The book explores the dialectical relationship between intellectual history and the history of the book, even as it expands our understanding of early Christian scholarship. Christianity and the Transformation of the Book attends to the social, religious, intellectual, and institutional contexts within which Origen and Eusebius worked, as well as the details of their scholarly practices--practices that, the authors argue, continued to define major sectors of Christian learning for almost two millennia and are, in many ways, still with us today.,

In this astounding account, a leading sociologist demonstrates that religion in America has become so tamed and softened that it hardly serves any of its original functions.

Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.

Discusses German influence on the development of early medieval Christianity.

Recent scholarship has challenged post-Reformation ideas about the early Christian doctrines of salvation. This ground-breaking book draws together the conclusions of recent scholarship into a compelling and clear view of the early Christian paradigm of salvation. It presents the case that the early Christians focussed not on Christ's death on the cross or 'saving faith', but on moral transformation. They saw Jesus as God's appointed teacher, prophet, and leader, who died as a martyr in order to teach them a new way of life. Their paradigm of salvation centred upon this way of life taught by Jesus, and on following faithfully his example and teachings. Part 1: 'How the Gospels present Jesus' explores the way in which the early Christians understood the teaching of Jesus. It highlights five themes of Jesus' message: economics and wealth, moral purity, social equality, the temple system, and physical and spiritual affliction. It shows why people viewed Jesus as a divinely appointed teacher, prophet, and leader, and saw his death as a martyrdom for his cause and movement. Part 2: 'Doctrines of the early Christians' presents the key early Christian doctrines of salvation and shows why several post-Reformation doctrines conflict with their views. It shows that the early Christians believed God's final judgment is made on the basis of character and conduct. They believed that by following Jesus and transforming their lives morally, they would obtain positive judgment and resurrection. This part shows how the early Christians' ideas of faith, justification, forgiveness and grace all fit into this paradigm. Part 3: 'The importance of Jesus' looks at why the early Christians considered Jesus so significant; they focussed on the moral transformation he brought to their lives. This part highlights what they believed Jesus achieved for them, and how they used sacrificial language to explain these beliefs. It explores the evidence for viewing Jesus' death as a martyrdom, and for seeing his resurrection as equally important. Part 4: 'Ideas throughout history' shows that Christians held this paradigm of salvation for several centuries. It outlines the key changes that occurred from the 4th century through to the Reformation, which moved tradition away from the early Christian ideas. Finally, it offers a critique of modern post-Reformation doctrines of salvation.

This book explores the historical and contemporary relationship between the arts and Christianity.

Pastor and professor Keith Meyer writes in a fresh, prophetic voice about his experience of learning spiritual formation through being mentored by Dallas Willard. Drawing from the riches of church history and the experience of contemporary ministry, Meyer then describes how his own life transformation changed how he approached ministry and church leadership.