Bestselling and award-winning author DiAnn Mills delivers a heart-stopping story of dark secrets, desperate enemies, and dangerous lies. Fifteen years ago, Shelby Pearce confessed to murdering her brother-in-law and was sent to prison. Now she’s out on parole and looking for a fresh start in the small town of Valleysburg, Texas. But starting over won’t be easy for an ex-con. FBI Special Agent Denton McClure was a rookie fresh out of Quantico when he was first assigned the Pearce case. He’s always believed Shelby embezzled five hundred thousand dollars from her brother-in-law’s account. So he’s going undercover to befriend Shelby, track down the missing money, and finally crack this case. But as Denton gets closer to Shelby, he begins to have a trace of doubt about her guilt. Someone has Shelby in their crosshairs. It’s up to Denton to stop them before they silence Shelby—and the truth—forever.

They say there's nothing new under the sun, and the Christian fiction industry certainly didn't spring full blown with the advent of the Left Behindseries in 1996. Remember Christyby Catherine Marshall? Published in 1967, its inspiration was the life of Marshall's mother - and the Christy Award, presented annually since 1999 to recognize novelists and novels in several categories of Christian fiction, was named after it. What makes Christian fiction? There are several givens, despite the subgenres- the Christian worldview must be woven throughout both the book's plot and its character development. But must it put proselytizing before telling a good story? How much sex - if any! - is okay in a Christian romance? Is it all right to approach edgy subjects in a Christian mystery? Is it possible to seamlessly integrate a Christian message in a crackling good yarn? In The Complete Idiot's Guide to Writing Christian FictionRon Benrey - himself the author of successful Christian fiction - offers readers chapter and verse of writing Christian women's, romance, thrillers and mysteries, warfare, historical, biblical, speculative, and young adult fiction that deliver strong, inspirational messages and sell!

“An extraordinary novel . . . a triumph of insight and storytelling.” —Associated Press “A true masterpiece.” —Glennon Doyle, author of Untamed An extraordinary story set in the first century about a woman who finds her voice and her destiny, from the celebrated number one New York Times bestselling author of The Secret Life of Bees and The Invention of Wings In her mesmerizing fourth work of fiction, Sue Monk Kidd takes an audacious approach to history and brings her acclaimed narrative gifts to imagine the story of a young woman named Ana. Raised in a wealthy family with ties to the ruler of Galilee, she is rebellious and ambitious, with a brilliant mind and a daring spirit. She engages in furtive scholarly pursuits and writes narratives about neglected and silenced women. Ana is expected to marry an older widower, a prospect that horrifies her. An encounter with eighteen-year-old Jesus changes everything. Their marriage evolves with love and conflict, humor and pathos in Nazareth, where Ana makes a home with Jesus, his brothers, and their mother, Mary. Ana's pent-up longings intensify amid the turbulent resistance to Rome's occupation of Israel, partially led by her brother, Judas. She is sustained by her fearless aunt Yaltha, who harbors a compelling secret. When Ana commits a brazen act that puts her in peril, she flees to Alexandria, where startling revelations and greater dangers unfold, and she finds refuge in unexpected surroundings. Ana determines her fate during a stunning convergence of events considered among the most impactful in human history. Grounded in meticulous research and written with a reverential approach to Jesus's life that focuses on his humanity, The Book of Longings is an inspiring, unforgettable account of one woman's bold struggle to realize the passion and potential inside her, while living in a time, place and culture devised to silence her. It is a triumph of storytelling both timely and timeless, from a masterful writer at the height of her powers.

Set during one of the richest, most vibrant eras in American history, this Jazz Age novel tracks Houdini's assistant in a world of misdirection, suspense, and forgotten pasts to remind us that not all illusions happen on the stage. Wren Lockhart, apprentice to master illusionist Harry Houdini, uses life on a vaudeville stage to escape the pain of her past. She continues her career of illusion after her mentor's death, intent on burying her true identity. But when a rival performer's act goes tragically wrong, the newly formed FBI calls on Wren to speak the truth--and reveal her real name to the world. She transfers her skills for misdirection from the stage to the back halls of vaudeville, as she finds herself the unlikely partner in the FBI's investigation. All the while Houdini's words echo in her mind: Whatever occurs, the crowd must believe it's what you meant to happen. She knows that if anyone digs too deep, secrets long kept hidden may find their way to the surface--and shatter her carefully controlled world. Historical fiction with a dash of suspense Stand-alone novel Book length: 99,000 words Includes discussion questions for book clubs

Kirkus Reviews • Best Historical Fiction of 2019 The Millions • "Most Anticipated" Books of 2019 Torn apart by war and bigotry, two families confront long-buried secrets in this haunting American novel of World War II and Vietnam. Ray Takahashi’s return from the battlefields of World War II should have been triumphant, but the fragrant, budding orchards of his rural Northern California home hide a secret that has destroyed everything he holds dear. With his hair now trimmed short and his newly broadened shoulders filling in his uniform, nineteen-year-old Ray approaches the small house in which he grew up, tucked behind rows of plum trees he planted with his father, only to find it occupied by a family he has does not know, a white family. Two decades later, John Frazier adjusts to his own homecoming. Detoxing from a dope addiction acquired in the barracks of Vietnam, yet still aching to write the next great American novel, he struggles to silence the phantoms that have trailed him from the muddy jungles. Frazier’s ambitions are put on hold when he finds himself an unwitting witness to a confrontation, decades in the making, between two steely matriarchs: his aunt, Evelyn Wilson, and her former neighbor, Kimiko Takahashi. From the halcyon days of pre–World War II Newcastle, when fruit trees glowed like jewels, through the dusty, cramped nights of Tule Lake, and the wayward years of the post-Vietnam era, Phantoms weaves the splintered stories of two families as they seek an impossible closure. A jarring examination of the personal cost of American exceptionalism and imperialism, and the ghosts that haunt us today, this saga affirms Christian Kiefer’s expanding place in contemporary literature.

The rise of the Christian Right took many writers and literary critics by surprise, trained as we were to think that religions waned as societies became modern. In If God Meant to Interfere, Christopher Douglas shows that American writers struggled to understand and respond to this new social and political force. Religiously inflected literature since the 1970s must be understood in the context of this unforeseen resurgence of conservative Christianity, he argues, a resurgence that realigned the literary and cultural fields. Among the writers Douglas considers are Marilynne Robinson, Barbara Kingsolver, Cormac McCarthy, Thomas Pynchon, Ishmael Reed, N. Scott Momaday, Gloria Anzaldúa, Philip Roth, Carl Sagan, and Dan Brown. Their fictions engaged a wide range of topics: religious conspiracies, faith and wonder, slavery and imperialism, evolution and extraterrestrial contact, alternate histories and ancestral spiritualities. But this is only part of the story. Liberal-leaning literary writers responding to the resurgence were sometimes confused by the Christian Right’s strange entanglement with the contemporary paradigms of multiculturalism and postmodernism —leading to complex emergent phenomena that Douglas terms "Christian multiculturalism" and "Christian postmodernism." Ultimately, If God Meant to Interfere shows the value of listening to our literature for its sometimes subterranean attention to the religious and social upheavals going on around it.