In Christian Symbol and Ritual, Bernard Cooke and Gary Macy offer an accessible and engaging introduction to the topic written from a non-denominational perspective. Cooke and Macy demonstrate that celebration, ritual, and symbol are already central to our lives, even though most do not see their actions as symbolic or ritualistic. They connect central Christian symbols to the symbols and rituals already present in everyday life and place Christian theology in a familiar context. After discussing the characteristics and functions of rituals, they explore different kinds of ritual, including those of friendship, worship, and healing. The authors also examine such questions as how rituals establish and maintain power relationships, how "official" rituals are different from "popular" Christian rituals and devotions, and how Christian rituals function in the process of human salvation. Christian Symbol and Ritual is an invaluable resource for students, teachers, and lay readers.

This resource helps you prepare a reverent, artful, and interactive experience of the symbols of the liturgy followed by reflection on their meaning for groups of adults or teens.

This is a short, accessible analysis of Christianity that focuses on its social and cultural diversity as well as its historical dimensions.

“Our main object will be to describe one of the most incomparably beautiful myths that has ever flowered from the mind of man, or from the unconscious processes which shape it and which are in some sense more than man.… This is, furthermore, to be a description and not a history of Christian Mythology.… After description, we shall attempt an interpretation of the myth along the general lines of the philosophia perennis, in order to bring out the truly catholic or universal character of the symbols, and to share the delight of discovering a fountain of wisdom in a realm where so many have long ceased to expect anything but a desert of platitudes.” —from the Prologue

"This handbook brings together work by leading scholars of the archaeology of early Christianity in the Mediterranean and surrounding regions. The 34 essays to this volume ground the history, culture, and society of the first seven centuries of Christianity in the latest currents of archaeological method, theory, and research."--

This unique textbook not only lays out the religious-studies framework of a contemporary understanding of Christian worship. It also offers keys to the experience of Christian worship in each historical period, including the American experience. Ramshaw's novel and creative approach -- which shows the roots of Christian worship in symbol, ritual, myth, and sacred place -- bridges the great cultural divide between today's student and the chief Christian rites rooted in the ancient world. In light of this history of experiences, Ramshaw also illuminates and addresses ongoing issues in worship (gender, authority, ethics, skepticism) and places them into an exlicitly cross-religious framework with Islam, Judaism, and other traditions. -- Book jacket flap.

In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.