Winner of the 2023 Christianity Book Award — Culture & The Arts! "One of the best, and least expected, anthologies in decades.” —Joseph Bottum, Poetry editor, New York Sun Showcasing thirty-five American poets born in or after 1940, this anthology confirms that one of the most vibrant developments in contemporary verse has been a renewed engagement with the Christian faith. Across a full spectrum of Christian belief, including the struggle to believe at all, these poets bring the power of their art to bear on serious questions: how to understand the goodness of God in a fallen and tragic world, how to reconcile universal truths with the particularities of human experience, how to render familiar events of salvation history in new language that generates its own epiphanies. As Christian engagement assumes a multiplicity of modes and voices, so does contemporary poetry in America. This volume, then, selective yet representative, features the work of early-, mid-, and late-career poets, formalists, free-verse poets, and experimenters in prosody. This anthology bears witness to the poetic mind as it seeks that which is above.

"A compilation of important Christian poetry of the last eighty years"--

Doxology: a journal of worship and the sacramental life, Volume 33.2 (Pentecost 2022) Founded in 1984, Doxology: a journal of worship and the sacramental life is a quarterly, peer reviewed journal published by the Order of Saint Luke (OSL Publications). It focuses on emerging and historical theologies and practices of Christian worship. Print distribution is to the members of the Order globally, as well as to a number of theology departments and seminary libraries in the United States. Doxology also continues the tradition of the journal Sacramental Life, which merged with Doxology in 2020.

Before the Door of God traces the development of devotional English-language poetry from its origins in ancient hymnody to its current twenty-first-century incarnations. The poems in this volume demonstrate not only that devotional poetry—poetry that speaks to the divine—remains in vigorous practice, but also that the tradition reaches back to the very origins of poetry in English. There is a sense in these pages that the tradition of lyric poetry that developed was nearly inevitable, given the inherent concerns of the genre. Featuring the work of poets over a three-thousand-year period, Before the Door of God places the devotional lyric in its cultural, historical, and aesthetic contexts. The volume traces the various influences on this tradition and identifies features that persist in devotional lyric poetry across centuries, cultures, and stylistic differences. To scholars, literary professionals, and general readers who find delight in fine poetry, this anthology offers much to contemplate and discuss.

In Ponds, Jane Clark Scharl explores the mysterious relationship between change and repetition: seemingly contradictory, these two weave together so tightly in human existence that they cannot be separated. Speaking in a variety of voices—from a young mother mourning her own mother to Penelope, wife of Ulysses, Persephone, and Theoderic the Ostrogoth—Ponds is a polyphonous meditation on loss and gain, activity and stillness, and the nature of God, both hidden and revealed.

In today's reading culture, it is easy to forget that we receive God's message far differently from how the original hearers would have heard it. D. Brent Sandy explores how oral communication shaped biblical writers and ancient hearers, and provides constructive ways for modern readers to be better hearers and performers of Scripture.

A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.