Christian Melodies - the new song book, for church, evangelistic, Sunday-school and Christian endeavor services is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Music is at the heart of the world's cultural heritage, and from the beginning has played an essential role in Christianity, with many of the greatest composers creating sacred music of all kinds. Tim Dowley traces the story of Christian music from the earliest Jewish traditions through the Renaissance and Reformation to the present day, discussing both the various liturgical traditions and non-liturgical sacred music. Dr Dowley also covers the fascinating history of hymns and sacred songs, and Christian expressions in modern jazz, folk, rock, and pop idioms. This comprehensive volume ranges widely, with specialist features on Christian music worldwide, and a focus on such varied topics as Christmas carols, the music of Handel and Bach, spirituals and the blues, medieval polyphony, Hildegard of Bingen, and Contemporary Christian Music. Dowley considers key questions, such as: What is Christian music? Is it solely music used in Christian worship? Or music with spirituality, with the power to move people? And what is the role of the Bible in all this? Richly illustrated with almost two hundred photographs and pictures, Christian Music: A Global History is a book for anyone who is moved, inspired, or intrigued by any kind of music from the Christian tradition. Key features include: - Comprehensive coverage of the history of worship music, from ancient times to the present day - In-depth articles on key themes and individuals - Provides historical, theological, and liturgical contexts for Christian music - Includes specialist articles written by international experts - Covers both Western and non-Western musical traditions - Richly illustrated throughout

100 great songs, 100 great stories. Listen to the soundtrack of your life. What do you hear? Which songs and artists have impacted your spirit and inspired your faith? This ultimate guide chronicles such songs?the top 100 songs of contemporary Christian music that have not only achieved commercial success, but have forever changed the lives of those who have listened. Selected by votes of thousands of CCM Magazine readers with the input of a top panel of Christian music insiders (including artists, executives, producers and songwriters), this list represents the best of the best. Become part of the moment where divine inspiration meets sheer musical talent. From Rich Mullins, Amy Grand, dc talk, Steven Curtis Chapman and MercyMe to pioneers like Larry Norman, Keith Green and the Gaithers, watch how the musical expression of these artists' own lives resulted in the songs that forever changed yours.

Music has been at the heart of Christian worship since the beginning, and this lavishly illustrated and wonderfully written volume fully surveys the many centuries of creative Christian musical experimentation. From its roots in Jewish and Hellenistic music, through the rich tapestry of medieval chant to the full flowering of Christian music in the centuries after the Reformation and the many musical expressions of a now-global Christianity, Wilson-Dickson conveys 'a glimpse of the fecundity of imagination with which humanity has responded to the creator God.' Book jacket.

Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.

The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than nonfans may realize. It fills a major gap in the literature on American music and Christian culture, looking at this increasingly popular genre in the context of the overall history of religious music in the United States. With over 200 entries, The Encyclopedia of Contemporary Christian Music covers important performers and industry figures, songs and albums, concerts and festivals, the rise of Christian radio and television, and other issues related to the growth of inspirational music. Scholars and fans alike will find a wealth of revealing information and insightful coverage illustrating the influence of gospel on modern American music with musicians such as Elvis, Sam Cooke, Johnny Cash, Bob Dylan, and U2.The work also examines the use of fundamental rock, pop, and rap music templates in the service of songs of faith.