Within the familiar clash of religious conservatism and secular liberalism Paul Maltby finds a deeper discord: an antipathy between Christian fundamentalism and the postmodern culture of disenchantment. Arguing that each camp represents the poles of America's virulent culture wars, he shows how the cultural identity, lifestyle, and political commitments of many Americans match either the fundamentalist profile of one who cleaves to metaphysical and authoritarian beliefs or the postmodern profile of one who is disposed to critical inquiry and radical-democratic values. Maltby offers a critique that operates in both directions. His use of the resources of postmodern theory to contest fundamentalism's doctrinal claims, ultra-right politics, anti-environmentalism, and conservative aesthetics informs his engagement with contemporary fundamentalist painting, spiritual warfare fiction, dominionist attitudes to nature, and a profoundly undemocratic interpretation of Christianity. At the same time, Maltby identifies some of fundamentalism’s legitimate spiritual concerns, assesses the cost of perpetual critique, and exposes the deficit of spiritual meaning that haunts the culture of disenchantment.

Today the United States is plagued with cultural and political polarization--the Reds and the Blues. Because religion has been of great significance in America right from the first colonists who believed themselves to be God's chosen nation, it is not surprising that religion constitutes the basis of today's dichotomy. The recent resurgence of Christian fundamentalism is significant for the future of America as a nation "under God." This book examines the history of conservative American Christianity as it interacts with liberal beliefs. With the Enlightenment, the Puritan sense of mission faded, but was rekindled with the Great Awakening. This religious movement unified the colonies and provided an animating ideal which led to revolution against Britain. But soon after, the forces of liberalism made inroads, and the seeds of division were planted. This balanced account favors neither conservative nor liberal. It is history with a human touch, emphasizing personalities from Jonathan Edwards and William Jennings Bryan to David Koresh and Jim Jones.

There is an increasing interest in the influence of religious fundamentalism upon people’s motivation, identity and decision-making. Leaving Christian Fundamentalism and the Re-construction of Identity details the stories of those who have left Christian fundamentalist churches and how they change after they have left. It considers how the previous fundamentalist identity is shaped by aspects of church teaching and discipline that are less authoritarian and coercive, and more subtle and widely spread throughout the church body. That is, individuals are understood as not only subject to a form of judgment, but also exercise it, with everyone seemingly complicit in maintaining the stability of the church organisation. This book provocatively illustrates that the reasons for leaving an evangelical Christian church may be less about what happens outside the church in terms of the lures and attractions of the secular world, and more about the experience within the community itself.

For more than two thousand years Christian expansion and proselytizing was couched in terms of 'defending the faith'. Until recently in the United States, much of that defense came in the form of reactions against the 'liberal' influences channeled through big-corporate media such as popular music, Hollywood movies, and network and cable television. But the election of Ronald Reagan as a Hollywood President introduced Christian America to the tools of advertising and multimedia appeals to children and youth to win new believers to God's armies. Christotainment examines how Christian fundamentalism has realigned its armies to combat threats against it by employing the forces it once considered its chief enemies: the entertainment media, including movies, television, music, cartoons, theme parks, video games, and books. Invited contributors discuss the critical theoretical frameworks of top-selling devices within Christian pop culture and the appeal to masses of American souls through the blessed marriage of corporatism and the quest for pleasure.

The term "culture wars" refers to the political and sociological polarisation that has characterised American society the past several decades. This new edition provides an enlightening and comprehensive A-to-Z ready reference, now with supporting primary documents, on major topics of contemporary importance for students, teachers, and the general reader. It aims to promote understanding and clarification on pertinent topics that too often are not adequately explained or discussed in a balanced context. With approximately 640 entries plus more than 120 primary documents supporting both sides of key issues, this is a unique and defining work, indispensable to informed discussions of the most timely and critical issues facing America today.

This authoritative volume offers the fullest account to date of Christian fundamentalism, its origins in the nineteenth century, and its development up to the present day. It looks at the movement in global terms and through a number of key subjects and debates in which it is actively engaged.

The Routledge Companion to Cultural Property contains new contributions from scholars working at the cutting edge of cultural property studies, bringing together diverse academic and professional perspectives to develop a coherent overview of this field of enquiry. The global range of authors use international case studies to encourage a comparative understanding of how cultural property has emerged in different parts of the world and continues to frame vital issues of national sovereignty, the free market, international law, and cultural heritage. Sections explore how cultural property is scaled to the state and the market; cultural property as law; cultural property and cultural rights; and emerging forms of cultural property, from yoga to the national archive. By bringing together disciplinary perspectives from anthropology, archaeology, law, Indigenous studies, history, folklore studies, and policy, this volume facilitates fresh debate and broadens our understanding of this issue of growing importance. This comprehensive and coherent statement of cultural property issues will be of great interest to cultural sector professionals and policy makers, as well as students and academic researchers engaged with cultural property in a variety of disciplines.