Why is God's beauty often absent from our theology? Rarely do theologians take up the theme of God's beauty—even more rarely do they consider how God's beauty should shape the task of theology itself. But the psalmist says that the heart of the believer's desire is to behold the beauty of the Lord. In The Beauty of the Lord, Jonathan King restores aesthetics as not merely a valid lens for theological reflection, but an essential one. Jesus, our incarnate Redeemer, displays the Triune God's beauty in his actions and person, from creation to final consummation. How can and should theology better reflect this unveiled beauty? The Beauty of the Lord is a renewal of a truly aesthetic theology and a properly theological aesthetics.

Reveals the importance of the sacramental imagination as the key to the renewal of Christology and of modern Christian literature.

Many contemporary theologians seek to retrieve the concept of beauty as a way for people to encounter God. This groundbreaking book argues that while Martin Luther's view of beauty has often been ignored or underappreciated, it has much to contribute to that quest. Mark Mattes, one of today's leading Lutheran theologians, analyzes Luther's theological aesthetics and discusses its implications for music, art, and the contemplative life. Mattes shows that for Luther, the cross is the lens through which the beauty of God is refracted into the world.

As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God s power or God s nonexistence, asking over and over, How could a good and loving God if such exists allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.

Theology of the Body Institute Press releases the first-ever English language edition of a long-lost treasure from the St. John Paul II (Karol Wojtyla) archives. Originally delivered in 1962 for artists, "God Is Beauty" features Karol Wojtyla's penetrating spiritual exercises on divine beauty and its reflection in our humanity (and in the art we produce). The retreat itself, of course, forms the heart of this attractive volume. To aid you in mining its many riches, it is followed by an extensive commentary by Dr. Christopher West and various shorter reflections from authors who are distinguished in the fields of theology and art and whose hearts and works have been transformed by the themes in this retreat.In this book, you will be shown:* The interior journey of "the ache" an artist must take to produce transcendent art.* How artists should process the tensions in life that can inform their work.* The one thing necessary to make everyone's life a reflection of divine beauty.Reflections from artists and theologians who are living out the themes of this retreat. * A road map for the Church to reclaim its role as the world's Patron of the Arts. Saint John Paul II (born Karol Jozef Wojtyla in 1920) was an actor, poet, and playwright before being ordained to the priesthood in Communist-occupied Poland in 1946. Ordained a bishop in 1958, he contributed significantly to the Second Vatican Council (1962-1965) and was made a cardinal by Saint Paul VI in 1967. After the second papal conclave of 1978, Wojtyla became the first non-Italian pope in over 400 years. Having successfully fulfilled what he considered to be his mission to lead the Church into the third millennium, he died as one of the longest reigning popes in history on April 2, 2005. He was beatified by his immediate successor Pope Benedict XVI on May 1, 2011, and canonized by Pope Francis on April 27, 2014.

From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.

While everyone is delighted by beauty, and the more alive among us are positively fascinated by it, few are explicitly aware that we can recognize truth by its beauty and simplicity. Dubay explores the reasons why all of the most eminent physicists of the twentieth century agree that beauty is the primary standard for scientific truth. Likewise, the best of contemporary theologians are also exploring with renewed vigor the aesthetic dimensions of divine revelation. Honest searchers after truth can hardly fail to be impressed that these two disciplines, science and theology, so different in methods, approaches and aims, are yet meeting in this and other surprising and gratifying ways. This book relates these developments to nature, music, academe and our unquenchable human thirst for unending beauty, truth and ecstasy, a thirst quenched only at the summit of contemplative prayer here below, and in the consummation of the beatific vision hereafter.