In this critical study, Dr Turbi Luka uses historical-theological methodology to engage in detail with Christologies of key African theologians and conventional theological sources for Christology, including the church fathers Tertullian and Athanasius as well as modern theologians. Turbi argues that existing African Christologies, specifically ancestor Christologies, are inadequate in expressing the person of Christ as Messiah and saviour, the fulfilment of Old Testament prophesies. Providing a new approach, Turbi proposes an African Linguistic Affinity Christology that explicitly portrays Jesus as Christ in a contextually relevant way for Africans in everyday life. This crucial study highlights the need for biblically rooted Christology and for sound theological understanding and naming of Jesus at every level. This book also warns the church in Africa, and elsewhere, to avoid repeating the dangerous christological heresies of the ancient church by remaining faithful to a biblical interpretation and orthodox theology of Christ.

This book seeks to demonstrate the significance of Ancestor Christology in African Christianity for christological developments in World Christianity. Ancestor Christology has developed in the process of an African conversion story of appropriating the mystery of Christ (Eph 3:4) in the category of ancestors. Logos Christology in early Christian history developed as an intricate byproduct in the conversion process of turning Hellenistic ideas towards the direction of Christ (A. F. Walls). Hellenistic Christian writers and modern African Christian writers thus share some things in common and when their efforts are examined within the conversion process framework there are discernible modes of engagement. The mode of Logos Christology that one finds in Origen, for example, is an innovative application of the understanding of Jesus Christ as Logos (incarnate); a new key but not discontinuous with the Johannine suggestive mode or the clarificatory mode of Justin Martyr. African Ancestor Christology is at the threshold of an innovative mode and the argument this book makes is that this strand of African Christology should be pursued in the indigenous languages aided by respective translated Bibles; a suggested way is a Logos-Ancestor (Nanasɛm) discourse in Akan Christianity.

Christian theology evolves out of questions that are asked in a particular situation about how the Bible speaks to that situation. This book, African Christian Theology, is written to address questions that arise from the African context. It is intended to help students and others discover how theology affects our minds, our hearts, and our lives. As such, it speaks not only to Africans but to all who seek to understand and live out their faith in their own societies. Samuel Kunyihop understands both biblical theology and the African worldview and throws light on areas where they overlap, where they diverge, and why this matters. He explores traditional African understandings of God and how he reveals himself, the African understanding of sin and way the Bible sees sin, and how the work of Christ can be understood in African terms. The treatment of Christian living focuses on matters that are relevant to Christians in Africa and elsewhere, dealing with topics such as blessings and curses and the role of the church as a Christian community. The book concludes with a discussion of biblical thinking on death and the afterlife in which it also addresses the role traditionally ascribed to African ancestors.

A Study Guide and a Teacher’s Manual Gospel Principles was written both as a personal study guide and as a teacher’s manual. As you study it, seeking the Spirit of the Lord, you can grow in your understanding and testimony of God the Father, Jesus Christand His Atonement, and the Restoration of the gospel. You can find answers to life’s questions, gain an assurance of your purpose and self-worth, and face personal and family challenges with faith.

"Discusses the original context, iconographic program, and stylistic development of the Ancestors of Christ windows, which survive from the twelfth century and are significant examples of English medieval painting and monumental stained glass"--Provided by publisher.