The Choctaws are among the largest and best-known Indian tribes originally of the Southeastern United States, but over the centuries they have become one of the most acculturated to white ways, known more for what they absorbed of white culture than for their own distinctive traditions. Since the removal of the greatest part of the tribe to Oklahoma in the 1830s, Euro-American acculturation has become especially dominant. Nevertheless, among the isolated group of Choctaws that remained in Mississippi after Removal and a few individuals in Oklahoma, the old tribal dances and songs have been preserved. This book discusses all aspects of the Choctaw dances and songs performed today by dance troupes in Mississippi and Oklahoma. It describes the social organization of the troupes, the construction and use of their musical instruments, and their costumes. Extensive historical information surveys the early literature on Choctaw music and dance, the divergent experiences of the Mississippi and Oklahoma Groups, and the recent movement toward cultural revival among traditionalists in both states. The choreography for each dance that survives in the Choctaw repertory is described in detail and illustrated by photographs. The book also contains an overview of Choctaw dance music, with a classification of the song and in-depth analyses of musical elements, form, and design. The structure of dance events is reconstructed here for the first time. Musical transcriptions of thirty songs are included. The authors, using a comparative approach, have focused on the relationship between contemporary performances in Oklahoma and Mississippi. Despite regional variations in performance practice, the Choctaws have sustained considerable continuity in their dance and music in this century, successfully resisting fierce pressure to assimilate and thereby lose all remaining vestiges of their culture. This is the first book-length study of Choctaw music and dance since 1943, with much new information on the dances. It will be welcomed by ethnomusicologists, dance ethnologists, students of Native American culture, anthropologists, folklorists, and anyone interested in American Indian dance.

Reprint of the 1943 edition, which was issued as Anthropological paper 28 of the Bureau of American Ethnology, p. 101-188 of its Bulletin 136.

The intertribal pow-wow is the most widespread venue for traditional Indian music and dance in North America. Heartbeat of the People is an insider's journey into the dances and music, the traditions and regalia, and the functions and significance of these vital cultural events. Tara Browner focuses on the Northern pow-wow of the northern Great Plains and Great Lakes to investigate the underlying tribal and regional frameworks that reinforce personal tribal affiliations. Interviews with dancers and her own participation in pow-wow events and community provide fascinating on-the-ground accounts and provide detail to a rare ethnomusicological analysis of Northern music and dance.

This complete overview of the Choctaw people, from ancient times to the present, includes sections on history, cuisine, music and dance, current issues, oral traditions and language, social relationships, and traditional world view. Endeavoring to replace stereotypical images with a more accurate understanding of Native Americans, Culture and Customs of the Choctaw Indians explores the traditional lives of the Choctaw people, their history and oppression by the dominant society, and their struggles to maintain a unique identity in the face of overwhelming pressures to assimilate. The book begins with a historical overview of traditional Choctaw life, belief systems, social customs, and traditions. Moving to contemporary Choctaw communities, it looks at the modern-day Choctaw and the important issues they face. Separate chapters cover cuisine, social and kinship systems, oral traditions, arts, music, and dance, as well as current issues and tribal politics. Readers will see how many Choctaw people blend traditional beliefs with participation in and knowledge of the dominant society and economy, while continuing to speak and teach the Choctaw language and traditions in homes, churches, and schools.

In English, I’n-Lon-Schka means "playground of the eldest son." The dance, in which women are allowed only a peripheral role, celebrates traditional masculine values while helping to break down factionalism and feuding within the tribe. The participants, who now number in the hundreds, assemble each June in three Oklahoma communities-Pawhuska, Hominy, and Grayhorse-where the Dance Chairmen, the Drumkeeper (an eldest son of the tribe), and the dance organization have been preparing for the dance throughout the year. The I’n-Lon-Schka is religious in content and continues to establish conduct and ways of living for tribal members.

This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.

This complete overview of the Choctaw people, from ancient times to the present, includes sections on history, cuisine, music and dance, current issues, oral traditions and language, social relationships, and traditional world view. Endeavoring to replace stereotypical images with a more accurate understanding of Native Americans, Culture and Customs of the Choctaw Indians explores the traditional lives of the Choctaw people, their history and oppression by the dominant society, and their struggles to maintain a unique identity in the face of overwhelming pressures to assimilate. The book begins with a historical overview of traditional Choctaw life, belief systems, social customs, and traditions. Moving to contemporary Choctaw communities, it looks at the modern-day Choctaw and the important issues they face. Separate chapters cover cuisine, social and kinship systems, oral traditions, arts, music, and dance, as well as current issues and tribal politics. Readers will see how many Choctaw people blend traditional beliefs with participation in and knowledge of the dominant society and economy, while continuing to speak and teach the Choctaw language and traditions in homes, churches, and schools.