As LeAnne Howe puts it, "The American Indian adventure stories in Choctalking on Other Realities are three parts memoir, one part tragedy, one part absurdist fiction, and one part 'marvelous realism.'" The stories in this book "form the heart of [Howe's] life's journey, so far," chronicling the contradictions, absurdities, and sometimes tragedies in a life lived crossing cultures and borders. Section one is comprised of three stories about Howe's life in the 1980s working in the bond business for a Wall Street firm. Part of an otherwise all-male group of "guerrilla warfare bond traders," Howe was the only American Indian woman, and (out) democrat, in the company. Section two is about her life in the early 1990s traveling abroad as what she calls an "International Tonto" to places like Jordan, Jerusalem, and Romania, and to Japan, where she served as an American Indian representative during the United Nations' "International Year For The World's Indigenous People." Section three reaches back into Howe's experiences in the 1950s as an "unruly Indian girl" as well as the later evolution of her political consciousness and her activism. The epilogue, "A Tribalography," is a literary discussion of how to read Native and indigenous stories. LeAnne Howe is an enrolled citizen of the Choctaw Nation and writes fiction, poetry, screenplays, and creative nonfiction, primarily dealing with American Indian experiences. In 2012 she was honored with the Lifetime Achievement Award by the Native Writers' Circle of the Americas. Her first novel Shell Shaker received an American Book Award.

“Savage Conversations takes place somewhere in between its sources, between sanity and madness, between then and now, between the living and the dead. It pushes past the limitations of textual sources for telling indigenous history and accounts of insanity.” —Barrelhouse Reviews May 1875: Mary Todd Lincoln is addicted to opiates and tried in a Chicago court on charges of insanity. Entered into evidence is Ms. Lincoln’s claim that every night a Savage Indian enters her bedroom and slashes her face and scalp. She is swiftly committed to Bellevue Place Sanitarium. Her hauntings may be a reminder that in 1862, President Lincoln ordered the hanging of thirty-eight Dakotas in the largest mass execution in United States history. No one has ever linked the two events—until now. Savage Conversations is a daring account of a former first lady and the ghosts that tormented her for the contradictions and crimes on which this nation is founded.

Fiction. Native American Studies. MIKO KINGS: AN INDIAN BASEBALL STORY is an homage to the dusty roads and wind-blown diamonds of America's first moving picture about baseball, His Last Game. Just as Henri Day and his team, the Miko Kings, are poised to win the 1907 Twin Territories' Pennant against their archrivals, the Seventh Cavalrymen from Fort Sill, pitcher Hope Little Leader finds himself embroiled in a plot that will destroy him and the Indian team. Only the town's chimeric postal clerk, Ezol Day, understands the outcome of Hope's last game and how it will affect Indians and baseball for the next four generations. Set in Indian Territory that is about to become part of Oklahoma, MIKO KINGS tells of the turbulent days before statehood when white settlers and gamblers are swindling the Indians out of their land and what has already happened will change its course. "They're stories that travel now as captured light in someone else's telescope," Ezol Day will tell the woman who should have been her granddaughter. In MIKO KINGS, LeAnne Howe bends the pitch of time to return us to the roots of a national game.

Fiction. Native American Studies. Red Shoes, the most formidable Choctaw warrior of the eighteenth century, was assassinated by his own people. Why does his death haunt Auda Billy, an Oklahoma Choctaw woman accused in 1991 of murdering Choctaw Chief Redford McAlester? Moving between the known details of Red Shoes' life and the riddle of McAlester's death, this novel traces the history of the Billy women whose destiny it is to solve both murders—with the help of a powerful spirit known as the Shell Shaker. "LeAnne Howe has done it. SHELL SHAKER is an elegant, powerful and knock out story. I'm blown away."—Joy Harjo

Conversations with LeAnne Howe is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award–winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association’s first Prize for Studies in Native American Literatures, Cultures, and Languages for her travelogue, Choctalking on Other Realities (2013). Spanning the period from 2002 to 2020, the interviews in this collection delve deeply into Howe’s poetics, her innovative critical methodology of tribalography, her personal history, and her position on subjects ranging from the Lone Ranger to Native American mascots. Two previously unpublished interviews, “‘An American in New York’: LeAnne Howe” (2019) and “Genre-Sliding on Stage with LeAnne Howe” (2020), explore unexamined areas of her personal history and how it impacted her creative work, including childhood trauma and her incubation as a playwright in the 1980s. These conversations along with 2019’s Occult Poetry Radio interview also give important insights on the background of Howe’s newest critically acclaimed work, Savage Conversations (2019), about Mary Todd Lincoln’s hallucination of a “Savage Indian” during her time in Bellevue Place sanitarium. Taken as a whole, Conversations with LeAnne Howe showcases the development and continued impact of one of the most important Indigenous American writers of the twenty-first century.

In 1916, Kafka writes of The Sugar Baron , a dime-store colonial adventure novel, '[it] affects me so deeply that I feel it is about myself, or as if it were the book of rules for my life.' John Zilcosky reveals that this perhaps surprising statement - made by the Prague-bound poet of modern isolation - is part of a network of remarks that exemplify Kafka's ongoing preoccupation with popular travel writing, exoticism, and colonial fantasy. Taking this biographical peculiarity as a starting point, Kafka's Travels elegantly re-reads Kafka's major works ( Amerika , The Trial , The Castle ) through the lens of fin-de siecle travel culture. Making use of previously unexplored literary and cultural materials - travel diaries, train schedules, tour guides, adventure novels - Zilcosky argues that Kafka's uniquely modern metaphorics of alienation emerges out of the author's complex encounter with the utopian travel discourses of his day.

This collection focuses attention on theoretical approaches to travel writing, with the aim to advance the discourse. Internationally renowned, as well as emerging, scholars establish a critical milieu for travel writing studies, as well as offer a set of exemplars in the application of theory to travel writing.