In the tradition of Amy Tan, an hilarious and bittersweet memoir of growing up different in a very eccentric but traditional Chinese-Tasmanian family. Warning: Not to be read by convent girls not wearing their gloves. 'Ching Chong Chinaman' girls taunted Helene Chung in her Catholic school playground. An Australian-born Chinese growing up in 1950s Hobart, Helene not only dealt with being different from her blonde-haired, blue-eyed classmates but suffered the shame of having divorced parents. And she kept a shocking secret - her mother, Miss Henry, was a nude model, who also lived in sin with a foreign devil and drove a red MG. Surviving the embarrassment of childhood, Helene discovered the thrill of the theatre, fell into journalism and travelled the world. She became the first non-white reporter on Australian tV and the first female posted abroad by the Australian Broadcasting Corporation. CHING CHONG CHINA GIRL is filled with honesty, humour, love and loss, and gives insight into life that traverses cultures East and West.

"Ching Chong China Girl portrays four generations of Tasmanian Chinese and canvasses changes in society from White to Multicultural Australia. Its theme is the search for identity with the sub-themes of East versus West, the integration of Australian and Chinese values, and my accidental career in journalism. Unlike conventional agonising over a Catholic childhood, this memoir, with its racial, religious, sexual and sexist humour, agonises over both the colour of the flesh and the sins of the parent's flesh. It is also an amusing expose of off-air antics inside the once-chauvinist ABC. A former Beijing correspondent, the first non-white reporter on Australian TV and the first female posted abroad by the Australian Broadcasting Corporation, I am a fourth-generation Tasmanian Chinese. A daughter of Australia's first Chinese divorcees, I grew up in 1950s Hobart. My sister and I were the only ones at our Catholic school with divorced parents. We were the only two with black hair. In that world of fair-haired girls from nice homes with Holden cars, we kept a shocking secret. Our mother, Miss Henry, was a nude model. She lived in sin with a foreign devil and drove a red MG. Fortunately, the family feud kept our father's three other marriages under wraps."--Provided by publisher.

The ultra-assimilated Wong family is as Chinese-American as apple pie: teenager Upton dreams of World of Warcraft superstardom; his sister Desdemona dreams of early admission to Princeton. Unfortunately, Upton's chores and homework get in the way of his 24/7 videogaming, and Desi's math grades don't fit the Asian-American stereotype. Then Upton comes up with a novel solution for both problems: he acquires a Chinese indentured servant, who harbors an American dream of his own.

The story of three generations in twentieth-century China that blends the intimacy of memoir and the panoramic sweep of eyewitness history—a bestselling classic in thirty languages with more than ten million copies sold around the world, now with a new introduction from the author. An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution. Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.

Tikki tikki tembo-no sa rembo- chari bari ruchi-pip peri pembo! Three decades and more than one million copies later children still love hearing about the boy with the long name who fell down the well. Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo. Tikki Tikki Tembo is the winner of the 1968 Boston Globe - Horn Book Award for Picture Books.

It's 1938 and the exclusive Oriental nightclub in San Francisco's Forbidden City is holding auditions for showgirls. In the dark, scandalous glamour of the club, three girls from very different backgrounds stumble into each other lives. All the girls have secrets. Grace, an American-born Chinese girl, has fled the Midwest and an abusive father. Helen is from a Chinese family which has deep roots in San Francisco's Chinatown. And, as both her friends know, Ruby is Japanese passing as Chinese. Then, in a heartbeat, everything changes. The Japanese attack Pearl Harbor and paranoia, suspicion, and a shocking act of betrayal, threaten to destroy their lives.

As China opens itself to the world and undertakes historic economic reforms, a little girl in the southern city of Guangzhou immerses herself in a world of fantasy and foreign influences while grappling with the mundane vagaries of Communist rule. She happily immigrates to Oakland, California, expecting her new life to be far better in all ways than life in China. Instead, she discovers crumbling schools, unsafe streets, and racist people. In the land of the free, she comes of age amid the dysfunction of a city's brokenness and learns to hate in the shadows of urban decay. This is the unforgettable story of her journey from China to an American ghetto and how she prevailed.